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IOTM October 2013 IOTM - Georgia (on my mind).

  • Thread starter Thread starter thesaxman71
  • Start date Start date
Impro of the month
Did a quick recording of 'Georgia' on two of my mouthpieces and mixed the two takes into one (saves you the hassle to listen to two takes 🙂). For each chorus the first 16 bars are played on a 1950's Otto Link Florida no USA 9 (right channel, starting at 0:00, 1:48 and 3:30). The second 16 bars are played on a 1935-40's Otto Link Four**** 8*, refaced by Jon van Wie (left channel, starting at 0:58, 2:40 and 4:22).

The Florida models have more baffle compared to the older Four**** models, which makes them sound brighter when pushed (you can easily hear the difference). The older Link's have a longer facing curve, making the low notes often more lush (and sometimes even stuffy).

Never played this tune before and had some issues with the bridge and chords at places, but here is my take anyhow (didn't have time for another trial):

- 'Georgia On My Mind' (Florida no USA 9 - Four 8* - La Voz medium):
http://soundclick.com/share.cfm?id=12526611
 
@mrpeebee- a great smokey sounding sound, very mellow but a nice bite to it, i like how you play with timing on the melody , very authentic style. The improvisation was well done too, nice blues lick around 3:10
thanks for posting.
 
:headscratch:It's not what my sheet says Ian. The backing has a 4 bar intro then AABA 32 bars, 3 times.:headscratch:
i listened a few times, just try counting 8 bars then start see how it is, maybe there is some hiccup but i heard the chords differ to what they should have been in the melody
 
Hopefully a new and improved version.

http://snd.sc/1hHCQo5

Chris..

i see you are starting to play around with the melody at the start, nice to do but a little rushed sounding, maybe good to go the opposite way and lay back behind the beat instead of pushing it in the melody, tho i did like when you pushed the beat in the solo, so laying back in the melody and pushing the beat in the solo would be a nice contrast.
 
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Finally they work. lol. It's such a bonus to be able to tailor something to fit what's going on in your head. I'll have another bash when I can breathe again. I wanted to do a baritone version but I haven't the puff at the mo. I'm just hoping that the clarinet won't retain the smell or taste of olibas oil.
 

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