I sporadically keep a notebook, kind of a diary of things I’m working on.
For these kinds of exercises, I just make one or two notes, then take them through all 12 keys. Couple examples from the last few months (I keep other fragments in the same book, specific to a tune, or an idea for a new tune, etc…)
I worked on the II7-V7 idea for about a week, the second line is a simpler version of the first (in Bb instead of F…) The pentatonic one I learned many decades ago, but I never worked on the second line, with the second interval inverted. I’ve been doing that as my scale workout a couple times a week for the last month.
@wakyct if you are working on improvisation there is no benefit to writing exercises out in the way you did. You have to internalize them in every key, and not be looking at the paper or screen while you go through that process. If you plan on publishing an exercise book, that’s one thing, but for your practice benefit learn to do this kind of thing without the dots. Keeping a diary is good though…
BTW for notebooks, that’s a Passantino book, they’ve been around since I was a kid, and they are excellent.