Well, I went down to Bristol, to Trevor Jones, and tried a Yamaha 62, a Selmer La Voix and a Yanagisawa 901. All 3 were pretty much the same price.
Obviously, it's a matter of personal taste, so here are my opinions:
The Selmer had a different, more rounded, sound, but it was a heavy instrument. Also, I found that the keys felt as if they were further around the instrument to the right than the keys on my Jupiter. A lovely smooth action, generally, except for the G sharp key, which felt as though it had 2-stage action. As a result, I often missed the G sharp in the practice pieces that I had taken along to play. I guess this may have been resolved with a tweak, but out of the box, it didn't feel right to me.
The Yamaha and the Yanagisawa has a wonderfully smooth action, were a more comfortable weight and generally I liked them both. There was very little to tell between them and for a while I was leaning towards to Yamaha, until I headed off up into the topmost notes, and I just could not hit the upper E and F, no matter how hard I tried, yet with the Yanasigawa I was note perfect every time.
This swung it for me.
Whether this was the right reason for choosing this one, or whether others would have been swung by the same features, I have no idea, but taking all the features into consideration the Yanagisawa definitely felt like the right instrument for me.
The guys in the shop were most helpful, left me in their practice room with all 3 instruments to play away until I felt comfortable. At no point did I feel pressurised.
The also took my Jupiter in part exchange, which is what I had hoped - it wasn't the best of instruments, well-loved but also well-played, so it wasn't really going to be of any use to me in the future, so I was happy to let it go.
I am most happy with my lovely new shiney thing :welldone
