I could try Vandoren Java 1’s but I fear they will die very quickly.Just buy a softer reed I reckon
I did this but also flattened the table by laying the sandpaper on the glass and pulling the reed along it, being careful not to touch the part that flexes. The reed played better after everything and seemed to solve my issue of not being able to easily control the low notes on my tenor.Sand in the colored triangle areas pictured here. If the reed is too hard, mostly sand along the edges (“rails”) of the reed.
Test often, and make sure the two sides are even by twisting the mouthpiece in your mouth as you play - push one side down against your lower lip, and you are playing the opposite side of the reed. Strive for even tone and response from both sides. This is called “balancing” the reed.
It’s easiest to do this with just the neck and mouthpiece; only use the full horn when you are near the right strength and the sides are balanced.
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Do you want your reed to produce a softer tone/sound or a softer feeling in ýour mouth/lips?Any tips for getting my reeds to play softer? I have some 400 grit sandpaper here and a glass surface. What can I do?
See here:Any tips for getting my reeds to play softer? I have some 400 grit sandpaper here and a glass surface. What can I do?
all the reasons why I play Legeres🥴Yipes, droogies.....
I guess I am not as refined as most folks here.
I do know sanding down your reeds is a...thang....as is dunking them in liquid a half hour before you play and a variety of other ceremonies...
But I just find the couple brands in couple of strengths which work for me....and play 'em.
If I come across one once in a while I either do a quasi-conscious adjust because I noticed this one is playing a tad differently from the last three....or I give it a toss....
Neanderthalic, maybe, but...it works fine for me....
Not doubting that the suggestions above are not appropriate....but is this really something a hobbyist, self-taught player , as the OP is....should spend time on ?
Most hobbyist pkayers can likely try six brands/strengths of reed and find one quite acceptable , no ?
I don't want to adjust reeds either and in the past avoided doing this because it never seemed to make anything better. But this time it worked really well. I think it's because I didn't file down the flexing part of the reed table, the heart of the reed or the tip. With 400 grit sandpaper the process is quick. Should I really spend more money on softer reeds (which may be too soft or die faster,) when I can just work on the reeds I have? I used a Rico Jazz Select 2M un-filed reed, but I also have some Java green 2's. I think if I adjust the reeds the brand doesn't matter that much, but I like the RJS reeds because they are bit longer which matches my mouthpiece better (the mouthpiece is a Rico Jazz Select, so maybe they are made for each other.)Yipes, droogies.....
I guess I am not as refined as most folks here.
I do know sanding down your reeds is a...thang....as is dunking them in liquid a half hour before you play and a variety of other ceremonies...
But I just find the couple brands in couple of strengths which work for me....and play 'em.
If I come across one once in a while I either do a quasi-conscious adjust because I noticed this one is playing a tad differently from the last three....or I give it a toss....
Neanderthalic, maybe, but...it works fine for me....
Not doubting that the suggestions above are not appropriate....but is this really something a hobbyist, self-taught player , as the OP is....should spend time on ?
Most hobbyist pkayers can likely try six brands/strengths of reed and find one quite acceptable , no ?
I you were truly that old, you would HAVE to adjust reeds. Or maybe make ‘em from scratch. Stanley Drucker talks about when he was a kid, Vandoren reeds (for clarinet) did not come strength graded. Learning to adjust them was a must.Neanderthalic, maybe, but...it works fine for me....
Yes. It is simple to do (see my post above) and the benefits are many. I spend about 5 minutes adjusting each and every reed I play, I do it as soon as I take it out of the box, I never worry about it again, and I almost never throw one out before it has given its all in the service of music. Furthermore, I always have a good reed available. Of course, I can’t blame my reeds for my shortcomings…but is this really something a hobbyist, self-taught player , as the OP is....should spend time on ?
I don’t recommend this approach, even to weekend warriors. I am not against the IDEA of synthetics, but I have yet to play one that was any good.all the reasons why I play Legeres🥴
Yipes, droogies.....
...but is this really something a hobbyist, self-taught player , as the OP is....should spend time on ?
Most hobbyist pkayers can likely try six brands/strengths of reed and find one quite acceptable , no ?
I appreciate the art of fine tuning, and no doubt when it comes to sax my playing is firmly hobbyist as it is not my primary axe...so I defer to those who are expert ...but I gotta just share ...been playing with sax player friends and bandmates for 40+ years...I cannot recall many who actually filed their reeds...they occasionally complained about bad ones, and switched 'em out...and a few have even given me a tutorial on how to choose the better ones , visually...Yes. It is simple to do (see my post above) and the benefits are many. I spend about 5 minutes adjusting each and every reed I play, I do it as soon as I take it out of the box,
That's a pretty reasonable explanation....I don't want to adjust reeds either and in the past avoided doing this because it never seemed to make anything better. But this time it worked really well. I think it's because I didn't file down the flexing part of the reed table, the heart of the reed or the tip. With 400 grit sandpaper the process is quick. Should I really spend more money on softer reeds (which may be too soft or die faster,) when I can just work on the reeds I have? I used a Rico Jazz Select 2M un-filed reed, but I also have some Java green 2's. I think if I adjust the reeds the brand doesn't matter that much, but I like the RJS reeds because they are bit longer which matches my mouthpiece better (the mouthpiece is a Rico Jazz Select, so maybe they are made for each other.)
Maybe you just did it wrong, like starting at the tip of the reed and working your way backwards, I know for sure that doesn't work. Not saying that that's what you did but there are many wrong ways of adjusting reeds and only a few right ones,I don't want to adjust reeds either and in the past avoided doing this because it never seemed to make anything better
But he is!I you were truly that old, you would HAVE to adjust reeds. Or maybe make ‘em from scratch. Stanley Drucker talks about when he was a kid, Vandoren reeds (for clarinet) did not come strength graded. Learning to adjust them was a must.
I wrote this for some weeks ago: " An autodidact person is not only about "self learning". Often there is a deep interest to learn something without guided instructions by a teacher, high self-motivation, the striving to care less about learning institutions, to controll "my own" destiny ...."Not doubting that the suggestions above are not appropriate....but is this really something a hobbyist, self-taught player , as the OP is....should spend time on ?
