Well, it's my understanding that Holton bought Couturier. (Or, maybe, some more complex kind of arrangement.) Certainly my Holton Collegiate soprano is Couturier all the way, in design and execution, with only a few very tiny touches that MIGHT have been influenced by Holton. If Couturier and Holton were sharing distribution, it seems possible that even under Holton management/ownership, there could have continued to be Couturier-branded horns, made in the Couturier factory, and supplied with Holton branded mouthpieces.Anyone have a record or pictures of what mouthpiece was discovered with a Martin or Couturier C ?
I have zero information on Martins.
Most Couturier’s I have or have seen have a maroon Holton Perfected mouthpiece. Oddly Couturier was bankrupt by October 1923 and the Holton Perfected mouthpiece didn’t arrive until early 1924. So ??
Although members do not (or should not) be seeing the ads here we have setting that is supposed to stop any political ads from showing.1. Political ads in banners
It also changes over time. Just over 20 years ago I started work at a scientific research establishment which primarily focussed on epidemiology. It was owned by the British government, but operated independently, created its own income and published all research. There was (and remains) a rigorous ethics and scientific approvals process, to ensure all the science it promotes is both ethical and of genuine research quality. At that time, no-one considered science to be a political matter. That's changed, and science in general, and healthcare science in particular is regarded as a highly sensitive political area. Although globally the safety and efficacy of medicines is rigorously scientifically tested, many people regard them as issues of politics, particularly vaccines. The emotional and political response to vaccines is massively greater than it was a couple of decades ago. Personally, I think this is both tragic and ill-founded.This made me realize once more that we might place the cursor quite differently depending on our cultural, geographic …. and political background.
I’m guessing you’re going as a Nationals fan wearing a Ravens watch.I'm not telling at this point what I'm planning, but what would you guys do? If you dared:
O's fan actually... Nats are second fiddle. But this is a jewelry store from which I've never made a purchase. If a fix was in, I'd be out. So I have to be crafty to take home a prize. I have to push something they sell and be entertaining while I do it. It's not the customers who do the judging. I went last year for the first time... saw folks walk out with some really nice prizes... and have been plotting accordingly since.I’m guessing you’re going as a Nationals fan wearing a Ravens watch.

@Tuppertn Dug was named after Dug from that movie. 100% same character. He just showed up one day and decided to live here.
@turf3 18”, 16lbs wee broon indeed.
View attachment 35229
Yep, that’s how Dug got his name officially on October 3rd last year. The first time he showed up was September 29th. Cold, wet, hungry and loaded with fleas. Dried off. Combed fleas off and dusted then fed a hot meal. Was happy to sleep in safe dry warm crate.
My CR99/ATX w HM60 mic for my sax works great indoors but embarrassed me w the excessive wind noise at a packed outdoor event. Is there another wind screen I can put over the existing one or do you have any suggestions ?? I never had this problem with the old airline systems (I had 2) and I want to stick with Samson.SAM ASH website. Product info;
You Are Now Free to Roam About the Stage.
Featuring the world's smallest clip-on transmitter with a shockmounted microphone and adjustable gooseneck, this frequency-agile UHF wireless system provides high definition sound and 300' of reliable wireless operation for saxophones, trumpets, trombones and other wind instruments.
ATX-tend Your Reach
The AWX system continues Samson's longstanding commitment to wireless innovation. Designed to be an extension of your instrument rather than a separate component, the ATX Wireless Transmitter clips directly to your instrument bell with no beltpack or cable necessary and lets you rule the stage with confidence. It provides infrared sync to wirelessly match the receiver and transmitter frequency, easily accessible Gain and Mute controls, a battery life LED indicator and an 8-hour rechargeable lithium-ion battery.
Mic the Wind
The ATX transmitter features a HM60 condenser microphone with 3-point halo isolation mount to minimize any noise caused by mechanical vibration. The mic capsule offers a supercardioid pickup pattern that handles up to 125dB SPL, ideal for handling the sudden attack of wind instruments. The HM60 also offers an 8.5" adjustable gooseneck (with P3 connector) for optimal mic placement in front of your instrument’s bell.
Road-agile
Offering frequency-agile operation, the system's rack mountable CR99 Wireless Receiver provides 80 selectable channels for reliable performance no matter where you are. The receiver's True RF Diversity design minimizes dropouts, while tone key technology prevents unwanted noise when your transmitter is off or out of range.
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- Frequency-agile UHF wireless system
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- HM60 condenser microphone capsule with supercardioid pickup pattern
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WARNING: This product contains DEHP, a chemical known to the State of California to cause birth defects and other reproductive harm.
Things You Will Get:
See all Samson Instrument Wireless Systems
- CR99 Wireless Receiver
- ATX Wireless Transmitter
- HM60 Condenser Microphone
- 8.5" Gooseneck w/P3 connector
- Removable 1/4-wave antennas
- WindscreenAC adapter
- Rackmount kit
- Owner's Manual
Hi NorCal neighbor.My CR99/ATX w HM60 mic for my sax works great indoors but embarrassed me w the excessive wind noise at a packed outdoor event. Is there another wind screen I can put over the existing one or do you have any suggestions ?? I never had this problem with the old airline systems (I had 2) and I want to stick with Samson.
I got stuck exactly because this is altisimo A so fungering down to G risks dislocating a finger or tearing a tendon or something and still missing the target... Or takes a lot of practice.It does depend upon where it is on the horn
As Pete says, being so high the “lip down” is capable of a going a long way. But if you wanted a fingered fall off for a fair range you don’t have to start as a fingered fall off (ie playing G, F# etc - super awkward) - you could start from F, and maybe lip to the F too to make the gap.I got stuck exactly because this is altisimo A so fungering down to G risks dislocating a finger or tearing a tendon or something and still missing the target... Or takes a lot of practice.
And, mostly, any adjustment - at my level - just causes the note to break into another partial altogether... So, I need some work there.
Which is not to say that your points aren't useful also for the 2nd register A drop... Certainly worth exploring some options.
Well, this is from an arrangement/tutorial...If in doubt, find some recorded examples
So @Pete Effamy was correct originally - just lip. But it's good to move a bit OT and discuss falls in general.Well, this is from an arrangement/tutorial...
View: https://youtu.be/bsVQXf8dKg0?t=187
And, indeed the two A Falls are quite different...
I should have put that in the original post.
Correct to both of us really, as “lip it down” is what we say, but it’s not really what happens..So @Pete Effamy was correct originally - just lip. But it's good to move a bit OT and discuss falls in general.
I lived in Nome for 5 years. U-turns are still common along the International date line😉Welcome aboard from South Florida.
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I was once near Alaska, flying in the right seat of a B52, at about 40k.
I could see Russia looking forward, before making a U-turn.
Blue skies now just Blue water. 😍
I've been really busy with hospital appointmentsThe Woodwind Forum went off-line forever on August 9, a month ago.
Understand. Internal discussions between us mods and admins, operating a large website with considerable archives and discussions stored has very expensive per month costs.I've been really busy with hospital appointments
Tell me about it. I did think about offering to take on some of the archive but we are obviously close to being in the same boat as most traditional forums fighting for survival.Internal discussions between us mods and admins, operating a large website with considerable archives and discussions stored has very expensive per month costs.
This is understandable.Tell me about it. I did think about offering to take on some of the archive but we are obviously close to being in the same boat as most traditional forums fighting for survival.
Yes Facebook has a lot to answer for. The piano forum I've been a regular with since 2010 has been sold, largely due to the site owner retiring (good old Frank). But it had gone quiet long before that, with a lot of dodgy ads on the site. Thankfully it has a new home.Understand. Internal discussions between us mods and admins, operating a large website with considerable archives and discussions stored has very expensive per month costs.
Over time more and more instrumentalists becoming adults seek social media instead of forums. They do not replace the older generation departing. Plus those older yet not seniors sought social media.
I saw this in model aeroplane and motorcycle forums, too. Stuka Stunt, Brotherhood of the Ring, both about flying control line model aircraft are no more.
About 12 years ago I saw BOTR posts dwindling because regulars left for social media. All the info including plans and historical info were lost. Because the owner did not open the site to SEO, none of its pages are archived, but the beauty was our conversations were all private.
The discussions were of a family nature, all adhered to good posting etiquette, don't get me wrong.
Ditto with Stuka. It was themed by a special competitive sort of semiscale stunt model based on the Stuka dive bomber featured in the model magazines of the time from 1950's on, but discussed many other stunt topics, too.
(and @Targa). It's interesting to sometimes learn a bit more about some members via this (and other) threads! It reminds me (again) that cafe members have a common interest (music, playing sax). But have different backgrounds, home countries, interests and 'lives' (outside of music and playing sax!). And they have different things going on in their lives. Leaving aside 'sax playing level', this 'diversity' of cafe members enriches (for me) the sense of 'community' in the cafe!I hate hearing existential threat parroted all the time. Having a degree in Philosophy I can assure you that there hasn't been an existential threat since John-Paul Sartre.
I always bring up the volume on solos and in my whole career, no director asked me to play quieter.
In the five years that I've been in the NHB, the words "you're too loud" were heard repeatedly by the band members. Our director for all of those years is now retired, but the words are very much ingrained in our brains. Only on rare occasions would anyone hear instructions otherwise, and generally those were the trombones. We would receive instructions for the majority of the band to play softer so that if a section or soloist was playing, they could be heard better. We're under different leadership now, so those words aren't uttered very often.I always brought out the solos by picking up the volume
