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Beginner recording Recording Progress

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As stated, nice to have a keyboard, for many reasons.

Long long ago, I knew musicians,
if they drank a cup of coffee, would be too wired up, to play on stage.
They were top players then, and are still are well known and working.
Eat right, exercise, and you just might
live long enough, to do everything,
you want to do. 🎶🏴‍☠️🎶

Although some, skate the storm, and are still kicking.
 
Alon, if you have the music in the original key of Db, try that on Tenor, with the Cole backing track.
Incorrect spelling,
for B major concert? 😜

Great that you're back, to work things out.
 
Made me think of hearing a Saxophone, while having Pizza and Beer, under a bridge, long ago.
Maybe with Bourbon?
Think that tune was called .....
"When Sonny Just Blew." 🍺🍺
 
I went back to my Vandoren Leather ligature. I used MrSunnyBass's backing track for this.

View: https://www.youtube.com/watch?v=MkDRnks8egA
Hi @AlonW,

As always I just want to give you my (positively intended) feedback which you aer entirely free to just ignore or perhaps consider,

Up until the first minute, I really enjoyed your 'timing''ánd your subtle variations on the melody and timing. From (approx.) 1 minute your timing was very slightly 'out of synch' with the backing track and gradually became noticeable your 'recovery'
towards the break at 2 m

I think that your improvised solo began well: in timing and in key. But IMHO, your solo quickly 'spun out of control''. Losing any 'grounding' in the rhythm and bearing no resemblance to any improvised melody.


IMHO this indicates (to me) that you're more interested in developing (and displaying) your 'technical sax skills' rather than developing (and displaying) your 'musical skills'

Just remember that some of the greatest sax players of all times are not remembered because of how 'fast' they could play (which they could) orf how 'sophisticated' improvisations they could play (which they could) but for stimple jazz ballads that they (musically) played so well
 
I find that playing along I can immediately hear if I'm in key or out. If you can't hear that, you're in a world of trouble.
It can be one of the issues with self taught musicians. I play with a lotta singers, this dynamic can be very commonplace with them...most often the ones coming from a non conventional music student background...or nonexistent...

I agree it is a big thing to get right...as in....Mandatory.

It's doable, but takes ear training.

If it is something that happens 'often' or 'alot' for a player....then best to attend to it posthaste....rather than letting it slide....it is a super important Fundamental....even for musicians who have zero interest in playing with a group.
 
It can be one of the issues with self taught musicians. I play with a lotta singers, this dynamic can be very commonplace with them...most often the ones coming from a non conventional music student background...or nonexistent...

I agree it is a big thing to get right...as in....Mandatory.

It's doable, but takes ear training.

If it is something that happens 'often' or 'alot' for a player....then best to attend to it posthaste....rather than letting it slide....it is a super important Fundamental....even for musicians who have zero interest in playing with a group.
I think I can hear when I'm playing in the wrong key, but if I convince myself I'm in the right key, it will seem to be right. I need to be able to stop and ask myself if it's right, and then investigate, instead of playing blindly and being detached from the way the music is supposed to be.
 
Big, really stupid hit in 1976. Followed up by an even more stupid Dis-Gorilla in 1977. I think he went away after that, thankfully.

Ah the 70's.....cutoff shorts, sweat socks, striped tank tops, hair parted in the middle........good times.
 
If you're playing in the wrong key, it may not sound out of tune but it will have the wrong tone center. If you're a third, fourth or fifth out it may just sound a little odd but it won't lock in.

With most tunes, songs melodies etc. the last note gives you the key. The last Chord is usually where it resolves to tonic. If your backing finishes with a different Chord to the melody, it's a mismatch.

I wish I had more theory. 🤔
 
Big, really stupid hit in 1976. Followed up by an even more stupid Dis-Gorilla in 1977. I think he went away after that, thankfully.

Ah the 70's.....cutoff shorts, sweat socks, striped tank tops, hair parted in the middle........good times.
Disco Duck is a bit unfinished it has a faint shadow of the vogeltjesdans. Dis Gorilla is on another level. It reminds me of the Rondo's singing about the emotional quality of life of King Kong. Luckily there so much water passed under the bridge that all trolls are soaked and we can say meh with the Bougies.
 
Are you saying Rubber Duck was Disco Duck’s day job?
That must be another Convoy...

bert-convy01-2206494159.webp
 
Yup, determine last chord. 90% of time in jazz standards that gives you the key of tune.

This is very easy. Literally FF to end of song, hear the root of final chord. Identify that note. This DOES take a little ear training but most of time it isn't difficult.

Look up charts of the tune. See if the last chord is major or minor.

You now have key of tune.

Example -

"the root note final chord was C concert, or D on tenor...

I, at the moment, am UNABLE to recognize the sound of a major vs. minor chord....but...

pulling up Charts of tune's chord changes, they all show it is a minor chord, last chord. "

So key of tune is Cminor (concert) or Dminor (Tenor).

So when you pull up a chart for yourself to play, get the chart key to match that recording key.

You literally have to do this if you wanna post recordings...because this recording you posted is simply too difficult to provide feedback on. It is too 'off' for a listener to concentrate on your playing...
 
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