• New!

    Try our new Social Feeds, look out for the navigation icon: . You can now set default social feed view in your account preferences.

Misc recording MB2, Francois Louis ligature demo 2- 'opening up' the sax

  • Thread starter Thread starter thesaxman71
  • Start date Start date
Love the new avatar pic Davey, who is it aimed at? me, Tom or Jamesmac? and yes you're one hell of a player...but you sure as hell look nothing like cool....I on the other hand...
 

Attachments

  • Dubin Castle Ska Fest.webp
    Dubin Castle Ska Fest.webp
    51.8 KB · : 185
OK, got the Francois Louis lig this morning, and as others say, it has opened up the sound and brightened things up considerably so very happy with it. One thing that wasn't so good was the pressure plate, very thin and bendy and the countersunk hole was not sufficient to stop the screw from gigging into my reed....so I simply replaced the pressure plate (making sure the curvature matched the profile of my reed first) with one from my Lawton lig, thicker material, longer, and countersunk properly, really very impressed, I am using a Harry Hartman carbon fiber reed by the way.
 
OK, got the Francois Louis lig this morning, and as others say, it has opened up the sound and brightened things up considerably so very happy with it. One thing that wasn't so good was the pressure plate, very thin and bendy and the countersunk hole was not sufficient to stop the screw from gigging into my reed....so I simply replaced the pressure plate (making sure the curvature matched the profile of my reed first) with one from my Lawton lig, thicker material, longer, and countersunk properly, really very impressed, I am using a Harry Hartman carbon fiber reed by the way.

glad you like the ligature, strange about the screw digging into your reed, tho i had mine customised with a slightly longer screw and thicker 'washer' also the plate is meant to only touch the reed on 2 points which is on the edges of the plate and not to follow the curvature of the reed but to still apply enough pressure to hold it yet leaving a space through the middle of the reed allowing it to vibrate freely and resonate extra brightness through the tubular rails around the mouthpiece. Overall i am very happy with mine and i am sure, after some more playing and live gigs and jam session etc, you will see the difference and enjoy your new sound too, another tip is to go back to regular reeds, i use rico jazz select 2M, a slightly softer reed but using more diaphragm i get a brighter and bigger sound tho it is an extra embouchre work out but very worth it. i will post another sound clip or video using a better quality recording so you can hear the true sound as the 2 youtube posts i did were just rough quick recordings using an ipad..
 
What size lig have you gotMy plate has T stamped.Mine came with the extra brass washer and a longer screw.If i try and just use the small screw and no washer the same happend to me.So i use the washer,long screw.The FL plate is thin and this adds to its very free sound.You can buy the washer,screw.Putting a thicker plate on and a Lawton 1 at that which covers the whole reed your not getting the full effect of what the FL lig is made to do which is hardly any contact to the reed.Just a thought for your goodself.
 
Yes mine has a T stamped on it as well, yes I ordered the extra brass washer (level expander) with the lig, good job I did otherwise it wouldn't have fitted properly. I can remember some manufacturer offering a set of different pressure plates with the lig who is that?
 
Yes mine has a T stamped on it as well, yes I ordered the extra brass washer (level expander) with the lig, good job I did otherwise it wouldn't have fitted properly. I can remember some manufacturer offering a set of different pressure plates with the lig who is that?

Sure sax.co.uk,if not it was Howarths.Seen them listed for sure.
 
Yes mine has a T stamped on it as well, yes I ordered the extra brass washer (level expander) with the lig, good job I did otherwise it wouldn't have fitted properly. I can remember some manufacturer offering a set of different pressure plates with the lig who is that?


the 'T' stamped is to indicate the top/front of the plate that should go towards the tip end of the reed to correctly put on the ligature, i was told this by the FL tech, if you try putting the ligature on the other way around with T at base of reed then it will not work properly as there is a different angle that the plate tilts at. but you must use the washer for mouthpieces like my guardala and similar thinner tenor pieces and the thinner reed plate to open the sound.
 
Last edited by a moderator:
the 'T' stamped is to indicate the top/front of the plate that should go towards the tip end of the reed to correctly put on the ligature, i was told this by the FL tech, if you try putting the ligature on the other way around with T at base of reed then it will not work properly as there is a different angle that the plate tilts at. but you must use the washer for mouthpieces like my guardala and similar thinner tenor pieces and the thinner reed plate to open the sound.

The T is for Tenor,Theres a A on the Alto plates,S on soprano plates.The guys wrong.The plate works both ways.Of course the lig only works 1 way but you dont have to have the T at the tip end but we all do of course.The key is dont tighten the screw to much so it tilts both ways and you get the true floating effect..
 

Similar threads... or are they? Maybe not but they could be worth reading anyway 😀

Trending

Latest Song of the Month

Forum statistics

Topics
32,245
Messages
575,466
Members
8,074
Latest member
roccob
Back
Top Bottom