AlanB
Well-Known Member
- Messages
- 165
- Location
- Vientiane, Laos
A couple of weeks ago I started a thread "What's your poison?" to begin my search for my perfect reed, and loads of you really helped me isolate what would be some really good reeds for the a certain kind of sound.
Yesterday an experienced sax playing friend bowled me for a googly!!!:shocked:
Until now, I have chosen a new reed that I like the look of (usually when I don't have any up coming performances), and can expect to play it for a week until it 'breaks in' and it plays the way I want it to in all registers. Then I will stay with it for months, because I am used to the way it plays and feel comfortable with it.
My friend says this is the wrong approach. He suggests that one should have between 5-10 reeds on the go at the same time rotating to a different one each day (7 would seem the obvious choice each marked with a day of the week). He suggests that each reed has pros and cons and that by staying with the same reed your embouchure and everything else gets used to the bad points of a particular reed, and creates bad habits.
He also suggests that I choose a stiffer reed than I usually play with and shave it (he will show me how next week). I think this is because the denser fibres will play better and last longer, while you make the reed more flexible by the shaving??
I never heard of this approach before, and wondered if anyone else did this? What is the received wisdom on this approach? My friend says that this is important not only for the super-pro recording artists, but for anyone wanting to develop strong versatile tone and not create bad habits.
yours flabbergasted,
Al
PS I always write such long posts, sorry about that!!
Yesterday an experienced sax playing friend bowled me for a googly!!!:shocked:
Until now, I have chosen a new reed that I like the look of (usually when I don't have any up coming performances), and can expect to play it for a week until it 'breaks in' and it plays the way I want it to in all registers. Then I will stay with it for months, because I am used to the way it plays and feel comfortable with it.
My friend says this is the wrong approach. He suggests that one should have between 5-10 reeds on the go at the same time rotating to a different one each day (7 would seem the obvious choice each marked with a day of the week). He suggests that each reed has pros and cons and that by staying with the same reed your embouchure and everything else gets used to the bad points of a particular reed, and creates bad habits.
He also suggests that I choose a stiffer reed than I usually play with and shave it (he will show me how next week). I think this is because the denser fibres will play better and last longer, while you make the reed more flexible by the shaving??
I never heard of this approach before, and wondered if anyone else did this? What is the received wisdom on this approach? My friend says that this is important not only for the super-pro recording artists, but for anyone wanting to develop strong versatile tone and not create bad habits.
yours flabbergasted,
Al
PS I always write such long posts, sorry about that!!
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