Yeah sure.Also correct Pete, but there is a big difference between Taiwan and China made too
Reads bad! I mean, “yes there is”Yeah sure.
The underside of that arm looks a bit thin!
I'm sure the expertise exists to make all the parts in the UK, but how could a UK horn compete price-wise with the far east?Apologies if I've missed it in this thread, but is this being manufactured in the UK? Or designed by you and built in Aisa?
As a competitor, I must support Pete's idea.Hey Pete, I fear you’re trying to re-invent the wheel.
Exactly my intention.. I feel it would be sensible to play within your strengths by building a pro saxophone with excellent intonation, a consistent sound scape, and make it fly ergonomics,
Don't worry, I'm not in this on my own. (And definitely NOT sitting in my utility room with some carbon fibre off of Amazon and a tube of superglue!leave the leading edge materials research to the big pockets of the Yamaha’s etc.
... and leave the leading edge materials research to the big pockets of the Yamaha’s etc.
I guess the last one still in use is the Selmer LH pinky spatula (SBA?)Want to know what the biggest 'innovation' in keywork design has been for the last few decades? Those poxy sprung point screws on Selmer saxes,
Are you kidding?! 2 ‘minor’ whiplash injuries in my 20’s love it when I hang a sax from my neck..reducing considerable the wight of the instrument. Some people may scoff at the usefulness of that
If you can significantly reduce the weight of a baritone, it will make me very happy. I'm not getting any younger.what we are looking at is reducing considerable the wight of the instrument. Some people may scoff at the usefulness of that, others may see advantages
The only innovations that I see around are by Eppelsheim, but limited to those giant horns
reducing considerable the wight of the instrument. Some people may scoff at the usefulness of that, others may see advantages. It is also useful if it cuts down on repair bills.