BigMartin
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I preferred the first one. The second sounded a little harsh to me and I guessed it was sharp. Not at all confident that's right, though.
Ha, I think I've found out why using Melodyne. There's a really flat G and C an octave below the alto in that distorted guitar(?) noise. It might be a difference tone or something coming from all the effects but it shows up in the Melodyne analysis in note assignment mode.I thought the first one sounded sharp but really the second one's flat isn't it? Assuming equal temperament that is.
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I'd like to see three or four similar pairs (or more) in such a test!Maybe I should repost those clips with a poll. I also find it confusing to know which is most in tune.
That reminds me of sitting in an orchestra as a clarinet player and pulling my hair out, feeling really out of tune before realising that the bassoons were sharp. Or the flutes. Clarinet uses either no vibrato or in moderation. With the rest of the section using it as part of their sound it tends to mask their tuning.Ha, I think I've found out why using Melodyne. There's a really flat G and C an octave below the alto in that distorted guitar(?) noise. It might be a difference tone or something coming from all the effects but it shows up in the Melodyne analysis in note assignment mode.
This is quite likely, and is a good explanation of why it can be best to use ears rather than looking a tuner.Ha, I think I've found out why using Melodyne. There's a really flat G and C an octave below the alto in that distorted guitar(?) noise. It might be a difference tone or something coming from all the effects but it shows up in the Melodyne analysis in note assignment mode.
I'd like to see three or four similar pairs (or more) in such a test!
Do you mean the wah wah guitar?Ha, I think I've found out why using Melodyne. There's a really flat G and C an octave below the alto in that distorted guitar(?) noise
Well that's a bit of a turnup for the books. We now have to tune our saxophone to the drums!!! 🙂 Yippee.It doesn't sound like anything sensible when I try to isolate just that note. It isn't there one the rhythm track without drums so I guess it's coming from the drums.
Are the other tracks behind the saxophone exactly the same on both tracks with only the saxophone track being different. I thought I noticed the second track as sounding a little more mellow when I played the first few notes compared to the first track but I could have been imagining it........Well that's a bit of a turnup for the books. We now have to tune our saxophone to the drums!!! 🙂 Yippee.
Are you able to make a quick mp3 of that note over a couple of bars and upload it here?
The intonation throws up no flashing red lights for me. The first - I think it starts a little sharp which dips as the volume backs off. Sharpness, unless really sharp is often used purposefully by players. Strings call it zing, and lead trumpet players call it top spin. A guitarist friend of mine always insisted that Brecker played sharp, but I don’t notice it if it’s true. If it is correct, I wonder if he meant it.Here's a little test. These sound clips alto solo starts with a held note. Which of these takes sounds most in tune?
(Not a trick question, yes, they are different
Yes they are indeed exactly the same. It is the exact same saxophone take, one as played and the other with auto pitch correct.Are the other tracks behind the saxophone exactly the same on both tracks with only the saxophone track being different. I thought I noticed the second track as sounding a little more mellow when I played the first few notes compared to the first track but I could have been imagining it........
So the first one is as played and the second is auto pitch correct? Auto pitch correct as in just the sax part is effected or the whole track and all the instruments are auto pitch corrected? Also, does auto pitch correct bring the sax into tune with A=440 or does it bring it into tune with the accompanying tracks? Thanks!Yes they are indeed exactly the same. It is the exact same saxophone take, one as played and the other with auto pitch correct.
I don't think I'm answering that yet. Bit of a teaser, eh?So the first one is as played and the second is auto pitch correct?
I understand you not wanting to answer for the "tease" affect but without knowing the answer, we can't draw any conclusions from your recordings nor know the point of your posting them. I assume you were making a point in regard to the thread.......I don't think I'm answering that yet. Bit of a teaser, eh?
No the auto correction was just for the saxophone and is based on equal temperament A =440
It’s absolutely in regard to the thread and I apologise for the delay - there have been personal/home issues I have had to deal with plus I was interested in reading the opinions. Also got sidetracked by the suggestion of the guitar being out of tune so I may want to do a mix without that.I assume you were making a point in regard to the thread.......
Why agonise over intonation Pete - you obviously didn’t hear anything wrong with the guitar or anything else until someone brought it up because you asked for scrutiny. I think we have two sets of ears - a good working pair that flag up tuning issues, and an extra “micro-scrutiny “ pair that we can engage if we wish. At this point almost everything starts to sound like it’s all over the place. A couple of cents then start to sound like 10C plus.Also got sidetracked by the suggestion of the guitar being out of tune so I may want to do a mix without that.
