Saxophone reviews Review of the 'Academy Jericho' Alto sax & Mk11

I wasn't sure where to write this as the original J6 Review thread kind of went off topic and moved towards quality control issues, though I suppose that's the point. Anyway, since the MKII is technically a different instrument and since I've bought a MKII I thought I'd start this thread.

Having ordered a matt finish J6 MKII for £329.00 I couldn't wait for it to arrive and, as promised it duly arrived the next day.

When I opened it I was pleasantly surprised. It looked well made and even the stock mouthpiece didn't look too bad. When I looked closer, however, there were a couple of issues.....

There was quite a bit of play in two rods on the lower stack, and when I came to blow it there was not even the slightest chance of hitting the bottom two notes. That said everything else seemed fine, no nasty blobs of solder, ill fitting posts etc and the key guards and octave mechanism all looked good and sturdy, so I took it off to Dominic Ball's in Stoke to get a setup. I was in no hurry so asked them to call me when it was ready.

When I picked it up the tech said that he'd tried it out and it was a great sax for the money and needed so little doing on the setup that he only charged me £10.00 instead of the £30.00 for a full setup.

From what I could tell they had taken out the play in the 2 rods, eased off a couple of springs on the palm keys and adjusted the regulation on the lower keys. The Tech did advise that it would probably need another setup after I'd played it for a while, but I would expect that with any new instrument.

So now the acid test, how does it play?

The short answer is very well indeed.

Granted I haven't played for a few years but did play to a good standard so my review here is from what I would call an advanced intermediate player who's gone a bit rusty!

First and foremost, under the fingers it is very comfortable, the action is smooth and very assured and certainly better than the old B&H I played in my student days! My fingers aren't as quick as they were but I still managed some good little riffs and it was not only very responsive but forgiving.

How did it blow?

I tried the supplied mouthpiece and a new Yamaha 4C both with the supplied ligature and reed and a rico royale 2. My chops need strengthening, however, with both mouthpieces and reed combinations the sound and "blowability" was very similar, though without a doubt a complete beginner would find it easier with the 4C and a rico 1.5. Incidentally the supplied unbranded reeds (there were 2) were softer than the Rico Royale 2, and actually not too bad.

It blows well from top to bottom without any tuning issues and I actually find it quite versatile in tone, though lacking a little depth. That's not to say it's bland or woolly, I would say that the tone is on the bright side of fairly rounded. It is bright but not as bright as I expected from the MKI reviews I've read, but that said very little work was needed on my part to take it from medium bright, to outright raunchy and back down to smooth and airy, it just doesn't have that smoky 50's jazz bar sound to it, or maybe that's just my lack of ability to make it sound that way and perhaps a different mouthpiece would help. What it does do is make you want to push it to see what you can make it do, if that makes sense, and in that respect it's a fun instrument to play.

I've played the mk1 YAS62 and from what I remember the Jericho MKII isn't quite as punchy or as versatile, but I honestly couldn't say that it's worth paying the best part of a grand difference for the difference in tone and versatility either.

The bottom line is the J6 MKII is easy to play, and having tried a couple of tutor recommended student saxes at a local high school, I can honestly say that it has a much better tone and is certainly more fun to play, and on that basis I guess youngsters starting out would love it. The only issue is that it didn't play straight out of the box. However, if you accept that you will need to pay up to £30.00 or so for a setup, and if anything more than that is needed you can always send it back, it's one heck of a sax for someone starting out.

So in summary I would say that, as some posts on here have indicated, the QC at Academy seems to have diminished. However, that only brings them into line with other retailers like G4M. The minor issues of the MkI Jericho have been addressed and, certainly in my case, the quality issues were very minor to the point where it didn't even need a full setup, which is something you should expect to pay for anyway.

In terms of playability and overall build quality, for the money the Jericho MKII Alto is excellent value and I would recommend it to anyone as a first sax or indeed as a backup. The jury is out as to whether it will be a keeper, that will come down to how well it holds its regulation and the amount of work needed on it in the future. If it does hold up well then I see no reason why I wouldn't hang on to it for a good few years even if I did upgrade to something else.
 
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I've played the mk1 YAS62 and from what I remember the Jericho MKII isn't quite as punchy or as versatile, but I honestly couldn't say that it's worth paying the best part of a grand difference for the difference in tone and versatility either..

Same with the original Sakkusu Tick logo Alto - I sold mine in near mint condition for £200 , a new Selmer Series-III is £3500 , there isn`t £500`s worth of difference In tone or versatility there either let alone £3300 BUT like the Mk1 62 comparison you`re also paying for action quality and longevity . that Mk1 you played could be up to 36 years old and after all that time may not need even as much setting up as the new Jericho had ! - likewise I`m sure even the oldest Selmer Series-IIIs will be playing long after the Sakkusu has been made into a lampstand ..

This is what makes modern decent budget saxes such a great buy for occasional players and beginners - you get great sound (and in the case of the Taiwan & top Chinese stuff really great action too) at a very low price but unlikely that it`ll go the distance like a Yamaha, Yanagisawa, Selmer, Keilwerth , old American etc but that doesn`t matter, an occasional player will get a decade or more from it .........

not too many years ago cheap Chinese saxes not only didn`t last long but were garbage also - at least they`ve fixed the latter , the jury is out on the Former (though the expensive TW made Mauriats going rattly early on reports doesn`t fill me with confidence)
 
In terms of playability and overall build quality, for the money the Jericho MKII Alto is excellent value and I would recommend it to anyone as a first sax or indeed as a backup. The jury is out as to whether it will be a keeper, that will come down to how well it holds its regulation and the amount of work needed on it in the future. If it does hold up well then I see no reason why I wouldn't hang on to it for a good few years even if I did upgrade to something else.

It would be great if you can report back in time about how it is wearing 🙂

Jx
 
After two and a half years I came across a J6 alto in Gold Lacquer today. Didn't mean to buy it, honest!!
But it played so well I just thought I had to do another comparison, this time against... my SA80II! 😱
So I nabbed it at a good price just to update this article - I'm so good to you! 😉

Now, I've been driving (a hard bargain) a lot today and my back is killing me so it'll have to wait a while. Soon!
 
FWIW, I never did get the postage back - in either direction, when I sent my faulty Jericho tenor back.

Sending it back to them cost a lot more than getting it sent to me, of course, because the likes of us don't get preferential rates from couriers, and can't take the risk on not paying for the insurance.
 
Andy , I`d not have let that rest DOAs demand full refund and pickup ..

It`ll be interesting to see how David gets on in his comparison - the fabled Sakkusu Tick Alto is very much the paupers SA80 and being Taiwanese gets dangerously close in feel too when setup right , the early TJ "The Horn" Classic-1 I sold mandy is another, not quite as refined as the early Sakkusu in action but close and the sound is fantastic if Brighter (Mid ground between SA80 and Yamaha) - of course these are Taiwanese horns . Bauhaus proved that the Chinese can do it, at least for a while..... Also good Altos are a lot easier to make than tenors it would seem so it stands a good chance, they`re claiming its a YAS62 alternative so it`ll be interesting to see

Prob with them is (and I`ve had this explained to me by a guitar shop) is that Chinese companies often start out making the instruments really well and after a while quality slips (cost cutting?) , SH Has noticed this with G4M and the maker of the Conn Selmer AS700 Prelude - Sax.co found it with the Chinese Sopranino Sakkusus too. so an Early Jericho may turn up perfectly setup and well made but a later one - well, read Andys report ........... this doesn`t seem to happen with the Taiwanese ....

This is why I`d never simply recommend G4M on Colin the Bears experience, his horns maybe excellent but sadly that`s no guarantee that a new horn from there will be even playable (let alone made in the same factory as Colin's) and being box shifters, G4M have no QC to cherrypick the good ones and send the duds back .. I`d have thought that SMS would though
 
The original owner of SMS sadly died, of course, before I bought an instrument from them. I'm not trying to be mean or vindictive about this (shhh!-it happens), but I'm inclined to think the expertise died with him.

I had no trouble asking pre-sales questions by email. None at all. When I needed to sent it back, on the advice of the repairer I showed it to, it was a different story.

I effectively spent a little over £30 to hire a faulty tenor for two weeks (£8 delivery cost, about £24 to send it back, IIRC), and also spent money on lots of tenor related accessories I then didn't have a direct use for.

I see it as a learning experience. At least I can now use the mouthpieces and reeds with my Thoman C Melody, if I want to. I still haven't found a use for the better quality tenor pad saver I bought (I use them as an internal mop; I don't leave them in the sax) - other than to do a bit of dusting.
 
The original owner of SMS sadly died, of course, before I bought an instrument from them. I'm not trying to be mean or vindictive about this (shhh!-it happens), but I'm inclined to think the expertise died with him.

I had no trouble asking pre-sales questions by email. None at all. When I needed to sent it back, on the advice of the repairer I showed it to, it was a different story.

I effectively spent a little over £30 to hire a faulty tenor for two weeks (£8 delivery cost, about £24 to send it back, IIRC), and also spent money on lots of tenor related accessories I then didn't have a direct use for.

I see it as a learning experience. At least I can now use the mouthpieces and reeds with my Thoman C Melody, if I want to. I still haven't found a use for the better quality tenor pad saver I bought (I use them as an internal mop; I don't leave them in the sax) - other than to do a bit of dusting.
Andy I cannot believe that you have bought things that you don't use!!!!! >:) I use everything that I have ever bought for my horns!!!! Pa ha ha ha!
 
These things need Airing Andy or they'll not be fixed , as for the Tenor stuff - sounds like a fantastic excuse to get a Tenor -- get a used one, loads of easy recommendations there - for an easy life I`d go Taiwanese or cheap tatty old Yamaha 23 unless you want to spring for something high end ..

If you want to spend next to nothing , grab a Corton or a Weltklang, they sound fantastic and can offer great bang for buck (£100 from a local cash converters clearance is ideal like that Trafford Welty recently) but make sure it`s in good order or cheap enough to build in some fettling
 
It was part of my excuse to buy the C Melody, Ads. That scratches the tenor itch for me though - does almost the same job but is a lot more comfortable to play sitting down.

If I bought another size of sax, it would probably be going the other way - sopraninos seem too expensive and fragile, but when a decent C sop starts getting sold, I might buy one before the standards start slipping.

I own an oboe - a genuine 1970s plastic Regent, which is really quite good fun, though I'm not all that good at it. That goes down to blow Bb too, so it's not much different to a C sop, apart from the very narrow bore, the double reed (that just don't last - and no decent synthetics exist for them), and the slightly odd fingering system.
 
It was part of my excuse to buy the C Melody, Ads. That scratches the tenor itch for me though - does almost the same job but is a lot more comfortable to play sitting down.

I own an oboe - a genuine 1970s plastic Regent, which is really quite good fun, though I'm not all that good at it

I`m a tenor player so never had that "Itch" but I`m amazed that a C-Melody could scratch it --- sounds rather like buying an Epiphone Dot Semi acc guitar to scratch buying a Martin Jumbo Acoustic itch to me

I`ve never seen a plastic Oboe, even Buffets lowest one is wood - I sound like an in-tune snake charmer on the Oboe , horrible ............
 

Similar threads... or are they? Maybe not but they could be worth reading anyway 😀

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