Morning probably been asked before but is mouthpiece tip opening size important for the dynamics of the piece. I have 2 pieces a
kanee studio, long table such a versatile piece great projection and ease of blow quite bright no 7 tip opening.
Pillinger bronzite 7* short table a little resistance that gives a beautiful dark tone.
I play a rigotti gold jazz 2.5m on both pieces.
does the lay size impact on the tone and resistance. I have tried stepping up from a 2.5 Java green to a 3 but the jump is to much so I have ordered a couple of rigotti 2.5Hs. The main purpose of this is to try to get the studio a little darker and the pillinger a little less resistant. Am I barking (or reeding) up the wrong tree. Would there be any benefit in getting a Kanee in tip opening 7* or 8 or speaking to Ed Pillinger re having the bronzite re-faced to a 6*... The Kanee sounded different with a 3 reed but the jump is to much am I better keeping the reed size the same and upping to an 8 as it is effortless to blow....the opposite applies to the bronzite which is just a little to resistant..
kanee studio, long table such a versatile piece great projection and ease of blow quite bright no 7 tip opening.
Pillinger bronzite 7* short table a little resistance that gives a beautiful dark tone.
I play a rigotti gold jazz 2.5m on both pieces.
does the lay size impact on the tone and resistance. I have tried stepping up from a 2.5 Java green to a 3 but the jump is to much so I have ordered a couple of rigotti 2.5Hs. The main purpose of this is to try to get the studio a little darker and the pillinger a little less resistant. Am I barking (or reeding) up the wrong tree. Would there be any benefit in getting a Kanee in tip opening 7* or 8 or speaking to Ed Pillinger re having the bronzite re-faced to a 6*... The Kanee sounded different with a 3 reed but the jump is to much am I better keeping the reed size the same and upping to an 8 as it is effortless to blow....the opposite applies to the bronzite which is just a little to resistant..