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Update
If you allready have MASTERED all the scales, Then modes may not apply verry much, BUT If you can't tell me in a spilt second exactly what the third and sixth are to a Cbm7 chord and every other chord right off the top of your head instaly, and be able to locate all the tones of every chord on instaly, then modes are worth looking into.
+++++++++++++++++++++++++++++++++++++++++++
Ok. After a lot of mumble jumble, I think I have found an explination for modes.
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I am most likely just rewording somebody elses difinition, but these are my own words on how I used modes to better myself at music.
------------------------------------------------------------------------
The deceptive thing about modes is that even though you think of modes in relation to a key, actually they are a way of "understanding" ALL KEYS at once.
So talking about D Dorian doesnt make sense. But rather talk about "Dorian" as being a small patern (scale) that can "PLACE" you in the right position of a scale, and allow you to "see" where the root, third, fith, etc... is automatically.
Chances are most people can allready do this verry well in at least one or two keys.
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::::So IF your verry intimate with the key of C for example. (You know the whole scale, and the chords that belong to that scale, and the notes and thier relationship to each chord.) THEN you can "transition" that intamacy to another key peice by peice by using modes.
If there were only one key in music modes would not be here. It is the fact that there are MANY keys, and many RELATIONSHIPS to figure out that brings use to modes.
I hope this makes sense. I was playing in C alot, and found that I was uncomfortable in other keys, because I would get lost sometimes. Once I started looking at things in terms of modes, I was able to find my place quickly after getting "off track"
In OTHER WORDS.... You dont play a mode, you use modes to learn. I think I heard someone say it was like a roadmap.... that makes sense to me now... lol
If anyone still looks at modes the ways I used to, I think I can explain it better, so message me.
++++++++++++++++++++++++++++++++++++
OLD MESSAGE:
OLD MESSAGE:
OLD MESSAGE:
Hey everyone. I am new here, and would like some help. :cry: :cry:
Can anyone explain my options while improvising over
Dm7-G7-Cmaj7-Cmaj7
to me.
After a BUNCH of years "playing" guitar, I finnaly found out what it meant to use chord notes in your improvising. I have been blindly using the Blues Scale for years. So I stayed away from anything other than a I-IV-V progression, like 8 and 12 bar blues.
I have allways been familiar with notes and chords, just never understood that the chord tones of the chord beeing played needed to bee on beats 1 and 3.
anyways I played with a iim7-V7-IMaj7 chord progression and realized that I could play a C Major scale and "focus" on the background chord... eg. during Dm7 I played D, F, or A on beats 1+3 and used "runs" and "slurs" sometimes to connect two chords.
I tried finding different ways to play and was refered to "modes", but modes dont really help because I am being told to play what I am allready playing. Like G Mixolydian over G7. Thats what Iv'been doing, but I call it a C Major Scale, just started on G, B, or D...
Then I was told to try G bebop... Well that is a little better because It's different that the C major (G Mixolydian) I have BEEN playing. However, I didnt find the "power" of the bebop... only a little chromaticism between G and F. Whitch I can only to get to sound good decending.
Thanks in advance. Randy.
If you allready have MASTERED all the scales, Then modes may not apply verry much, BUT If you can't tell me in a spilt second exactly what the third and sixth are to a Cbm7 chord and every other chord right off the top of your head instaly, and be able to locate all the tones of every chord on instaly, then modes are worth looking into.
+++++++++++++++++++++++++++++++++++++++++++
Ok. After a lot of mumble jumble, I think I have found an explination for modes.
-----------------------------------------------------------------------
I am most likely just rewording somebody elses difinition, but these are my own words on how I used modes to better myself at music.
------------------------------------------------------------------------
The deceptive thing about modes is that even though you think of modes in relation to a key, actually they are a way of "understanding" ALL KEYS at once.
So talking about D Dorian doesnt make sense. But rather talk about "Dorian" as being a small patern (scale) that can "PLACE" you in the right position of a scale, and allow you to "see" where the root, third, fith, etc... is automatically.
Chances are most people can allready do this verry well in at least one or two keys.
----------------------------------------------------------------------
----------------------------------------------------------------------
----------------------------------------------------------------------
::::So IF your verry intimate with the key of C for example. (You know the whole scale, and the chords that belong to that scale, and the notes and thier relationship to each chord.) THEN you can "transition" that intamacy to another key peice by peice by using modes.
If there were only one key in music modes would not be here. It is the fact that there are MANY keys, and many RELATIONSHIPS to figure out that brings use to modes.
I hope this makes sense. I was playing in C alot, and found that I was uncomfortable in other keys, because I would get lost sometimes. Once I started looking at things in terms of modes, I was able to find my place quickly after getting "off track"
In OTHER WORDS.... You dont play a mode, you use modes to learn. I think I heard someone say it was like a roadmap.... that makes sense to me now... lol
If anyone still looks at modes the ways I used to, I think I can explain it better, so message me.
++++++++++++++++++++++++++++++++++++
OLD MESSAGE:
OLD MESSAGE:
OLD MESSAGE:
Hey everyone. I am new here, and would like some help. :cry: :cry:
Can anyone explain my options while improvising over
Dm7-G7-Cmaj7-Cmaj7
to me.
After a BUNCH of years "playing" guitar, I finnaly found out what it meant to use chord notes in your improvising. I have been blindly using the Blues Scale for years. So I stayed away from anything other than a I-IV-V progression, like 8 and 12 bar blues.
I have allways been familiar with notes and chords, just never understood that the chord tones of the chord beeing played needed to bee on beats 1 and 3.
anyways I played with a iim7-V7-IMaj7 chord progression and realized that I could play a C Major scale and "focus" on the background chord... eg. during Dm7 I played D, F, or A on beats 1+3 and used "runs" and "slurs" sometimes to connect two chords.
I tried finding different ways to play and was refered to "modes", but modes dont really help because I am being told to play what I am allready playing. Like G Mixolydian over G7. Thats what Iv'been doing, but I call it a C Major Scale, just started on G, B, or D...
Then I was told to try G bebop... Well that is a little better because It's different that the C major (G Mixolydian) I have BEEN playing. However, I didnt find the "power" of the bebop... only a little chromaticism between G and F. Whitch I can only to get to sound good decending.
Thanks in advance. Randy.
48 Replies
·
610 views
Cafe Moderator
Café Supporter
Miscellaneous Daily Check In
Good morning,
We thought it might be good to have a thread where you can just come and say hi, tell us what you are doing today, have a moan, share an idea that you wouldn't necessarily start a thread for ( we can always create a new thread from posts here if it became a substantial discussion).
It doesn't have to be sax related🙂
Basically an easy way to connect on a daily basis.
So to kick us off, I am writing this whilst prepping a casserole for the slo cooker as I am playing sax today with café sax and need a quick easy tea when I get home.
I am still suffering with a cough which will impact my playing today and I am worried as we are playing our first care home gig next Sunday!!
Have a lovely Sunday
Jx
We thought it might be good to have a thread where you can just come and say hi, tell us what you are doing today, have a moan, share an idea that you wouldn't necessarily start a thread for ( we can always create a new thread from posts here if it became a substantial discussion).
It doesn't have to be sax related🙂
Basically an easy way to connect on a daily basis.
So to kick us off, I am writing this whilst prepping a casserole for the slo cooker as I am playing sax today with café sax and need a quick easy tea when I get home.
I am still suffering with a cough which will impact my playing today and I am worried as we are playing our first care home gig next Sunday!!
Have a lovely Sunday
Jx
2801 Replies
·
81048 views
Tech/maintenance LeBlanc 7133 Vito (Jupiter) Alto Sax Service
December 2025, I purchased the subject alto sax, S/N 541xxx on eBay for $118.50 + $35.00 shipping + $12.18 tax, total $165.68, seller from Indianna, US. It appears to be a later model as it has felt adjustments on the bell key pad guards. My earlier Jupiter Vito tenor does not have these adjusters, ditto with photos I've seen of other altos with lower serial numbers.
It was missing the left hand B key pearl and the right thumb rest. However, it had no major dents (a plus at this cost!), keys appeared straight and aligned (another plus), back side has large blotches of tarnish where the lacquer had been worn away.
There are small dents around the bell back area from metal chair bangs, some backside bell lacquer abrasions like it was laid against Portland cement concrete bleachers in a sports stadium. However the bell rim itself was left unscathed, amazing. Case was dusty but serviceable, no major rips in the plastic sheet covering the plywood. Most of the plastic sewn edge guards are intact, not thread rotted.
Considering what it must have been through, it is the basis for a good player with a little work. For $15 I installed the missing thumb rest with an all brass aftermarket one, which replaced the missing plastic one perfectly.
I installed a 14.6 mm plastic pearl from a parts set I bought some time back for one missing on my Vito tenor, over the B key. Photo is before and after.
Someone already replaced the A Key Pearl, its pattern is slightly different than the original. Mine has more of a swirl to it, the OEM ones have a linear streak to them. If I sent it out to a tech, they'd put one from their stock, which may or may not completely match but it will be close. Its a student sax, perfection not required, now feels good.
It needs a going over for cleaning. Pads are intact, no leather cuts or cracks. Some look old. Few bumper corks are missing. As I get more involved, will decide whether I can return it to service or have it sent out for tech servicing.
It was missing the left hand B key pearl and the right thumb rest. However, it had no major dents (a plus at this cost!), keys appeared straight and aligned (another plus), back side has large blotches of tarnish where the lacquer had been worn away.
There are small dents around the bell back area from metal chair bangs, some backside bell lacquer abrasions like it was laid against Portland cement concrete bleachers in a sports stadium. However the bell rim itself was left unscathed, amazing. Case was dusty but serviceable, no major rips in the plastic sheet covering the plywood. Most of the plastic sewn edge guards are intact, not thread rotted.
Considering what it must have been through, it is the basis for a good player with a little work. For $15 I installed the missing thumb rest with an all brass aftermarket one, which replaced the missing plastic one perfectly.
Amazon.com: ERINGOGO Saxophone Thumb Rest with Hook 1 Set Gold Metal Saxophone Thumb Hook Rest Support with Washer and Screw Saxophone Thumb Hook Rest Sax Metal Thumb Rest Holder : Musical Instruments
Buy ERINGOGO Saxophone Thumb Rest with Hook 1 Set Gold Metal Saxophone Thumb Hook Rest Support with Washer and Screw Saxophone Thumb Hook Rest Sax Metal Thumb Rest Holder: Saxophone - Amazon.com ✓ FREE DELIVERY possible on eligible purchases
www.amazon.com
I installed a 14.6 mm plastic pearl from a parts set I bought some time back for one missing on my Vito tenor, over the B key. Photo is before and after.
Someone already replaced the A Key Pearl, its pattern is slightly different than the original. Mine has more of a swirl to it, the OEM ones have a linear streak to them. If I sent it out to a tech, they'd put one from their stock, which may or may not completely match but it will be close. Its a student sax, perfection not required, now feels good.
It needs a going over for cleaning. Pads are intact, no leather cuts or cracks. Some look old. Few bumper corks are missing. As I get more involved, will decide whether I can return it to service or have it sent out for tech servicing.
16 Replies
·
1042 views
Saxophones C Melody Saxophones
I've been interested in C Melody saxes, for a while.
Apparently, they were quite common in the 1920s-30s, and the general concensus seems to be that the designs got better as time went on. Earlier models were often made in High Pitch (a tuning system that predates using A=440Hz), and should be avoided, unless you want to accompany a Highland bagpipe player.
From what little research I've done, it seems Conn made some of the better sounding ones, and their later models were improvements over the earlier ones. The ones with a "straight" neck, similar to an alto, are supposed to be good. Personally, I don't really like the S shaped neck on a tenor.
Anyway, here's one I've asked about recently. I've posted a couple of these pictures in Ads's review discussion thread of the Sakkusu C Melody sax, but here's all I have.
This is a 1924/1925 Conn C Melody, currently for sale at the Trevor Jones shop in Bristol. It's in low pitch, has had a partial repad, and is ready to play.
Bristol is a bit far for me to visit so I asked if they could send me photos, particularly of the hand positions, because the ergonomics are a bit different on these old saxes, and C melody saxes in particular.
Ermm... there seems to be a 2 file upload limit. Hopefully, that's per post
The thumb rest is apparently soldered on, so can't be adjusted easily, but the position looks good for reaching the right side trill keys (Bb/C/high E). This seems to be an issue on the Sakkusu / Thoman C Melody (see https://cafesaxophone.com/threads/sakkusu-c-melody-saxophone-review.13705/Ads's Sakkusu C Melody review[/URL])
The "L" stamped below the serial number indicates it's built for "Low" pitch - i.e. designed for modern A=440Hz tuning. I've read different accounts of what was meant by High Pitch (and maybe there was more than one definition), but the consensus seems to be it was at least A=450Hz, or A=453Hz - kind of between semitones, in modern tuning, and too far out to compensate for by positioning the mouthpiece differently etc.
It's important to check for that when buying any brass or woodwind instrument from that period. I think military bands kept it going for a while longer, in Britain. Scottish bagpipe and Irish/Scottish Bb flute players tend to still use it, as I understand it. It's certainly the normal tuning for 5 or 6 key Bb flutes.
Apparently, they were quite common in the 1920s-30s, and the general concensus seems to be that the designs got better as time went on. Earlier models were often made in High Pitch (a tuning system that predates using A=440Hz), and should be avoided, unless you want to accompany a Highland bagpipe player.
From what little research I've done, it seems Conn made some of the better sounding ones, and their later models were improvements over the earlier ones. The ones with a "straight" neck, similar to an alto, are supposed to be good. Personally, I don't really like the S shaped neck on a tenor.
Anyway, here's one I've asked about recently. I've posted a couple of these pictures in Ads's review discussion thread of the Sakkusu C Melody sax, but here's all I have.
This is a 1924/1925 Conn C Melody, currently for sale at the Trevor Jones shop in Bristol. It's in low pitch, has had a partial repad, and is ready to play.
Bristol is a bit far for me to visit so I asked if they could send me photos, particularly of the hand positions, because the ergonomics are a bit different on these old saxes, and C melody saxes in particular.
Ermm... there seems to be a 2 file upload limit. Hopefully, that's per post
The thumb rest is apparently soldered on, so can't be adjusted easily, but the position looks good for reaching the right side trill keys (Bb/C/high E). This seems to be an issue on the Sakkusu / Thoman C Melody (see https://cafesaxophone.com/threads/sakkusu-c-melody-saxophone-review.13705/Ads's Sakkusu C Melody review[/URL])
The "L" stamped below the serial number indicates it's built for "Low" pitch - i.e. designed for modern A=440Hz tuning. I've read different accounts of what was meant by High Pitch (and maybe there was more than one definition), but the consensus seems to be it was at least A=450Hz, or A=453Hz - kind of between semitones, in modern tuning, and too far out to compensate for by positioning the mouthpiece differently etc.
It's important to check for that when buying any brass or woodwind instrument from that period. I think military bands kept it going for a while longer, in Britain. Scottish bagpipe and Irish/Scottish Bb flute players tend to still use it, as I understand it. It's certainly the normal tuning for 5 or 6 key Bb flutes.
582 Replies
·
71334 views
Apparently, at a Richard Thompson gig a girl asked him to "play that song about the Water Bed". "I don't do a song about a water bed" he replied. "Yes you do, the one the goes Let me ride on your water bed one more time".
View: https://youtu.be/gw1ZDzBoUf8?si=yah5OyWiRWCpzq_T
Have you got any other examples ?
Rhys
Have you got any other examples ?
Rhys
45 Replies
·
2727 views
Miscellaneous Is AI taking over!
I just made this with AI today (inspired by my daughters recent wedding) and was totally mind blown... The song itself, band, singer and sax solos were just too good... There's no future for humans in music if this is just the early stages!
Walk her to forever
Walk her to forever
597 Replies
·
22617 views
Miscellaneous What is “Politics”?
In the current thread on AI, Pete reminded us to keep politics out of the discussion, and to put side queries in another thread. So here is the side query…
When does a discussion become political? If something is an important societal topic (e.g., the state of music education, or the emergence of AI), there are certain to be politicians and government employees involved somehow. (Well, maybe not in music education, more’s the pity.) I’d like some clarity and perhaps a discussion on where the line is.
Case in point - government involvement in and support of health care. In most of the developed world, this is a non-issue. In the USA it’s a political hot potato. But this topic is important culturally and socially. Studies on strategies for extending lifespan. What tests to get, and where and how to get them. Seeking advice on a particular health condition. Etc. Here in the US, this can stray very easily into political waters - because of the various money, power and philosophical opinions around the subject.
So if I say “I think taxpayer funds should be used to provide a sensible baseline of health care support for everyone”, is that political? Or do I have to add something about a particular politician, or perhaps discuss specific legislation, to make it cross the line? “Joe Blow is an idiot because he thinks Medicare should be cancelled.”
I ask because topics like AI and healthcare affect us all, both as musicians and as humans in society. (Also as saxophonists, because some AI systems seem to think one needs 7 or 8 fingers per hand to play one!)
In the current discussion of AI, which is important IMO, there are obvious cultural and societal implications around the uses of AI. And these very easily stray into discussions of current political topics because various governments and government agencies are actively involved. Some guidelines on where to draw the boundaries of the discussion would be helpful.
When does a discussion become political? If something is an important societal topic (e.g., the state of music education, or the emergence of AI), there are certain to be politicians and government employees involved somehow. (Well, maybe not in music education, more’s the pity.) I’d like some clarity and perhaps a discussion on where the line is.
Case in point - government involvement in and support of health care. In most of the developed world, this is a non-issue. In the USA it’s a political hot potato. But this topic is important culturally and socially. Studies on strategies for extending lifespan. What tests to get, and where and how to get them. Seeking advice on a particular health condition. Etc. Here in the US, this can stray very easily into political waters - because of the various money, power and philosophical opinions around the subject.
So if I say “I think taxpayer funds should be used to provide a sensible baseline of health care support for everyone”, is that political? Or do I have to add something about a particular politician, or perhaps discuss specific legislation, to make it cross the line? “Joe Blow is an idiot because he thinks Medicare should be cancelled.”
I ask because topics like AI and healthcare affect us all, both as musicians and as humans in society. (Also as saxophonists, because some AI systems seem to think one needs 7 or 8 fingers per hand to play one!)
In the current discussion of AI, which is important IMO, there are obvious cultural and societal implications around the uses of AI. And these very easily stray into discussions of current political topics because various governments and government agencies are actively involved. Some guidelines on where to draw the boundaries of the discussion would be helpful.
40 Replies
·
679 views
Misc recording Recording at Church House ATX: Progger Album 5
Happy Thursday, Cafe Saxophone! Rather than spam other threads, I thought it might be nice to start a new one for this topic since my jazz-funk-rock band just went into a great studio for the first time since before the pandemic to record our fifth album. We're all music full-timers, and between us we've worked with a variety of pretty big names (Bruno Mars, Jon Batiste, Black Pumas, Janelle Monáe, Kool and the Gang, and... yes... even Kanye). But the music I love to play and write is directly descended from the likes of Weather Report, Headhunters, Mahavishnu Orchestra, and things like that, and it's probably pretty apparent in Progger's music.
We just wrapped a few days ago and I'll attach some fun photos here of people and gear, only a little bit of which is saxophone-centric, but I'll be editing tons of audio and video in the coming months that I'll post to this thread periodically. If you're curious what we sound like (and haven't encountered any of my Progger-spam elsewhere yet), here's where our existing music can be heard.
We recorded at a fantastic studio in east Austin called Church House which, in fact, used to be a church. So the high ceilings and spacious central room made for some great drum sounds and a wonderful vibe overall. The studio has some really lusty gear, too, including a Neve "Melbourne" console, Telefunken V72 and V76 pairs, a real Fairchild, plenty of vintage Neumann, AKG, and RCA mics, and much more. Saxophone-wise, I recorded into three mics: a vintage U67 for main capture, a Coles 4038 for more distance, and my Evno clip-on for effects pedals. (My keyboards, a Yamaha YC73 and Roland FA06, went direct.) I'm playing on a Yamaha 82z tenor with a Marantz Florida double-ring, .108", and Rigotti 4M reeds.
I'm happy to answer questions to the best of my ability, so please feel free to ask if you're curious about anything!
We just wrapped a few days ago and I'll attach some fun photos here of people and gear, only a little bit of which is saxophone-centric, but I'll be editing tons of audio and video in the coming months that I'll post to this thread periodically. If you're curious what we sound like (and haven't encountered any of my Progger-spam elsewhere yet), here's where our existing music can be heard.
We recorded at a fantastic studio in east Austin called Church House which, in fact, used to be a church. So the high ceilings and spacious central room made for some great drum sounds and a wonderful vibe overall. The studio has some really lusty gear, too, including a Neve "Melbourne" console, Telefunken V72 and V76 pairs, a real Fairchild, plenty of vintage Neumann, AKG, and RCA mics, and much more. Saxophone-wise, I recorded into three mics: a vintage U67 for main capture, a Coles 4038 for more distance, and my Evno clip-on for effects pedals. (My keyboards, a Yamaha YC73 and Roland FA06, went direct.) I'm playing on a Yamaha 82z tenor with a Marantz Florida double-ring, .108", and Rigotti 4M reeds.
I'm happy to answer questions to the best of my ability, so please feel free to ask if you're curious about anything!
18 Replies
·
1734 views
Miscellaneous US/UK linguistics - different words and spelling
Prompted by an hilarious joke I made at jbtsax's expense I was thinking about US spelling vs UK
To me the US seems to have gone the way of phonetic spelling with certain words; plough is plow, humour is humor, tumour is tumor, potato is tomato (I think I'm right)
So....
What happened to route? The spelling stayed the same but instead the pronunciation changed
Why?
To me the US seems to have gone the way of phonetic spelling with certain words; plough is plow, humour is humor, tumour is tumor, potato is tomato (I think I'm right)
So....
What happened to route? The spelling stayed the same but instead the pronunciation changed
Why?
162 Replies
·
8671 views
I'm considering purchasing an effect that allows me to simulate a horn section a bit for LIVE use. So far I've been using the Roland Aerephone AE10, which isn't bad, but I'd like to try it with my tenor sax so I can switch from clean sax to horn section-like effects. I was thinking about a Zoom A2.1 or a Roctary Poly Octave, but I don't have any experience. I'd use it with my Xvive wireless microphone.
2 Replies
·
85 views
Animals Show us your Wildlife
Inspired by the convolution of the Show us your pet and Help a Hedgehog threads...
Here's one from another thread;
Red Squirrel
(They exist in Norway)
Here's one from another thread;
Red Squirrel
(They exist in Norway)
876 Replies
·
41392 views
Saxophones Pork Tales: Saxophone Repair DIY Adventures.
Tales from a pig that likes to stick his nose into everything.
Paint that S. How difficult could it be ?
1) Search the net.
2) Find the color.
3) Order color.
4) Study task on University of YouTube, aka; For destruction by DYI presented by pro tech.
Do the cleaning & prep.
Paint and cleanup / detail the edges with hard cotton swabs. Sounds easy……
Yeah tha guy Matt makes it look easy.
Anyone remember your first experience cooking bacon crispy while still in the frying pan !
Paint that S. How difficult could it be ?
1) Search the net.
2) Find the color.
3) Order color.
4) Study task on University of YouTube, aka; For destruction by DYI presented by pro tech.
Do the cleaning & prep.
Paint and cleanup / detail the edges with hard cotton swabs. Sounds easy……
Yeah tha guy Matt makes it look easy.
Anyone remember your first experience cooking bacon crispy while still in the frying pan !
1022 Replies
·
57009 views
Saxophone beginners If you had to do it all again
Evening all.
I'm returning to playing the sax after nearly 25 years, used to play alto (played in various bands, gigs in pubs, clubs, fesitvals, weddings & wakes, recorded some albums). I've only gone and bought myself a tenor off of ebay by accident and i'm planning to do some practice, mostly so I can get some half decent sounding brass parts down on my computer based deep house noodling.
When i started learning (early 90s) I taught myself, never had a lesson and subsequently developed a load of bad habits. These days there's something called youtube and it's full ofAI slop tutorials for people to learn off so I've had a look around.
I'm planning on focussing on my embechoure first (long notes, stupid face exercises), intonation then finger placement (always moved my fingers too much and hit the pads too hard).
So my question is, if you had to do it all again - how would you go about it, what would you concentrate on?
Coke Escovado - I wouldn't change a thing
I'm returning to playing the sax after nearly 25 years, used to play alto (played in various bands, gigs in pubs, clubs, fesitvals, weddings & wakes, recorded some albums). I've only gone and bought myself a tenor off of ebay by accident and i'm planning to do some practice, mostly so I can get some half decent sounding brass parts down on my computer based deep house noodling.
When i started learning (early 90s) I taught myself, never had a lesson and subsequently developed a load of bad habits. These days there's something called youtube and it's full of
I'm planning on focussing on my embechoure first (long notes, stupid face exercises), intonation then finger placement (always moved my fingers too much and hit the pads too hard).
So my question is, if you had to do it all again - how would you go about it, what would you concentrate on?
Coke Escovado - I wouldn't change a thing
24 Replies
·
2526 views
The dates have been announced for the 2027 International Saxophone Symposium hosted by the Navy Band at George Mason University: January 8-9.
Plan your trip now if you're coming from afar.
Plan your trip now if you're coming from afar.
18 Replies
·
728 views
Saxophones Windcraft WAS-110 Alto
Me again !!
I have been offered the above complete with mouthpiece, care kit, strap, and case, for £215 (+ p&p) - wondering if this is a good deal?
@Steve Howard reviewed one of them some time ago and gave it a reasonably good review at the time - are they still worth picking up or would a Jupiter or Antigua Winds be a better option (for a beginner)?
Any thoughts / comments appreciated......
Thanks
I have been offered the above complete with mouthpiece, care kit, strap, and case, for £215 (+ p&p) - wondering if this is a good deal?
@Steve Howard reviewed one of them some time ago and gave it a reasonably good review at the time - are they still worth picking up or would a Jupiter or Antigua Winds be a better option (for a beginner)?
Any thoughts / comments appreciated......
Thanks
48 Replies
·
4631 views
Cafe Moderator
Commercial
Miscellaneous Do you have a “pet peeve”
And care to share it with us?
176 Replies
·
9364 views
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