I would like to see pictures of one (or all) or the baffles fixed into position so that we can see how that works and how raised they are near the tip rail and down towards the chamber.
I was also surprised. But maybe its to do with dynamics and if I did a louder bit of playing maybe there would be more of a difference. Who knows?Given the differences between them I would have expected much more difference in the sound, although the higher baffles are brighter they are still so similar it makes little difference. I suppose this isn’t really putting them through their paces which would probably alter things.
I didn't feel like I had to do any work, I wasn't in a situation where I had to sound like me, or anyone else. I was more concentrating on it being the same articulation , same distance from mic so I do not think there was any subconscious effort to sound a certain way.But isn't the other side of the argument, did you, the player, feel you had to do more / less work to get it to sound right to you, with each configuration?
Sometimes folks argue that "a good player will sound like themselves on most setups; bit find different setups easier/harder to work with.
Well the No 1 is supposed to be more or less no baffle I think. If you mean without any of the screw in baffles at all, I didn't try that . It just has a bit of an hole in an odd shaped chamber so wasn't designed to be played like that. I'll maybe give it who and see what happens, but I suspect it will make the sky fall down so I'll wear a hard hat.How does it play with no baffle?
Just out of curiosity, when folks demo a MP or such; why not - at least - just play a few arpeggios, with different dynamics, articulation? Just to have a consistent baseline.I think I need to do it again with a louder bit of playing. I think maybe baffles come more into play when you are giving it a bit of welly as we say in the business.
I agree that may be ideal. In this case I used Take Five because it starts with an arpeggio. I intend to do more with different dynamics which is why this was a draft and to be honest In wasn't demoing the mouthpiece itself just the different baffle concept.Just out of curiosity, when folks demo a MP or such; why not - at least - just play a few arpeggios, with different dynamics, articulation? Just to have a consistent baseline.
