Hi,
if you call that noodling I don't have arguments against.
But the tune in this key is a challenge on Alto, it's a bit low or high, so it's good practice🙂
I'm facing the challenge of having two nice horns (Selmer Reference 54 and King Super 20 with silver neck) and 3 MPCs (Woodstone Traditional Jazz 6, Stock Meyer 6 refaced by Phil Engleman, Philtone Rift). The Selmer for sure is the safer horn in terms of tuning. The Woodstone is the best playing MPC on the Selmer, as the Reference tends to have problems in terms of "Motorboating".
So I played the tune with the Selmer and all 3 MPCs, and then with the Super 20 and the Woodstone.
I play Rigotti Jazz 3med on the Rift and the Meyer, 3strong on the Woodstone.
Woodstone
Meyer
Rift
Super 20 Woodstone
@U CAN CALL ME AL : Nice playing, the sax is a bit dull in the mix, and the peaks are distorted. Anyway, solid playing!
Have fun, Guenne
if you call that noodling I don't have arguments against.
But the tune in this key is a challenge on Alto, it's a bit low or high, so it's good practice🙂
I'm facing the challenge of having two nice horns (Selmer Reference 54 and King Super 20 with silver neck) and 3 MPCs (Woodstone Traditional Jazz 6, Stock Meyer 6 refaced by Phil Engleman, Philtone Rift). The Selmer for sure is the safer horn in terms of tuning. The Woodstone is the best playing MPC on the Selmer, as the Reference tends to have problems in terms of "Motorboating".
So I played the tune with the Selmer and all 3 MPCs, and then with the Super 20 and the Woodstone.
I play Rigotti Jazz 3med on the Rift and the Meyer, 3strong on the Woodstone.
Woodstone
Meyer
Rift
Super 20 Woodstone
@U CAN CALL ME AL : Nice playing, the sax is a bit dull in the mix, and the peaks are distorted. Anyway, solid playing!
Have fun, Guenne
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I had a go at it, and by the time I finished I quite liked the tune.
