Saxophones Cons of unlacquered sax

I'm not an expert on Vintage music, but it seems to me that most of the vintage Saxophone players I've seen on youtube and such, playing vintage Jazz seem to be playing quite shiny saxophones? Granted, it's not always easy to tell in B&W. So I'm quite happy that my nice shiny lacquered saxophone suits my vision of a vintage sax..but a bit newer...
 
imo, if you want you horn to stay shiney shiney, get a laquered one. this is my 7 year old SC RAW. everyone thinks it must be nearly 100 years old. I have given up trying to keep it shiney - it is what it is, and it play just how i like it.
 

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i would'nt be too put off how it looks - if one spent time keeping on top of things it would probably look a whole lot better. tbh, i am a very dribbly player and it gets everywhere, but to me it is more important how my horn plays then how it looks. The build quality of this horn has been pretty much bullet proof over the time i've had it, and has done a lot of rough old gigs. To my shame, other then regularly oiling the key work it has never been to the tech, and every note bottom to top plays good and clear...but i should get it done soon
 
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i would'nt be too put off how it looks - if one spent time keeping on top of things it would probably look a whole lot better. tbh, i am a very dribbly player and it gets everywhere, but to me it is more important how my horn plays then how it look

I'm a bit vain. I thought, wouldn't it be nice if I could choose a horn that played well and looked cool at the same time? However, I'm just not prepared to put a lot of extra time and effort into maintaining a horn to look good. If that vintage-inspired look is hard to maintain, then I will just opt for a good functional easy-to-take-care-of lacquered horn instead. I just wanted to make sure that I did my research beforehand so I won't have any regrets. Thanks.
 
I figured that a NEW “aged brass” sax like the Eastman 52nd Street, some P Mauriats, Canonballs, and Custom Signatures will not degrade/get verdigris because they’ve received some kind of a treatment to prevent it. I can’t imagine a new sax that was purposely made to look like that wouldn’t get some kind of stabilizing treatment. It just doesn’t make sense to me but I could be wrong.

Apparently, the look is very popular. The look of a vintage horn, but not. 😎


I know nothing about this subject AT ALL but my initial reaction to this 'look of a vintage horn' is this it's all a bit 'shabby chic'. A piece of furniture that is genuinely old and showing the wear and tear of years of love is a beautiful thing; a piece of new furniture that has been purposely distressed to mimic that love is a shallow imitation. There's no story there.

(And don't get me started on jeans that come already ripped...)

I don't get why anyone would like the look of bare brass for its own sake. But then again I was sorely tempted to buy a red sax to learn on mainly because it would match my lounge rug so who am I to judge (I went for rose gold as it was a few bucks cheaper).😛
 
I know nothing about this subject AT ALL but my initial reaction to this 'look of a vintage horn' is this it's all a bit 'shabby chic'. A piece of furniture that is genuinely old and showing the wear and tear of years of love is a beautiful thing; a piece of new furniture that has been purposely distressed to mimic that love is a shallow imitation. There's no story there.

(And don't get me started on jeans that come already ripped...)

I don't get why anyone would like the look of bare brass for its own sake. But then again I was sorely tempted to buy a red sax to learn on mainly because it would match my lounge rug so who am I to judge (I went for rose gold as it was a few bucks cheaper).😛
Thing is i got this horn because of how good it plays and sounds, not because i was bothered about having on that looked older then it really was. So the story is - these are great horns to play.
 
I believe how an unlacquered saxophone ages depends a lot on the geographical area and climate. Air blowing in from the ocean contains minute salt particles that attack not just raw brass instruments but lacquered ones as well. I think the cosmetics of one's choice of instrument is a personal choice. I read somewhere that someone once said "you can't hear (play) the shine".
 
I'm not an expert on Vintage music, but it seems to me that most of the vintage Saxophone players I've seen on youtube and such, playing vintage Jazz seem to be playing quite shiny saxophones? Granted, it's not always easy to tell in B&W. So I'm quite happy that my nice shiny lacquered saxophone suits my vision of a vintage sax..but a bit newer...

Indeed that used to be the norm - the old jazzers would always have shiny horns, many bandleaders even demanding it. In the mid-late '70s, arguably starting with Brecker, saxophonists began preferring older horns to the newest offerings, and thus battle-worn horns became accepted and in some cases preferred.

To me the most important is the sound, and the Brute (aged brass) has a distinctly different sound than even the Mad Meg (raw brass pre-patina). It's a great day to be a saxophonist where we have the choice of more than just lacquer & silver!
 
Actually wasn't that pink tenor a Selmer mk VI,i seem to remember it on SOTW a couple of years ago and wasn't it once owned by Dexter Gordon?

The one in the post above is not suitable it has to have factory fitted spots for me to buy it, adding the spots later reduces the value.
 
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Actually wasn't that pink tenor a Selmer mk VI,i seem to remember it on SOTW a couple of years ago and wasn't it once owned by Dexter Gordon?

The one in the post above is not suitable it has to have factory fitted spots for me to buy it, adding the spots later reduces the value.
Not being owned by Dexter Gordon may reduce the value a bit as well.
 

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