Supporting special needs music education since 2008

PPT mouthpieces

PPT mouthpieces

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Message: <blockquote data-quote="morfeas" data-source="post: 616640" data-attributes="member: 10825"><p>thank you all so much for your replies!!!</p><p></p><p>i meant 4-note without the top root actualy, but on second thought it's probable better idea to start with triads. that's how i did it on the bass as well now i come to remember it.</p><p></p><p>will try out the patterns suggested and the exercices and try make a method that goes progressively.</p><p></p><p>also i'm looking into the practice routings here in the beginner section.</p><p></p><p>in order to put the above question into perspective, i will tell you what my problem is.</p><p></p><p>i wanna play greek / turkish / balkan / gypsy type of music (folk stuff) on the clarinet. i do listen to a lot of jazz as well but the jazz clarinet i was never too keen on...</p><p></p><p>my teacher, as it happens with all teachers + players of this music here in athens is 'practical musician' meaning that surely someone showed him, but he play by ear and cant read at all.</p><p></p><p>i realy dont mind that at all, there is not much written scores for this type of music anyway. what i do mind though is that he doesnt have a system / method for teaching the stuff.</p><p></p><p>what we do so far are the scales (from all keys) and an exercise on each scale that goes like:</p><p>1,2,3,4  2,3,4,5 3,4,5,6 ... i'm sure you get the picture.</p><p></p><p>regarding arpegios, he shows me the major or minor triad (from the root) depending on the scale i'm learning at the time. no inversions, no 4th note.</p><p></p><p>me on the other hand, i'm used to be tought by my bass teacher who studied at berkley, and has a very systematic and progressive aproach to teaching the instrument. we did the scales, exersices on the scales like the pattern above, other paterns like 1,3,2,4,3,5,4,....</p><p></p><p>then we did the arpegios starting with three note ones + hi root and then the 4-note ones for the 6, M7, m7,dim, half-dim, augmented and sus + the whole-tone. we also did the majore modes and theory on which arpegio would go to which mode, first choise + second choise arpegios and so on.</p><p></p><p>so many times i just sit there and do the scales, do the exercise, and i'm sure there is more to it but it seems i will have to create this method on my own and follow it.</p><p></p><p>moreover, i think i'm gonna have to look into modes myself cause these scales we do now on the clarinet are not like the ones i know already. so far on the clarinet we have done:</p><p>major: rast, hitzaz, hitzaziar</p><p>minor: ousak, pimenikos / niavent , sabah</p><p></p><p>anyway, will probably come back with more questions...</p><p></p><p>sory for long post and thank you all again <img src="data:image/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%2064%2064%22%3E%3Ctext%20x%3D%2250%25%22%20y%3D%2250%25%22%20text-anchor%3D%22middle%22%20dominant-baseline%3D%22central%22%20font-size%3D%2254%22%3E%F0%9F%99%82%3C%2Ftext%3E%3C%2Fsvg%3E" class="smilie smilie--emoji" loading="lazy" width="22" height="22" alt=":)" title="Smile    :)"  data-smilie="1"data-shortname=":)" /></p></blockquote><p></p>

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