Not previously knowing a lot about this brand, other than they are finished in a spectacularly garish range of colours and textures, I came home with one on Friday night. I did get the wife a big bunch of red flowery things in recognition of Valentines day being the next day, so i think I got away with it :laugh:
I just happened to have a couple of free hours in Cambridge so went along to Wood Wind and Reed, and they very obligingly let me honk away on a Yam 62, Yani 901 and a Mauriat. I told them to put the Mauriat out of reach - fabulous instrument but well outside what I was thinking of paying. An "ice-nickel" Big Bell Stone Series Cannonball was also put within reach - the finish is a frosted gunmetal grey, with a sort of frosted silver crook (I can hear traditionalists spinning in their graves at about 60 rpm).
I tried not to like it - after all I was playing it against 2 "industry standard" horns - but I couldn't help myself. It had character, it worked for me, the guy in the shop fitted me up with the perfect mouthpiece and reed combination, I got what sounded to me like a gorgeous tone out of it, and that was it - job done. I've managed to start loving its looks now I've got it home. It certainly gets a gasp from onlookers every time I open the case.
No disrespect to the Yam and Yani - maybe if I were a better player, there would have been no contest with the Cannonball. I guess coming from an old Conn 10M made it feel more natural to me as well.
I'll post pictures when I get some time - it certainly is different.
I just happened to have a couple of free hours in Cambridge so went along to Wood Wind and Reed, and they very obligingly let me honk away on a Yam 62, Yani 901 and a Mauriat. I told them to put the Mauriat out of reach - fabulous instrument but well outside what I was thinking of paying. An "ice-nickel" Big Bell Stone Series Cannonball was also put within reach - the finish is a frosted gunmetal grey, with a sort of frosted silver crook (I can hear traditionalists spinning in their graves at about 60 rpm).
I tried not to like it - after all I was playing it against 2 "industry standard" horns - but I couldn't help myself. It had character, it worked for me, the guy in the shop fitted me up with the perfect mouthpiece and reed combination, I got what sounded to me like a gorgeous tone out of it, and that was it - job done. I've managed to start loving its looks now I've got it home. It certainly gets a gasp from onlookers every time I open the case.
No disrespect to the Yam and Yani - maybe if I were a better player, there would have been no contest with the Cannonball. I guess coming from an old Conn 10M made it feel more natural to me as well.
I'll post pictures when I get some time - it certainly is different.

Very nice looking beastie, I'd be interested in hearing it too!