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Buy a Yamaha to learn on without drama. Then indulge your other saxophonic desires when your budget allows.
George is one of those techs who knows how to set up older style horns. You are doing the right thing.George at 2ndending is sending me a list of some options tomorrow, I'll let you all know what he suggest. I asked for suggestions under 1000, he said he's sending suggestions in the 500-750 range. I'll see what he has and that would take care of setup, etc I may go a little higher but we'll see.
I have no idea. I just was made aware of it through the video I linked earlier.Is this see saw Bb thing called a tilting table?
The Thomann as580 has it. It's a yas62 copy. I use mine for busking and rainy parades because it was cheap. Despite it being cheap it has good intonation, a lovely action and a flexible tone. Bought in 2022 and still plays great top to bottom.
I can't seem to find a link
TAS580GL. £569 Inc VAT
This is a wise route. 🙂George at 2ndending is sending me a list of some options tomorrow, I'll let you all know what he suggest. I asked for suggestions under 1000, he said he's sending suggestions in the 500-750 range. I'll see what he has and that would take care of setup, etc I may go a little higher but we'll see.
And he's a well respected member here. Good move.George at 2ndending is sending me a list of some options tomorrow, I'll let you all know what he suggest. I asked for suggestions under 1000, he said he's sending suggestions in the 500-750 range. I'll see what he has and that would take care of setup, etc I may go a little higher but we'll see.
I'm not so sure it is.This is a wise route. 🙂
I've never owned a vintage horn but I'm sure it's easy to produce a bad tone on one, in the wrong hands. Equally, it's quit possible to produce great tone on a modern instrument...I'm more interested in tone, then probably anything else. If I have to wait a little bit of extra time in the future, if I need it to be serviced, I don't mind that wait, if it means I'm going to get a great tone.
Ah... you read it differently to me.I'm not so sure it is.
So with that logic you're saying all horns are the same. Ummm no.I've never owned a vintage horn but I'm sure it's easy to produce a bad tone on one, in the wrong hands. Equally, it's quit possible to produce great tone on a modern instrument...
... The "right hands" are ones which have spent many many hours wrapped around a brass tube while the right face blows wind down it!
Maybe spend your waiting time practicing on a reliable instrument?
That doesn't follow at all. mizmar is absolutely correct. The quality (or not) of tone generation comes from player/embouchure, mouthpiece, reed, saxophone in that order. The actual tone properties of the saxophone do come into play, but less important then the other factors.So with that logic you're saying all horns are the same. Ummm no.
I'm actually hesitant to say that. No matter the instrument people usually have canned answers if you tell them you're a beginner. They always say "start with this then buy that", I'd rather just skip this and buy that. "This" is a waste of money. With all respect, I'm going to go ahead and ask it... What about a sax for beginners could be so important that you don't want to miss? The fingerings are standardized, the action is probably higher (I'm guessing), the mouthpiece seems like it would be of more concern for a beginner, yes? Help me understand.Ah... you read it differently to me.
I'm thinking an overhauled Yamaha Vito, Jupiter 7/8+ series, or something else "modern" unless the OP doesn't let on he's a beginner. I don't think George would push him down the vintage route.
Oh I didn't mean I disagree with that at all. I mean looking for a horn that has the tonal properties you might not be able to access as a beginner but can grow to access is all I'm trying to do. Get a horn that is known to be of good tone and grow into it. The same logic applies to many things, something you can grow into.That doesn't follow at all. mizmar is absolutely correct. The quality (or not) of tone generation comes from player/embouchure, mouthpiece, reed, saxophone in that order. The actual tone properties of the saxophone do come into play, but less important then the other factors.
Further, when people discuss saxophone tone, they often are talking about the player's sound which is not the same thing as tone.
A vintage Buescher, Selmer MKVI or solid silver Yanagisawa will have a negligible impact on the sound of a beginner. Likewise professionals can very often get a good sound on cheap (Chinese) instruments.
Not with my logic, ummm no.So with that logic you're saying all horns are the same. Ummm no.
OK, but I was just pointing out that your interpretation of what mizmar said, wasn't what he actually said or meant. What he said was basically the same as what I said.Oh I didn't mean I disagree with that at all. I mean looking for a horn that has the tonal properties you might not be able to access as a beginner but can grow to access is all I'm trying to do. Get a horn that is known to be of good tone and grow into it. The same logic applies to many things, something you can grow into.
Not really. I can't answer for everyone, but can give an answer based on my own professional experience, and for me I just work with whatever action it is set to - messing around with higher or lower action that standard tends to just give you tuning or intonation issues.the action is probably higher
I would agee 100% with that.I do think it can be important to have an instrument that you really want to pick up and play. Whatever your tastes; tenor, alto, new, old, shiny, tarnished... Sure, it could be part what maintains motivation.
And a horn in poor working order can be discouraging. You don't want to be fighting the horn; it's mettle, you are meat, it will win.
But, the folklore round these parts attributes "the sound", in priority order, to: the player -- the Reed, mouthpiece (or vice versa) ----- Horn.
Why?I'm not so sure it is.
