Mouthpieces Absolute passaround?


When 'testing' mouthpieces, at my level, as mentioned several times previously I always seem to sound pretty much the same - like me...
But I do need to feel comfortable with the piece, therefore this is my main focus (closely followed by intonation which was fine).

The metal tenor & alto, but especially tenor, felt very comfortable immediately.. they compared
favorably with my current pieces; the very same ones that I have endlessly trialled & changed to arrive at that choice. To be so at ease immediately is really a credit to the fine finishing and skill Absolutes' display - they play beautifully!

I already own a metal soprano piece which, on the very rare occassions it comes out of the box, I use. It is likely to be joined by the ST Tenor in time (I prefer to buy used, everything comes up sooner or later!).

Having enjoyed playing the bari in quartet, I took it to a jazz workshop, where up against the somewhat enthusiastic
rhythm section, found myself
being drowned out somewhat - up until that point it (and maybe still could be) is on my shopping list.

ligatures: Personally I really like the design & function, have no problem with use & feel that they secure the reed perfectly.

Absolute clearly demonstrates excellent attention to detail & finish, coupled with competitive pricing with a genuine interest in what the players' actually think makes a safe, compelling choice.

Big thank you to Absolute (& @aldevis) for making these available to trial!
 

Similar threads... or are they? Maybe not but they could be worth reading anyway 😀

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