I'm going to presume that you would appreciate an honest assessment that's based on constructive criticism. There are people who post here to "share" who don't ask for feedback.
You play without vibrato, which is fine, and shows up any wavering in tone. Lots of good long tones that show good control. From a recording point of view you are blending so closely to the background that at times you almost disappear. That's fine if that's what you want. If playing the lead/solo it's good to sometimes "stand out in front". More volume and/or changing your tone characteristics can work (the tone quality can be changed in editing through equalization, reverb, delay, and effects).
Tuning and intonation are a little off with higher pitches going further sharp. This is a case of unnecessary tightening of the embouchure. It's a natural thing to do, but needs to be tempered with making sure that your pitch is accurate. For some this may be an extra critical comment as many relatively new players can't hear pitch very critically. Hopefully you can hear this ranging from 10c sharp in the lower notes to almost 30c sharp in the highs. It's just another one of those things to practice.
It sounds like you are reading the music, which is OK, but I can assure you that you will "own" this piece if you play it from memory and can then give it more feeling. Each note stands crisply, but in playing a melodic line it's often better to play lyrically and not have as much separation between notes. This is one of those situations where precise reading compared to how it's usually played can (or should) be different. Written music is a close guide when it comes to melodic playing, but don't expect it to be exact as the player's interpretation and feel for the melody is the part that communicates.
You're on a good trajectory as a player. Keep up the practice!