Mouthpieces Mpc shortlist for sax.co.uk visit

What's to 'hate' about a saxophone anyway ?

They seem pretty inoffensive objects...... although, in the hands/mouths of *some* players....... >:)

It's a pity sax.co don't sell RPCs..... I think many people's search would immediately be over 🙂
 
Bobby G wrote:
Has anyone tried one of Ed Pillinger's mouthpieces?

Yes, they are very good. My Selmer Soloist alto mouthpiece was refaced by Ed - he gave it the same facing as a meyer 6 which I'd been using and really liked, but it was slightly too edgy. The job he did on the solist was great.

I tried some of his bari mouthpieces , very nice and I use a Pillinger mouthpiece on clarinet.
 
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nach.. what i dislike about the yani saxes is the inoffensiveness of them..and the blandness of most i have tried..it not the sound of the thing, im quite happy to listen to someone else play one. its the horn in your hand.. i guess its like Volvos..you either love them or hate them
 
Pete Thomas wrote:
Bobby G wrote:
Has anyone tried one of Ed Pillinger's mouthpieces?

Yes, they are very good. My Selmer Soloist alto mouthpiece was refaced by Ed - he gave it the same facing as a meyer 6 which I'd been using and really liked, but it was slightly too edgy. The job he did on the solist was great.

I tried some of his bari mouthpieces , very nice and I use a Pillinger mouthpiece on clarinet.

Part of the reason I ask is because of Ed's refacing abilities as well as his own mouthpieces - I have a couple which I'd like to be done (a Meyer 5 for alto is a bit narrow, similarly my Soloist for tenor), and he lives probably about half an hour down the road from me. I imagine if he knows his stuff then his sax mpcs are gonna be pretty good too.

Cheers, Bob
 
mfox wrote:
nach.. what i dislike about the yani saxes is the inoffensiveness of them..and the blandness of most i have tried..it not the sound of the thing, im quite happy to listen to someone else play one. its the horn in your hand..

On my experience of Yani's, I tend to agree; I had a tenor (recently sold by Jambo after being swapped for his Dolnet alto) which, while very nice to play, was a bit bland I suppose. I prefer my cheeky old Yamaha 23 tenor.

i guess its like Volvos..you either love them or hate them

Never having driven one I can't say, but I know how a lot of non-Volvo drivers feel about them, and it ain't pretty.

On the other hand, the car in front is a Toyota, but why is the one up your a**e always an Audi?

Cheers, Bob
 
Interesting how quickly the discussion has gone from my quest for a sax mouthpiece to a cow's rear. 🙂

Especially as when I play my tenor I actually *sound* quite like a cow's rear. :?
 
And the results are in! Please bear in mind that these are just the impressions of a very inexperienced player. Your Mileage May (and almost certainly will!) Vary!

9th - Selmer S80

I just didn't get on with this mpc at all. I know some people swear by them but as soon as I put it on the crook I was squawking notes and having problems where previously I'd had none. When I did play it cleanly I didn't really care for the tone. YMMV, but this one just wasn't for me!

8th - Berg Larson Grained Ebonite

A monster! A great piece for rock, and I'm sure more experienced chops could play it smooth and mellow. Mine couldn't! 😀

7th - Vandoren V16

Great at the top and huge at the bottom but (to me, in this company) it sounded a little harsh in the middle. Also the tip opening (T7?) was way more than I could handle.

6th - Otto Link

Incredibly resistant, and the tone wasn't quite what I was looking for. I wasn't really comfortable with it. Sorry!

5th - Vandoren Java

Nice piece, and a lot easier on my chops that that whacking great V16! Like the V16 though, the tone seemed to have a harsh edge to it. Probably just my inexperience showing through.

4th - Jody Jazz Classic

I really liked this one! With the spoiler out it played really nicely all the way up and down, pacey or smooth whichever you liked. Free-blowing too. Put the spoiler in and it turns into a complete animal! I thought I was going to shatter the glass booth! (I didn't! 🙂 ) However the tone wasn't quite as rich or full as some of the others and with the spoiler in I had a touch of squawking around D2 (nothing major but enough to make me concentrate to get rid of it). Very nice piece though. I could have happily lived with it and if I played more rock...! Hmmm...!


That left three and all of 'em were belters!

2nd equal - Yanagisawa Ebonite

Yani players get this with their horn?! The lucky beggars! It's a cracker! Smooth, rich, warm and versatile. I would have snapped this up in a heartbeat. The only reason I didn't was that it didn't subtone quite as easily as the winner. Superb piece though!

2nd equal - Meyer 6M

Wow! I hadn't expected to but I really loved it! Absolutely gorgeous tone, rich and warm and suited my ballads and blues down to the ground. Again only a hair split it from the winner, and that was versatility. When the pace increased it didn't respond *quite* as well as the winner. Not much in it, but given that it was also significantly more expensive it didn't quite make the cut. Sooooooo close, though!

And the winner?

Jody Jazz HR*

One of the cheapest mpcs I tried and yet (to me) the nicest. The tone is almost as full and rich as the Meyer but upshifts to quicker, more raucous music seemlessly. As free-blowing as the Classic, subtones easier than the Yani, lovely warm tone throughout.

And easier to play than my Yamaha 4C! As soon as I started blowing it several cracked-note / squawking problems that I had just vanished! I tried it in a 6*, but it was more than my (by that stage knackered!) chops could handle, so I went home with a comfy 5*, a Rovner Light lig and a great big grin!

Many thanks to all here for the suggestions. Many thanks to Jules for the help, advice, hospitality, patience and not tempting me with any saxes!

Thank God they're at the other end of the country...! 😀
 
If I see a mint Meyer 6M on ebay at a knock-down price I might be tempted. Otherwise I think I'm good until my chops outgrow the 5*.

Which might be a while!
 
Quick update on the HR* -

A (fairly demanding) course at work followed by a heavy cold separated me from my horn for a few days and when I came back to it the HR* was squeaking like it needed oil! Anywhere above C2 and it was diabolical!

This on one of my favourite reeds too. I tried swapping to another of my favourites and had the same problem. Fiddling with the lig achieved nothing either.

So I opened a fresh pack of RJS 2Ms and tried a brand new reed...

Problem solved! No squeaks at all and, glory be, back came that gorgeous tone I (dimly) remembered from sax.co.uk!

Then I thought about how long I've been using my "favourite" reeds... Ahem. Yes, well... Maybe they were due a change...! :blush:

Moral of the story - The JJ HR* 5 gets me closer to my desired tone than the Yamaha 4C, but it's a bit more particular about the condition of reeds! (I reckon I can live with that *quite* easily!) 😉
 
Bobby G wrote:
I'm sure it's been mentioned before, Frank, and you probably already do this, but rotating a few ( say four or five) of your favourite reeds is a good idea.

Yep. However, rotating the same favourites over... ahem, yes. Well, let's just say "quite a protracted length of time"(!) is not recommended!

I can be such a spanner at times! :blush:

I've opened my reserve box of RJS and ordered a couple more.
 

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