Tone or Sound Do you guys think vibrato on saxophone is tacky?

Playing solo, add vibrato, or not, as your taste and inclination dictate. When playing with other horns, whoever is playing lead gets to dictate. So if you aren’t the lead voice, follow whoever is.

Glenn Miller’s sax section was famous for their matched vibrato style, generally at the rate of a 16th note. There are certainly definite styles of vibrato; it only became more individual (and varied) in jazz music with the rise of small band music, where unique self-expression was a prized attribute. Early be-boppers were certainly trained in the use of vibrato in a section, since so many got their start in big bands. Players of later generations are more individual.

As students of music, it behooves us to learn the common ways that vibrato was used by various players in various eras. As individual players, whether playing a set melody or improvising, applying vibrato in a way that suits the genre we are playing only enhances the performance. “Tacky” then becomes a matter of taste, and perhaps a judgement of whether a particular vibrato is appropriate in a particular context.

All that said, I stand by my original answer to the OP’s question of whether vibrato is tacky - namely, “no”.
 
I love using vibrato almost by default but I try to think about when not to use it or use less of it. It’s harder to play vibrato on bassoon so I think bassoon jazz is similar to what a sax would sound like without (or with less) vibrato.

Why do you claim that vibrato is harder to play on bassoon? Do you play bassoon?
 
Ads are not displayed to logged in members. Yay!

Popular Discussions on the Café

Latest Song of the Month

Forum statistics

Topics
31,875
Messages
563,747
Members
7,944
Latest member
Marty
Back
Top Bottom