Hi Guenne,
Thanks for having a listen and commenting 🙂. I enjoyed your takes too, you sound good on all horns.
I know Mark VII got a 'bad' name, but I've play tested several of them and I don't find them so bad (but not as good as a SBA or VI, just different). Anyhow the player is far more important then the horn, an avarage player (like me) on a good horn will not sound better compared to a good player on a slightly less horn!
Hey,
there's not much traffic here, so I allow myself to go OT.
I know, the Mark VII is way underrated.
What I wanted to say: I got 50 this summer, and one day in my holidays I decided to spend my money on a Mark VI Alto and Tenor (or SBA Tenor).
My friend who runs a store in Germany (600km away) agreed on trading in the Mark VII Tenor and the Purple Logo Alto I had.
So I went to Germany. We started with the Altos. I tried about 12 Mark VI Altos or so, but the best one he had was a new Reference 54.
Then the Tenors...I tried Yamahas, SBAs, Mark VI...None of them sounded better than my Mark VII.
Then I asked my friend if he had something he had not showed me. He handed me a silver Mark VI without high F sharp, I think from 1957. It played great. Price was €7500,-.
While I was thinking about spending 12000,- minus my horns my phone rang.
A guy asked me if I had time to play a gig with a commercial band in a beer tent that weekend.
I imagined myself playing in the beer tent with that wonderful silver beauty and decided to stick with my Mark VII.
Cheers,
Guenne