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It'd be pointless me doing that. I'd just forget it.I think John's point is that he is getting it, by ear, into his memory and on into his playing but not doing the writing it down stage.
It'd be pointless me doing that. I'd just forget it.I think John's point is that he is getting it, by ear, into his memory and on into his playing but not doing the writing it down stage.
You don't play it first then?I write out transcriptions using pencil and music staff paper while using "Transcribe". For each phrase or segment I like to first just put in the note heads and then when they are correct, I go back and add the stems to the notes and work out the rhythm, adding rests etc. Figuring out the rhythm is often harder than getting the right pitches.
Yeah. I usually check my work before putting it into Finale or BiaB. I will often play each phrase or section as its completed.You don't play it first then?
this is the way I have done for the most part. Which way is thought to be best?I am beginning to do a different kind of transcribing than I have done in the past. This time I am learning to play improvised solos by ear, and not writing anything down. It is challenging because I have to remember previous sections as I go on to learn new ones. My first effort has been the bridge of Easy Living by Phil Woods. I'm finding that I am learning a lot about style and articulation along with the notes by doing it this way.
Let's see if I can explain it this way. While transcribing a solo and writing it down as you go you are essentially done with each section as you put it to paper. Basically you are harvesting notes and rhythms from the audio recording.I'm afraid I still don't see how not writing it down helps.
Maybe you are ok with your style and just want the notes and rhythms. That is good too (and a lot faster).Ok, ta. I think I see what you're getting at now.
Style?Maybe you are ok with your style and just want the notes and rhythms. That is good too (and a lot faster).
I write out transcriptions using pencil and music staff paper while using "Transcribe". For each phrase or segment I like to first just put in the note heads and then when they are correct, I go back and add the stems to the notes and work out the rhythm, adding rests etc. Figuring out the rhythm is often harder than getting the right pitches.
If it is something I want to keep or share with others, I take my handwritten transcription and put it into either Finale, or BiaB. This is my most ambitions transcription to date, the piano intro on the duet I played with Rhyson on the tune Sunny Side.
Do you do this when you are improvising say on IOTM threads?
Jx
Haaa ! Nor do I Jeanette !!!!!!!!!!!!!No we wouldn't allow that here I don't like the sight of blood.
Jx
Hey guys whats up!! This thread has really taken off and is awesome! Sorry for being inactive for so long. Here is what I am working on currently, Coleman Hawkins solo on Blues for Yolande. Absorbing history is essentially what I am doing at the moment and I really really dig his playing so much! Also been checking out plenty of Charlie Parker, Paul Desmond, and Ben Webster. Anyway, I was listening to his solo and he does this sort of screaming or really high pitched squeeling effect while playing the high notes on his solo around 2:34. I was wondering has anyone any idea how he produces that effect? Been racking my brains trying to figure it out, is it a growl of some sort or something all together?
Thanks! Hopefully we can get this thread revived!! Love reading what everyone has been working on, very interesting and insightful!
Peace out,
Micheal.
Here you go. TranscribeHi ' jbsax'.
I am wondering where I can hear this recording that you are mentioning please.
Also, can you please tell me about this ' transcribe ' program ? thankyou !
only 3 weeks??????????? gosh!Ok folks. After 3 weeks of work and countless hours practicing and listening, I finally have Phil's solo in my head and under my fingers. It is not quite polished yet, but I'm getting closer. Not a note was written down because it was all learned by "ear". It wasn't easy, but I think it was worth it in the end. Let me say I think this is the best thing I have ever done to improve my jazz playing. I can't wait to start on the next one.