There's an effortlessness to the Yamaha whereas the Luxor sounds like it needs more player input.
Very cool...even though he is no looker, post a picture here if you wanna, this might in fact be the most useful thread on Arta there is (?)Thanks @JayeNM for the great write-up about the Arta Guban. Probably the most comprehensive on the 'net so far. I've got an tenor Arta Guban myself, but it needs some repadding now, to allow the lower notes to work again (everything below low D!). Last time I played it must have been around 2006. I've taken a break from sax playing until this year ('26) when I got myself a shiny new one with a visit to London's sax.co.uk. (They were wonderful - recommended). I was initially thinking of selling my Arta (if I could fined a taker!), but since finding the above posts, I intend to get it back to full working condition. Mine is a standard brass offering. The laquer has peeled off in places, there's discoloration on some of the keys and there's a couple of dents. Even now though, the sound is pretty good (where the pads don't need replacing!)- it has a real 1950's jazz sound. Engraving is there, together with the facia at the joints as per the pictures.
BTW mine is serial 36, stamped directly on the rear of the body and on the back of the stem of the neck. I wonder what date that would be? Probably soon after the end of WW2? Maybe 1947 or so.
Thanks for the ideas @JayeNM - I didn't know one could do a DIY relacq - but I can imagine it would be so bad if I was doing it.. So maybe bathe and polish is the way to go. Bare brass with a hint of patina sounds like it could look quite classy.relacquers are hella pricey...a decent one is around $2g these days. Do not DIY a relacq, it will turn out very bad.
Problem with paint, even auto paint, is that padwork, etc requires a heat torch, flame, painted finishes cannot withstand that so the paint would burn. Also dent removal on a painted finish could crack the finish.
Two choices...chem bathe it professionally, and hand polish, let it just be what it is gonna be...or....strip the lacq off and hand polish to a shiny bare brass, let it patina over time...there is a chance it will not patina nicely, but as much chance it will
It can go well...or not well. The thing is if the patina doesn't develop in right direction (say it becomes spotty and stained with red rot from sweat or moisture), you can always clean it back down to bare, and use a different polish and perhaps a sealer/wax hand applied to try it again.Thanks for the ideas @JayeNM - I didn't know one could do a DIY relacq - but I can imagine it would be so bad if I was doing it.. So maybe bathe and polish is the way to go. Bare brass with a hint of patina sounds like it could look quite classy.
Maybe .... but I would say ..... most engineering products in the Eastern Bloc usually came out of the DDR. Why? Maybe they needed dollars ?????the best engineering products in the Eastern Bloc usually came out of the DDR
The Hungarian Tarogat was also made in Romania. Despite it being a wooden instrument they didn't have to start from scratch. The Timisoara saxophone was made in the same factory. Here is some Romanian music made in the city with the same name:I dug this thread up today, having had a close look at a friend's Arta Guban horn at our big band this afternoon. I translated (well, Google did) the German article up-thread - what a complicated history, and what determination must have been necessary to get large scale production going in communist Romania. Especially, my Polish friends usually tell me the best engineering products in the Eastern Bloc usually came out of the DDR - but here it seems the most craftsmanlike saxes came from Romania, which was not known for consumer goods at all, made in a workshop associated with a communist shoe factory led by Germans originally making instruments there during pre-great-war Austria-Hungary. It seems production ended when the scion of the family defected in '77 and his father (who ran the factory previously) died in '78. What an epic story!
