Tone or Sound dark smokey and bright

Words are symbols, essentially standins or markers for the things we experience directly. As such, they are incomplete and imprecise. That’s just the way it is.

I think “smokey” implies mystery and perhaps a frisson of danger. Think of a dark night club inhabited by various shady people. Air and subtone in the sax sound evoke this for me.

Bright and dark just describe the prevalence of harmonics in the sound; bright means more prevalent, dark means less. They are always present but how intensely they appear places them on the spectrum.
 
"I think “smokey” implies mystery and perhaps a frisson of danger. Think of a dark night club inhabited by various shady people."

Slugs' perhaps.

IIRC, there was another rough club in the East Village, after Slugs closed,
Tough part of town, in the 70s.
Having 9 German Shepherds helped.
 
^^^^
A pianist was often playing along with the silent film.
They were given the movie synopsis and the score. For competent sight readers only.
Was told that after a few showings, they played what they thought was more better. 🎶🎶
Some of them were teenagers with skills.
Popcorn was delivered in huge bags, as not all theaters, had machines, until the late '50s, in NYC.
 
Smokey to me means Bert Reynolds and that pesky Sheriff, or maybe that Robinson guy.

I'm sure those silent film makers thought they were communicating with their audience.

If a picture paints a thousand words...
That'll be because the correct spelling is "smoky" when looking for the adjective.

But Burt actually plays the Bandit, the sheriff is Smokey.
 
Here is some heavy material;

Modelling Perceptual Dimensions of Saxophone Sounds​

 
Here is some heavy material;

Modelling Perceptual Dimensions of Saxophone Sounds​

And going back to the point about metaphors when describing stuff - the material here weighs next to nothing (though the history of the metaphor actually comes from weighty tomes!) when read on my phone.....
 
And going back to the point about metaphors when describing stuff - the material here weighs next to nothing (though the history of the metaphor actually comes from weighty tomes!) when read on my phone.....
Phones makes us stupid. Down load and read, and read again ..... . As a rock & roll saxophone enthusiast I use differnt words compared to a jazz player when descibing a sound. To get a smokey sound you have to smoke through the neck. A.C. Reed had a smokey sound just look how he got the smokey sound , around 2:48.
View: https://youtu.be/-h3uC5YdNpk?feature=shared
 
I don't care for the term "smoky". "Bright" or "dark", to me, at least connotes the weighting of the frequencies in the spectrum.

It would almost be interesting to blow a single note into a spectrum analyzer, then see how much variation one can induce by adjusting embouchure and air stream.
 
I don't care for the term "smoky". "Bright" or "dark", to me, at least connotes the weighting of the frequencies in the spectrum.
I’ve said a few times I like to differentiate between tone and sound. I tend to think smoky is more of a sound whereas dark and bright can be applied to tone and hence measured in terms of frequency spectrum. Well bright anyway.

I originally perceived dark as more of a sort of atmosphere, but I concede that I’m in a bit of a minority with that one. Although what people tend to call dark, I often call warm. I think of dark as having a sort of mysterious edge to it.
 

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