• New!

    Try our new Social Feeds, look out for the navigation icon: . You can now set default social feed view in your account preferences.

BOTM BotM January 2017 Body & Soul

I wanted to see what affect the ligature has on sound, so for this one, rather than my usual Berg lig, I used instead my wife's hair bobble to hold the reed on.

https://dl.dropboxusercontent.com/u/97346875/BandS20170123.mp3

IMAG0111.jpg
 
I wanted to see what affect the ligature has on sound, so for this one, rather than my usual Berg lig, I used instead my wife's hair bobble to hold the reed on.

https://dl.dropboxusercontent.com/u/97346875/BandS20170123.mp3

IMAG0111.jpg
So is your lovely wife using a ligature to keep her ponytail in place? What kind does she favour? A girl needs to know these things 🙂
 
Last edited:
We could start a whole new silly thread on ideas for improvising a ligature for when your real one dies, duct (duck in the UK) tape and cable ties are obvious ones.
If there isn't one already, I'll start it. I'll go get some cable ties and try that too.

I think it's still duct tape in the UK, it's just we run the 2 T's together to give us ductape. Very annoying to my Italian friend when I run consonants together they tell me like 'there's 2 r's in there...at least pronounce one of them' 🙂
 
Just a quick post to thank everyone for their great contributions to this thread. Sorry I have not been posting recently, I am just recovering from a bad cold/flu. I would like to ask if any of the contributors would like to host next month's Ballad of the Month. It is an opportunity to get a favourite ballad played by our talented saxophonists, and to hear great versions from the digital world which you may not have discovered. If you would like to put yourself forward, please pm me.

All the best, Bill
 
I remembered that there is a one chorus version of Body and Soul in John O'Neil's sax tutor book and CD playalong "Jazz Method for Tenor Saxophone".

John O'Neil calls his tune "It's All Yours" and the written out solo is very recognisable as "Body and Soul", or at least it depends on the player !

It's All Yours - Rhys tenor V01.wav - Box

Rhys
 
Last edited:
Must say I've enjoyed this one. I was very unsure at the start, there are so many chords and the way the key changes to another one that has every note different, then seems to change again a few bars later. But it was fun to play, and I do think that I managed to make some progress.

Sure I'm a long way from being comfortable with it, but I'd advise all the lurkers who looked but thought it beyond them to at least have a go.

Looking forward to the next one now, and I have a new mouthpiece on the way, so something else to play with.
 
As a newcomer to the forum, I've just started to take notice of the BOTM and lurking and listening took me in several directions which included home recording set-up and sound production as well as playing the basic melody (improvisation needs more work and understanding). It's been quite revealing on several personal levels, so still plenty of work to do, but it's been great to hear other members contributions, tonality and interpretation. I think I need some more practise and refinement before I inflict pain on your ears, but a quick word of thanks for the backing track and music notation.
 
One last go, as some of you know, I purchased the Windcraft that had been donated to this site, it arrived today. I was busy most of today, but just got back and gave it a try and here's the result.

https://dl.dropboxusercontent.com/u/97346875/BandS20170130.mp3

The Windcraft is basically a Link copy, I heard they use the same blanks, but who knows, it's a similar 'no baffle' concept mouthpiece, although the sound does have some 'bite' to it, looking at the shape, I suspect that's due to the sidewalls, which are quite concave rather than straight. The rails are way too wide which I think is adding some stuffiness to the sound, I'll take a file to them later and put a chamfer on, that should cure that.

Be interesting to compare it with my teachers Florida on Sat, once I've seen that, then I suspect I might do something with the side walls, they just look 'wrong' to me. Overall the sound isn't bad, doesn't have the projection of my Berg but not bad. The tip is a bit lower than my Berg, that's a 105, I'd estimate this to be perhaps a 95 or so (not sure about 'link language'...is that like a 5* or a 6?).

I doubt it will become my 'main' mouthpiece tbh, I just don't reeli like the feel of HR mouthpices in my mouth. I guess it's what you're used to, what you start off with, but they feel slightly soft to me, like eating a marshmallow, and they're always bigger than metal mouthpieces. But interesting to try nonetheless.
 
Ok, did this just for fun, one straight after the other. The Windcraft I just bought (basically it's a HR link copy), and my metal Berg, so two very different mouthpieces, Java 2.5 on the Berg, Rico Select 2M on the Windcraft (it's a bit harder than the Java). There really isn't much difference in the sound I don't think. I'll get my teacher to have a go on Sat and I bet he sounds just like my teacher on it too 🙂

https://dl.dropboxusercontent.com/u/97346875/BandS20170131a.mp3

https://dl.dropboxusercontent.com/u/97346875/BandS20170131b.mp3

There's a few mistakes in the recordings, they're both 'first takes' literally one after the other, just to hear the different sounds they made...or not.
 
This version came up on random play on my iPhone yesterday and I really like it. It's by Dexter Gordon from 1976.


I can't work out the time signature they are playing it in. Is it 5/4 or maybe 9/4 ? I would love to have a backing track with this feel and also a transcription of Dexter's solo.

Rhys
 
Last edited:

Trending

Latest Song of the Month

Forum statistics

Topics
32,240
Messages
575,232
Members
8,070
Latest member
Soybean
Back
Top Bottom