| Polar pattern | Characteristics |
| Omni | Picks up signal all round |
| Cardioid | Picks up mainly in front (and a little off-axis sound from side and back) |
| Hyper Cardioid | Same as Cardioid but more focussed |
| Figure of 8 | Picks up front and back (with a little off-axis from the side) |
| Coincident pair | Cardioid mics placed together pointing out at 90 degrees |
| Spaced omni | Omni mics place apart . The distance depends on size of instrument or group, you need to experiment: too close and the stereo image will be rather narrow, too far apart and there will be a hole in the middle. I have seen some engineers use three or more microphones for a very wide image with no hole. |
| MS (Mid and Sides) | One cardioid or figure of 8 mic facing forward with a figure of 8 mic sideways. The side mic is split into two channels out of phase with each other. (You can do this with the Direction Mixer plugin on Logic ) |
| Stereo pair | Live sound, good for jazz. Not good for powerful bass drum and snare sounds |
| Stereo pair, snare and bass drum | Good for live sounding rock and jazz where snare and bass drum require beefing up |
| Mic on each drum | Dry kit sound. Good when level of individual drums must be controllable in mix) |
| Mic on each drum and stereo overheads | Good for maximum control of total kit in mix. |

