Pete Effamy
Well-Known Member
Why so many pages of argument? Many words on “reed doctoring” have been written and it has been going on for as many years as donkeys can merely dream about.
People that do sand / shave / scrape reeds make something that is anything from completely unplayable to playable, or maybe just a little stuffy to responsive.
I think that people that don’t just can’t be arsed. I have in the past, but largely now I can’t be arsed.
Until I was asked to play a concert on soprano sax with a choir, and record some modern classical chamber music on clarinet. It’s a must really.
Yes, moving the reed very slightly up or down on the mouthpiece can be a revelation but it can also alter the responsiveness too, and won’t fix an inherently dull / hard reed.
As for degrading - I’ve never heard a degradation in sound from any reed that I’ve doctored (and not messed up - yes, you can thoroughly mess them up occasionally).
Double reed players make their own - we all know that. They scrape / file / sand them in order to hone a reed to what they want. No difference.
People that do sand / shave / scrape reeds make something that is anything from completely unplayable to playable, or maybe just a little stuffy to responsive.
I think that people that don’t just can’t be arsed. I have in the past, but largely now I can’t be arsed.
Until I was asked to play a concert on soprano sax with a choir, and record some modern classical chamber music on clarinet. It’s a must really.
Yes, moving the reed very slightly up or down on the mouthpiece can be a revelation but it can also alter the responsiveness too, and won’t fix an inherently dull / hard reed.
As for degrading - I’ve never heard a degradation in sound from any reed that I’ve doctored (and not messed up - yes, you can thoroughly mess them up occasionally).
Double reed players make their own - we all know that. They scrape / file / sand them in order to hone a reed to what they want. No difference.
