SOTM SOTM July 2021: "I Wish I Knew How It Would Feel to Be Free"

Just noticed this thread. Here's a go at it I recorded about a month ago...

View: https://youtu.be/Iobj8cbiAF0
This is beautiful and scary, since you seem to be able to foretell the future. I think it wrong for me to make too many suggesting for alterations given that I am hardly an advanced player and, especially because I won't be able to post a recording myself, although I intend to rectify this in the not distant future. However, since you move so very smoothly and effortlessly around on the sax, I think it would add something extra if you loosened up a bit on the entire tune, as you do at the very end. Just a thought.
 
This is beautiful and scary, since you seem to be able to foretell the future. I think it wrong for me to make too many suggesting for alterations given that I am hardly an advanced player and, especially because I won't be able to post a recording myself, although I intend to rectify this in the not distant future. However, since you move so very smoothly and effortlessly around on the sax, I think it would add something extra if you loosened up a bit on the entire tune, as you do at the very end. Just a thought.
Thanks very much. I was still pretty new to it, so far from fully accustomed to it, and found I needed to concentrate quite hard, yet still made plenty of mistakes. It wasn't so much foretelling the future. I'd just decided to post a standard a day on my Facebook page, mostly stuff I've played quite a bit, but I'd only just decided to put this one in my pad with a view to possibly making it a part of my repertoire. I've played it at a gig twice since then. It still catches me out!
 
Just because you didn't play what you meant to, doesn't mean what you played is a mistake.
Sometimes you have to go with the flow and see where it leads, which is best achieved by listening to what you're actually playing and not worrying if it's right or wrong.
The playback is often disappointing right away. A day later and it may reveal something you were un aware of.
A friend of mine once said to me after a performance.
"I liked the way you got out of that one"
I'm still trying to get out.
 
Just because you didn't play what you meant to, doesn't mean what you played is a mistake.
Sometimes you have to go with the flow and see where it leads, which is best achieved by listening to what you're actually playing and not worrying if it's right or wrong.
The playback is often disappointing right away. A day later and it may reveal something you were un aware of.
A friend of mine once said to me after a performance.
"I liked the way you got out of that one"
I'm still trying to get out.
I know what you mean in terms of sometimes a note comes out, which wasn't the note I was expecting, so jars a bit momentarily, but on listening back later isn't offensive at all, or at least wouldn't be enough for anyone else to think anything of or even notice. And there can be all sorts of little accidents, often happy accidents, like where your subconscious, or "muscle memory", take over and insert something without you thinking, and that can sound fine. But equally there are, for me at least, things I have to call mistakes, where a note really clashes (and not in an acceptably jazzy way to my ears). And then there are the ones where my mind and embouchure were clearly expecting one note but my fingers played another one and what came out was neither, and more akin to a poorly concealed fart.
 
I guess the thread is dead.

@nigeld
Thank you for letting me host.

@everyoneelse
Thank you for contributing or listening.

Finally, I wish to apologize for not having posted a recording myself. Surely, that must have been discouraging. I will aim to get the necessary gear and thus atone in the future.

Best to y'all.
 
I guess the thread is dead.

@nigeld
Thank you for letting me host.

@everyoneelse
Thank you for contributing or listening.

Finally, I wish to apologize for not having posted a recording myself. Surely, that must have been discouraging. I will aim to get the necessary gear and thus atone in the future.

Best to y'all.

Thanks for choosing an excellent tune.

The thread doesn't die but stays open for ever which is good news for me as I have been trying to do an arrangement for saxophone quartet, but work has been getting in the way.

Rhys
 
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