See pcYes. my mailbox is full and I've always had difficulty in clearing it. The instructions don't match what I see on the page... or I'm just to dumb to understand. So I've answered you here as I'm just not able to send a PM with it being full.
Thanks Jeanette yet very sorry as I have no idea what "pc" is/means. I looked in the search under "pc" but saw nothing that gave me any clues.See pc
My CR99/ATX w HM60 mic for my sax works great indoors but embarrassed me w the excessive wind noise at a packed outdoor event. Is there another wind screen I can put over the existing one or do you have any suggestions ?? I never had this problem with the old airline systems (I had 2) and I want to stick with Samson.SAM ASH website. Product info;
You Are Now Free to Roam About the Stage.
Featuring the world's smallest clip-on transmitter with a shockmounted microphone and adjustable gooseneck, this frequency-agile UHF wireless system provides high definition sound and 300' of reliable wireless operation for saxophones, trumpets, trombones and other wind instruments.
ATX-tend Your Reach
The AWX system continues Samson's longstanding commitment to wireless innovation. Designed to be an extension of your instrument rather than a separate component, the ATX Wireless Transmitter clips directly to your instrument bell with no beltpack or cable necessary and lets you rule the stage with confidence. It provides infrared sync to wirelessly match the receiver and transmitter frequency, easily accessible Gain and Mute controls, a battery life LED indicator and an 8-hour rechargeable lithium-ion battery.
Mic the Wind
The ATX transmitter features a HM60 condenser microphone with 3-point halo isolation mount to minimize any noise caused by mechanical vibration. The mic capsule offers a supercardioid pickup pattern that handles up to 125dB SPL, ideal for handling the sudden attack of wind instruments. The HM60 also offers an 8.5" adjustable gooseneck (with P3 connector) for optimal mic placement in front of your instrument’s bell.
Road-agile
Offering frequency-agile operation, the system's rack mountable CR99 Wireless Receiver provides 80 selectable channels for reliable performance no matter where you are. The receiver's True RF Diversity design minimizes dropouts, while tone key technology prevents unwanted noise when your transmitter is off or out of range.
AWX Wind Instrument System
Get your Samson AWX Wind Instrument Wireless System today at the guaranteed lowest price from Sam Ash Direct with our 45-day return and 60-day price protection policy.
- Frequency-agile UHF wireless system
- 80 operating channels across 24MHz bandwidth
- Clips directly to instrument bell (no beltpack or cable required)
- HM60 condenser microphone capsule with supercardioid pickup pattern
- Up to eight simultaneous systems per frequency band (region dependent)
- AC adapter and rackmount kit included
WARNING: This product contains DEHP, a chemical known to the State of California to cause birth defects and other reproductive harm.
Things You Will Get:
See all Samson Instrument Wireless Systems
- CR99 Wireless Receiver
- ATX Wireless Transmitter
- HM60 Condenser Microphone
- 8.5" Gooseneck w/P3 connector
- Removable 1/4-wave antennas
- WindscreenAC adapter
- Rackmount kit
- Owner's Manual
Hi NorCal neighbor.My CR99/ATX w HM60 mic for my sax works great indoors but embarrassed me w the excessive wind noise at a packed outdoor event. Is there another wind screen I can put over the existing one or do you have any suggestions ?? I never had this problem with the old airline systems (I had 2) and I want to stick with Samson.
I got stuck exactly because this is altisimo A so fungering down to G risks dislocating a finger or tearing a tendon or something and still missing the target... Or takes a lot of practice.It does depend upon where it is on the horn
As Pete says, being so high the “lip down” is capable of a going a long way. But if you wanted a fingered fall off for a fair range you don’t have to start as a fingered fall off (ie playing G, F# etc - super awkward) - you could start from F, and maybe lip to the F too to make the gap.I got stuck exactly because this is altisimo A so fungering down to G risks dislocating a finger or tearing a tendon or something and still missing the target... Or takes a lot of practice.
And, mostly, any adjustment - at my level - just causes the note to break into another partial altogether... So, I need some work there.
Which is not to say that your points aren't useful also for the 2nd register A drop... Certainly worth exploring some options.
Well, this is from an arrangement/tutorial...If in doubt, find some recorded examples
So @Pete Effamy was correct originally - just lip. But it's good to move a bit OT and discuss falls in general.Well, this is from an arrangement/tutorial...
View: https://youtu.be/bsVQXf8dKg0?t=187
And, indeed the two A Falls are quite different...
I should have put that in the original post.
Correct to both of us really, as “lip it down” is what we say, but it’s not really what happens..So @Pete Effamy was correct originally - just lip. But it's good to move a bit OT and discuss falls in general.
I haven’t been able to qualify what other European makers made C melodies. Between France & Italy there was something like 200+ small makers pre war. The production was likely small. Many got scrapped for war materials.Updated C Melody makers list.
List update 9-13-2026
New addition of Dolnet & Levebre
Now 26 Known makers.
Aldolphe Sax, Belgium
Aquilasax (was brand made by?*) New Zealand / China ?
Beaugnier ( +/- 200 units, Vito engraved) France
Buescher, USA (Unknown if EBIC produced a C Mel)
Conn, USA
Couesnon, France
Couturier, USA
Dolnet & Levebre, France
Evette & Schaeffer, France
F.X. Hüller, Germany
Hawkes & Son, England (undetermined if Boosey & Hawkes made a C mel)
Holton, USA
Jerome Thibouville Lamy, France
J L Woodwinds ( handmade by order only. Imported parts) 10/ 2021.
Kolhert, Graslitz Czechoslovakia 1840-1945
Kolhert, Winnenden, Germany. 1945-1982
King, USA
Lyon & Healy, USA
Martin, USA
Oscar Adler, Germany
Pan American, USA
Pierret, France
Rampone & Cazzani, Italy
René Guénot, France
Selmer Paris, France
York, USA
Sakkusu, Thomann, SLADE, Tuyama, and miscellaneous brands available on the Internet sites like,
Amazombie, FleaBay, Alibabaf. Are all current brands made by who ?
*The Aquilasax is well noted. Built in China and was sold by Steven Wedgewood, New Zealand.
Possibly any of these made by.
Taisain Winds, China.
Shandong Crown Musical Instruments, China
Eastern Music, China
….or a handful of other options between China, Taiwan, Vietnam.
I haven’t been able to qualify what other European makers made C melodies. Between France & Italy there was something like 200+ small makers pre war. The production was likely small. Many got scrapped for war materials.
Amati, Hohner, Julius Keilwerth, Hammerschmidt and Dörfler & Jörka.
I’m reasonably certain did not make a C Melody.
I Will have beaugnier c melody not condition to play, but have you picture about this, i will have that next monthI haven’t been able to qualify what other European makers made C melodies. Between France & Italy there was something like 200+ small makers pre war. The production was likely small. Many got scrapped for war materials.
Amati, Hohner, Julius Keilwerth, Hammerschmidt and Dörfler & Jörka.
I’m reasonably certain did not make a C Melody.
Thank you, I do have pictures. More are always welcome.I Will have beaugnier c melody not condition to play, but have you picture about this, i will have that next month
If you want or interested
Is it rare, i ask you because you're one expert in C melody,
Me, i prefere to focus on soprano and c soprano,
If you need information about soprano or c soprano, ask me,

On thing I’ll add. It’s difficult to achieve 100% removal. I wouldn’t be the least bit surprised if some of these cleaned areas change color. A dull grey stain appearance. First truth on how well they’re cleaned will appear when the new mounting is soldered on.Keep in mind this is just the solder cleanup stage. A full polish is on order too.
@Tuppertn Dug was named after Dug from that movie. 100% same character. He just showed up one day and decided to live here.
@turf3 18”, 16lbs wee broon indeed.
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I lived in Nome for 5 years. U-turns are still common along the International date line😉Welcome aboard from South Florida.
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I was once near Alaska, flying in the right seat of a B52, at about 40k.
I could see Russia looking forward, before making a U-turn.
Blue skies now just Blue water. 😍
I've been really busy with hospital appointmentsThe Woodwind Forum went off-line forever on August 9, a month ago.
Understand. Internal discussions between us mods and admins, operating a large website with considerable archives and discussions stored has very expensive per month costs.I've been really busy with hospital appointments
Tell me about it. I did think about offering to take on some of the archive but we are obviously close to being in the same boat as most traditional forums fighting for survival.Internal discussions between us mods and admins, operating a large website with considerable archives and discussions stored has very expensive per month costs.
This is understandable.Tell me about it. I did think about offering to take on some of the archive but we are obviously close to being in the same boat as most traditional forums fighting for survival.
Yes Facebook has a lot to answer for. The piano forum I've been a regular with since 2010 has been sold, largely due to the site owner retiring (good old Frank). But it had gone quiet long before that, with a lot of dodgy ads on the site. Thankfully it has a new home.Understand. Internal discussions between us mods and admins, operating a large website with considerable archives and discussions stored has very expensive per month costs.
Over time more and more instrumentalists becoming adults seek social media instead of forums. They do not replace the older generation departing. Plus those older yet not seniors sought social media.
I saw this in model aeroplane and motorcycle forums, too. Stuka Stunt, Brotherhood of the Ring, both about flying control line model aircraft are no more.
About 12 years ago I saw BOTR posts dwindling because regulars left for social media. All the info including plans and historical info were lost. Because the owner did not open the site to SEO, none of its pages are archived, but the beauty was our conversations were all private.
The discussions were of a family nature, all adhered to good posting etiquette, don't get me wrong.
Ditto with Stuka. It was themed by a special competitive sort of semiscale stunt model based on the Stuka dive bomber featured in the model magazines of the time from 1950's on, but discussed many other stunt topics, too.
(and @Targa). It's interesting to sometimes learn a bit more about some members via this (and other) threads! It reminds me (again) that cafe members have a common interest (music, playing sax). But have different backgrounds, home countries, interests and 'lives' (outside of music and playing sax!). And they have different things going on in their lives. Leaving aside 'sax playing level', this 'diversity' of cafe members enriches (for me) the sense of 'community' in the cafe!I hate hearing existential threat parroted all the time. Having a degree in Philosophy I can assure you that there hasn't been an existential threat since John-Paul Sartre.
I look forward to hearing Ben play. The others I need to look up.I know of Ben Wendel and Ryan Devlin. Both very good modern players, Ryan is noted for his very energetic "outside" playing, and Ben wrote a great book on playing altissimo. Ben is also deeply into electronics; he did a very interesting interview with Rick Beato on YouTube a few months ago. I look forward to meeting both of them.
I always bring up the volume on solos and in my whole career, no director asked me to play quieter.
In the five years that I've been in the NHB, the words "you're too loud" were heard repeatedly by the band members. Our director for all of those years is now retired, but the words are very much ingrained in our brains. Only on rare occasions would anyone hear instructions otherwise, and generally those were the trombones. We would receive instructions for the majority of the band to play softer so that if a section or soloist was playing, they could be heard better. We're under different leadership now, so those words aren't uttered very often.I always brought out the solos by picking up the volume
Well perhaps now, if it wasn't clear before, I should point out that I'll likely never buy a watch from these folks, or anything else for that matter; though I'll give them every opportunity while I'm there to convince me otherwise. I'm just scheming to win a prize, eat free oysters and take home swag. Plus, I get to see watches I'd always wanted to see. Like Norqain last year. I saw them and I hated them. Win-win.A shop putting on free events is charging too much. imo
