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I had to look back at what had been mentioned as that brought a different idea which I certainly have no intention of testing.Yes...I've tested them and also others with some ribs pattern and various colours.
I had to look back at what had been mentioned as that brought a different idea which I certainly have no intention of testing.Yes...I've tested them and also others with some ribs pattern and various colours.
Every GOOD solution starts with an analysis of the problem. Another elegant solution is to find a mouthpiece that works, then commit.I wouldn't dare (much) it feels too barbaric to widen the bore of some vintage MP I use.
Sometimes, I avoid certain MPs in view of the fact it would be a real struggle inserting them in certain necks - an elegant solution would be 2 necks for each sax....one to accomodate the narrower bores the other for the widers' - yes, I have too many saxes and too many MPs and never found the right set up....
Silicone sleeve over cork. Sorted!2) I don’t see any of these “solutions” presented in a geometry that results in a cylinder

I guess one can adhere the sleeve to the neck. Is RTV silicone effective as an adhesive for cured silicone rubber? (Genuine question here.)Every GOOD solution starts with an analysis of the problem. Another elegant solution is to find a mouthpiece that works, then commit.
Back to the silicone sleeve concept:
1) How does the silicone know which interface is supposed to slip? Mouthpiece/sleeve vs sleeve/tube?
2) I don’t see any of these “solutions” presented in a geometry that results in a cylinder, hence moving the mouthpiece further up the sleeve will always create more force and cause the sleeve to bunch up.
Personal observation of someone that has been playing for 50+ years: Cork works really well - even better if properly applied.
Great question ! Will look to see what grade RTV I have to test with.I guess one can adhere the sleeve to the neck. Is RTV silicone effective as an adhesive for cured silicone rubber? (Genuine question here.)
yes, you are spot on.That material on left looks like surgical tubing ? Dunno what the composition is?
Well, I wasn't the one who said "find one then commit" but I'm pretty much in that camp. I've tried several different pieces, but I've got one each for everything except tenor where I have two - one for everything that isn't loud screaming rock and roll, and one for everything that is.@turf3 " Another elegant solution is to find a mouthpiece that works, then commit...."
Commit? Yeah - the word alone frightens me...
I remember many years ago I was about to sell a Beechler thinking it was too bright/sharp...now its one of my favourites. So many similar examples...you think you've found the right mouthpiece or setup not realizing there were many other factors affection your "choice" or "sensation"....even the humidity level of the day and your mood too (just a few examples in the equation).
I mean...after all these years I'm keeping a sort of system - top rows for the best, bottom for the worst...I'm getting there but so many times these slots have been changed...
Usually they’re served on a plate with a bit of applesauce.Chops don't come in a box.
it's not about "trouble" it's about fun...it's fun experimenting.Well, I wasn't the one who said "find one then commit" but I'm pretty much in that camp. I've tried several different pieces, but I've got one each for everything except tenor where I have two - one for everything that isn't loud screaming rock and roll, and one for everything that is.
C soprano - same MP since ~2018
Bb soprano - same MP since ~1998
Alto - same MP since ~1995
Tenor - same jazz MP since 1978, same rock MP since 1981 or 82
Baritone - same MP since ~2007
Bass - same MP since ~2015
So for the main horns alto tenor and baritone, I haven't changed mouthpieces on any of them for 18 years.
Give it a try!
The only time I have reed or mouthpiece trouble is when I haven't been practicing enough.
Yeah, I get that. I’ve a friend that has dozens of tenors and likely 100+ mouthpieces.it's not about "trouble" it's about fun...it's fun experimenting.
Until now I never had to cork a crook twice.It can last 50 years if you never put a mouthpiece on it 😉 Moderate-usage, repeated on-and-off over several years ? The cork would need changing far sooner than that...Most folks wait until there's damage before replacing but again, that will come sooner than two generations (?)
How do you know it was due to moisture and not just old age?but once I saw a polyurethane pad that lost its elasticity in around 30 years due to contact with moisture.
The tone hole side of the pad was hard but the glued side was still elastic. So it looks like aging due to contact with moisture.How do you know it was due to moisture and not just old age?
Light is an environmental factor in polymer aging as well.The tone hole side of the pad was hard but the glued side was still elastic. So it looks like aging due to contact with moisture.
