Cannonball

dooce

Senior Member
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Daventry
Not previously knowing a lot about this brand, other than they are finished in a spectacularly garish range of colours and textures, I came home with one on Friday night. I did get the wife a big bunch of red flowery things in recognition of Valentines day being the next day, so i think I got away with it :laugh:

I just happened to have a couple of free hours in Cambridge so went along to Wood Wind and Reed, and they very obligingly let me honk away on a Yam 62, Yani 901 and a Mauriat. I told them to put the Mauriat out of reach - fabulous instrument but well outside what I was thinking of paying. An "ice-nickel" Big Bell Stone Series Cannonball was also put within reach - the finish is a frosted gunmetal grey, with a sort of frosted silver crook (I can hear traditionalists spinning in their graves at about 60 rpm).

I tried not to like it - after all I was playing it against 2 "industry standard" horns - but I couldn't help myself. It had character, it worked for me, the guy in the shop fitted me up with the perfect mouthpiece and reed combination, I got what sounded to me like a gorgeous tone out of it, and that was it - job done. I've managed to start loving its looks now I've got it home. It certainly gets a gasp from onlookers every time I open the case.

No disrespect to the Yam and Yani - maybe if I were a better player, there would have been no contest with the Cannonball. I guess coming from an old Conn 10M made it feel more natural to me as well.

I'll post pictures when I get some time - it certainly is different.
 
you're an R&B kind of guys, aren't you? Cannonballs seem spot on for anyone wanting a big, powerful horn, with a modern sound for rock gigs (as opposed to a big, powerful horn with an old fashioned sound for rock gigs- namely my Mauriat). loads of welly and umph....
 
Griff - yes, it is conspicuously heavier than either my old Conn or the other horns I was playing. Must be all those layers of laquer/metalflake paint or whatever. The case doesn't help - it is like carrying a medium sized safe around.

PeeDee - the semi-precious stone looks suspiciously like the off-cut from a B&Q marble worktop........ Not very precious, anyway.

Dave - as the review states, it was of a pretty old model. I'm no expert but this one does seem very nicely put together and has a lovely light and smooth action.

Jools - I understand the reputation of the Mauriat now - I could have just walked away with the instrument after a couple of minutes blow - but the dosh was out of my range. Yes the Cannonball has a great rock & roll tone, but also a lot more responsiveness, subtlety and depth than I have been used to from the Conn.
 
You must be kidding! Swap your Conn 10M for a Cannonball. According to the clip (soundclip dept) from the pub lat year, I think you sounds great on your Conn.

Thomas
 
ByteOfTheCherry wrote:
dooce wrote:

Jools - I understand the reputation of the Mauriat now - I could have just walked away with the instrument after a couple of minutes blow

Please can you stop publishing comments such as these..
😡 ..it has made the 'slim new' version of my wallet feel very nervous 'n' worried.. :cry:
your YTS 82Z-UL will get jealous!
 
Make sure your windows and doors are locked and that black and white spotty thing isn't fed or I'll be 'avin' it >:) Very nice looking beastie, I'd be interested in hearing it too!
 
I played a few of these a couple years back and they struck me as being good horns, just inconsistent.
I think along with Mauriat they've improved their quality control in recent years and are starting to build a respectable reputation. Mauriat certainly have.

I still don't like these cannonballs though, it's all the PR rubbish they hit you with and I'm not a fan of their finishes either.

Sounds like you got a horn that suits you well though. When are the soundclips coming?
 
Great looking sax, very powerful sound, i tried one back in Nov but once i picked up my Mauriat PMXT 66R i was smitten, but hey ! It depends what sound you are after. It really was a toss up between the Cannonball and the Mauriat, i'd just got a bonus so bit the bullet and forked out the dosh. If i hadn't i would most certainly have gone for the former. Good luck Phil :w00t:
 
While they're both good horns with plenty of guts I've found that there's a big difference in sound between Mauriat 66Rs and Canonballs- to my ears Cannonballs sound really contemporary- Sanborn, Kirk Whalum etc while Mauriats are very dark and old fashioned sounding (I personally love the combo of raw power but with a dark, booming tone)....
 
I have had a go on a friends Cannonball bari and tenor and they are both gorgeous to play and I'm sorry, but I like the looks. My own sax is a Yani 901 tenor (and I have a 901 soprano) so I have spent the money but they are not as easy-playing compared to the Cannonball.

I like them.

Moz
 
nachoman wrote:
While they're both good horns with plenty of guts I've found that there's a big difference in sound between Mauriat 66Rs and Canonballs- to my ears Cannonballs sound really contemporary- Sanborn, Kirk Whalum etc while Mauriats are very dark and old fashioned sounding (I personally love the combo of raw power but with a dark, booming tone)....

Very accurately summed up I think Jools.

The dog and I have been playing with my extensive library of mouthpieces this evening and it does seem that the Cannonball (or "CB" as they get referred to on SOTW) is very mouthpiece-tolerant.

I bought it with a metal Link 6, which gives a nice "middle of the road" tone and gets a gentle, almost appreciative whining from the dog.

My old Lawton 7* is a bit tougher to blow but gets a good penetrating R&B sound, and the dog really got into this one, opening up his embouchure nicely.

However a Runyon Quantum 9 started causing minor structural damage and had the dog screaming for me to stop, while relative peace was restored with an old white ROC Brilhart which produced a darker tone and calmed Dylan quite effectively.

Couldn't get a Mauriat tone, but I think it's a splendid piece of kit anyway. And who said saxophones had to be brass coloured? 😉
 
What an excellent horn, so easy and sweet across the range. I can see the appeal of this horn now, coupled to the Otto Link its an awesome combination, spot on nice one Bill!

Desperately trying not to turn green 😡
 

Similar threads... or are they? Maybe not but they could be worth reading anyway 😀

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