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if you could have any soprano.....

helena

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134
I would really welcome you advice....
I may be going to look - and play - some soprano saxes tomorrow (a few hours to play with near Crowborough...) and I would really welcome your views and preferences.
I enjoy playing jazz, some classical and just good music. Currently I have a Keilworth shadow tenor sax.
So what do you think is a great soprano - I will only buy a soprano once so I want a good one.
I look forward to your advice - and will let you know the outcome!
thanks
Helen
 
can't fault the pro yamaha's...
but a few things to think about before you part with your cash.
sop isn't as versatile as a tenor
they are not as easy to blow, what i mean is you do need a lot of stamina to sound good..
they are awkward to hold, even on a sling they can feel as heavy as a tenor on the right thumb after a while.
you will almost certainly have to buy a decent mouthpiece at the same time..

good luck in your search, I'm sure you'll have fun..
 
Selmer, Yamahas and Yanagisawas are all very good. I don't know about Keilwerts, but probably good. For me Selmers soprano is # 1.

If you want a vintage: Selmer Mk VI, Beuscher, Martin and Conn are good. I never tried a King and Buffet so I can say how they are. The best American sopranos were made in the late 20's. If you buy a vintage sop, make sure the renovation is made correct. Fine pads with correct thickness and the keyheights should be set proberly. If you want a new mouthpiece to an old sopranos Caravan, Bilger and Morgan works fine. I think Amercan sopranos produce a darker tone.

Thomas
 
You have set yourself a 'keeping in tune' task. I don't play soprano but I have had my teeth set on edge by a few. If you buy one, buy an electronic tuner to be sure you are in tune as the little buggers can be awkward in their own sweet little way.

Moz
 
I recommend a a MKVI or a Selmer Series III with the detachable neck. They both have beautiful sounds. Then I recommend a Yani Sop. Just my .02
 
Well- firstly- see you tomorrow. Secondly- my personal faves- curved Bronze yanagisawa (specifically the curved one) or anything by Rampone & Cazzani.... I'll give you a formal introduction! The Mauriats are pretty tasty too- our only resident staff member who regualrly gigs on a soprano used a mauriat saxello
 
Yanagisawai, Rampone and Cazzani, Yamaha, Selmer SA80 (not the series 3) and P Mauriat.

are my preferences in that order

seeing as you are there try em all - and get the best sounding one you can afford.

surprisingly some of the chinese ones are good but getting spares, poor cases and general longevity of the materials put me right off 'em.
 
many thanks fof all you advice....I went for the Yanagisawa S992 Bronze Soprano Sax - great intrument. The guys at sax.co.uk were great. As for mouthpiece it comes with one, and I chose the Yamaha mpc, this will get me used to playing, and in a few months I am sure I will be looking for a new mpc.
Just waiting for all the family to wake up so that I can play!
hooray it's the weekend!
Helen
 
helenA wrote:
many thanks fof all you advice....I went for the Yanagisawa S992 Bronze Soprano Sax - great intrument. The guys at sax.co.uk were great. As for mouthpiece it comes with one, and I chose the Yamaha mpc, this will get me used to playing, and in a few months I am sure I will be looking for a new mpc.
Just waiting for all the family to wake up so that I can play!
hooray it's the weekend!
Helen

Congratulate on your new soprano.

Thomas
 
Moz wrote:

"Are there any differences in sound between the straight sop and the curved version?"

Yes there are a difference between the straight and the curved soprano. According to Dr Paul Cohen (Vintage Saxophone Revisted, Saxophone Journal) the tone of the curved soprano is more lyrical and flute like. Dr Cohen i demostrating the differences on a CD that came a long with the Saxophone Journal magazine for a couple of years ago. Look at Paul Cohens website for more information.

For the differce to be noticable it takes a good palyer. You wouldn't hear a difference if you asked me to play on a curved one or on a straight one. I would sound terrible on both!

Thomas
 
I'll go along with that, a curved sop sounds a little sweeter than a straight one... not that I've played many, but at one time I had one of each and always preferred the curved one.

Now, sadly, my sop is being somewhat neglected at the expense of my lovely lovely alto, to the point where I'm thinking about selling it - a Walstein is still calling out to me.
 

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