Playing the saxophone What is or isn’t rock and roll?

interesting , well...a swing beat utilizes 8ths on the ride, but not necessarily straight 8ths.

Likewise, a shuffle can utilize 8ths, usually hihat...but doesn't gotta be straight 8ths... so maybe we have different interpretations.
Presence or absence of triplets not a defining trait, IMHO.


To you, is this a shuffle ?
View: https://www.youtube.com/watch?v=xm3jthxADyo

I consider it to be.

Whereas this is neither shuffle nor swing....

View: https://www.youtube.com/watch?v=YenWxf40Ce4
Oh gee, that's a tough call. You can clearly hear swung eighths in the Chuck Berry tune and the Beatles are playing their eighths straight.

Both of them, though, in my opinion, pure rock and roll. But on the other hand here's Chuck playing straight eighths.

View: https://www.youtube.com/watch?v=XVukAcLqHFI


Are you going to try to argue that one of these three tunes is, or isn't, rock and roll? They're just tunes, played differently.
 
Yes, very interesting....this one can be categorized a number of ways.

I mean, it wouldn't be unfair to say it has jazz elements, or blues. Some might call it swing.

It reminds me of Jumpin' Jive....

Honestly, if someone asked me 'is this Rock & Roll ?".....my reply would likely be "No".
It reminds me of Louis Jordan and Big Mama Thornton.

There were a whole bunch of records in that period say 1947-1955 that you might call "proto rock".

View: https://www.youtube.com/watch?v=b1QfXQakX2w&list=RDb1QfXQakX2w&start_radio=1

View: https://www.youtube.com/watch?v=hOEtpxTChfQ&list=RDhOEtpxTChfQ&start_radio=1


Now, you tell me what exactly makes these two recordings (and I've got lots more) NOT "rock and roll" whereas what Chuck Berry was doing at about the same time WAS "rock and roll"?

I think the natural human desire to shove everything into its own little hermetic box is getting in the way of just freaking enjoying what's out there.
 
Heaven help us if the beat changes from straight to swing in the middle of the tune. What then? Change mouthpieces?
LOL. Yeah, better grab that 'swing mpc'! Actually, though, I've occasionally played a tune that goes from a straight beat into a swing beat and I really enjoy that, especially if I'm the one that is soloing (and no, I didn't need to change mpcs).
 
Oh gee, that's a tough call. You can clearly hear swung eighths in the Chuck Berry tune and the Beatles are playing their eighths straight.

Both of them, though, in my opinion, pure rock and roll. But on the other hand here's Chuck playing straight eights.


Are you going to try to argue that one of these three tunes is, or isn't, rock and roll? They're just tunes, played differently.
You make a good point. To mine ears, the 'beat'/rhythm/feel of this Chuck tune differs from the Beatles one.
Although both employ straight eighths.

So maybe eighths isn't an apt attribute or measure. The presence of eighths patterns doesn't really give us an indicator or definer...

Also, and I just thought of this now, actually...so many cultural associations are connected with both artists that it gets muddied...Chuck considered a classic R&R pioneer who really always remained connected or associated with that single period genre, while Beatles considered the experimentalists...had I decided to spend thirty mins on my previous post, as opposed to four... I could probably have chosen two comparison tunes/artists less laden with other associations....

I would say Louis and Big Mama can be considered proto-R&R, yes...the genres of both Blues and Jump Swing...if we need to categorize each....were definitely precursors and to me, R&R contains rhythmic qualities of both.
Wild Bill as well. All of those get sooooo close, in many respects, to R&R that it would be silly to deny that the latter was just one more stepping stone away...
But the Hound Dog Mama version...stylistically, still Blues IMHO...

(really interesting direct comparison, tho...because it begs the Q as to what "changed" to make the Elvis considered to be a R&R classic. Was it something musically ? Or was it just the packaging in the context of racism/sociopolitical situations ?)

The Red Norvo example, absolutely not R&R , and I think there is more separation there between early R&R than Mama or Loius.
Swing shuffle beat, walking bass line, no lyrics, absence of "grit", sorta "prettiness" to the melody...this is Swing, or just "Jazz"....imagine rather than asking "tell me why this isn't R&R ?"...had the question been posed as "hey, folks...is this a Jazz (or Swing) tune ....?" the answers would have been unanimous.

Songs we consider "rock songs"....minus the "roll"...on the other hand....do they contain those qualities which connect them back to the Jump/Swing/Blues stuff ? IMHO they are more distant from those roots, the rhythmic attributes aren't there any longer...

(just a quick revisit before forest gets lost from trees....my view/opinion previously stated is...for me....R&R has a swing element to the rhythm...Rock, not so (much)....)
 
My point with some of these examples is to point out how these tunes can be located on a continuum. However people may have packaged it in hindsight (and at the time) there's not one single cut-over where on THIS side everything is "not rock and roll" and on THIS side everything is. As I said earlier, of course King Crimson or the Ramones sound very different than Glenn Miller or Louis Armstrong's Hot Five; but as you start walking back from one and forward from the other it just all kind of blends together. OK, maybe Red Norvo doing "Flying Home" is a bit too far on the jazz side of the nonexistent sharp cutoff line.
 
It reminds me of Louis Jordan and Big Mama Thornton.

There were a whole bunch of records in that period say 1947-1955 that you might call "proto rock".

View: https://www.youtube.com/watch?v=b1QfXQakX2w&list=RDb1QfXQakX2w&start_radio=1

View: https://www.youtube.com/watch?v=hOEtpxTChfQ&list=RDhOEtpxTChfQ&start_radio=1


Now, you tell me what exactly makes these two recordings (and I've got lots more) NOT "rock and roll" whereas what Chuck Berry was doing at about the same time WAS "rock and roll"?

I think the natural human desire to shove everything into its own little hermetic box is getting in the way of just freaking enjoying what's out there.
Glad someone else also picked up on Louis Jordan, Sat Night Fish Fry is most certainly Rock N Roll, in my world anyway 🙂
 
I dunno:

To me, all that stuff before the British Invasion, counts as "African American improvised music". Styles and performance practice evolve with time, so King Oliver in 1918 wasn't playing what Chick Webb did in 1935, or Cab Calloway did in 1939, or Diz and Bird in 1946, or Blakey in 1958, Trane in 1965. Taking another branch we have Cab, to Louis Jordan, Louis Prima, to Jackie Brenston, Chuck Berry, Bill Haley, Buddy Holly, and so on. But it's all basically African American improvised music.

Then you get the British invasion, where the groups like Beatles, Who, Stones, etc., just couldn't help introducing a strain of English boys' choir/Morris dancing/English music hall - for all their attempts to be old black men playing the blues on beat up Stella guitars.

Anyway, my point remains, that there's not some kind of bright hard line of demarcation between "not-rock" and "rock".

THIS, for example, is exactly what I think of as "hard rock":

View: https://www.youtube.com/watch?v=I_2D8Eo15wE


But then there's this:
View: https://www.youtube.com/watch?v=Fii6PX0-VXs&list=RDFii6PX0-VXs&start_radio=1



And I bet if you looked in the record colllection of Bill Bartlett (Ohio based guitarist and lead singer of Ram Jam) you just might find some stuff like "Out to Lunch" with Eric Dolphy and Freddie Hubbard, or Debussy's La Mer, or who knows what all.

It is also reliably reported that Duane and Gregg Allman were obsessed with Miles Davis' "Kind of Blue" and the extended improvisations on that record informed their extended improvisations with their own band.
 
Yes, very interesting....this one can be categorized a number of ways.

I mean, it wouldn't be unfair to say it has jazz elements, or blues. Some might call it swing.

It reminds me of Jumpin' Jive....

Honestly, if someone asked me 'is this Rock & Roll ?".....my reply would likely be "No".
That's why I posted the Wild Bill Moore recording. It's not Rock & Roll. Just because it has the Rock & Roll in the title it's not Rock & Roll. There are other things beside the beat/rhythm that is significant to Rock & Roll.
 
. Taking another branch we have Cab, to Louis Jordan, Louis Prima, to Jackie Brenston, Chuck Berry, Bill Haley, Buddy Holly, and so on. But it's all basically African American improvised music.

Then you get the British invasion, where the groups like Beatles, Who, Stones, etc., just couldn't help introducing a strain of English boys' choir/Morris dancing/English music hall - for all their attempts to be old black men playing the blues on beat up Stella guitars.
Interesting and valid observation, actually...I never thought of that before. So did the american bands of early 'rock', which was dubbed R&R....actually come out of a different musical/stylistic pedigree or influences (domestic jazz, jump, swing, blues) than the UK rock bands of the period ?

(as an aside I gotta admit it has always bugged me a little the Brit rockers who very intentionally hoisted the down-home Blues mantle upon themselves ....maybe I shouldn't say that here, but...the last part of your comment above made me think about that. Maybe unfair of me, but...I always found tgat a little presumptious)
 
(as an aside I gotta admit it has always bugged me a little the Brit rockers who very intentionally hoisted the down-home Blues mantle upon themselves ....maybe I shouldn't say that here, but...the last part of your comment above made me think about that. Maybe unfair of me, but...I always found tgat a little presumptious)
I rated turf3’s post above ‘funny’ on the basis of his comments about the British Invasion.
Of the three mentioned I don’t see the Beatles or Who were trying to be ‘old black men’ though the Beatles did the occasional cover whilst the Rolling Stones openly acknowledged their ‘debt’ to the blues, though no one could accuse Mick of sounding anything other than Mick, and they did much to popularise the music and interest the ‘public’ in the originals artists.
The bit about ‘English boys' choir/Morris dancing/English music hall’ being associated with them is also rather ‘way out man’.
 
So did the american bands of early 'rock', which was dubbed R&R....actually come out of a different musical/stylistic pedigree or influences (domestic jazz, jump, swing, blues) than the UK rock bands of the period ?
I don’t think there was any rock and roll in the UK until Bill Haley invaded. Stuff like this

View: https://m.youtube.com/watch?v=vshFkkxXITo
Which I guess came out of skiffle, bands with teachers bass and washboards
I don’t see the Beatles or Who were trying to be ‘old black men’
…who’s generation was the Who talking about?
View: https://m.youtube.com/watch?v=qN5zw04WxCc
 

Similar threads... or are they? Maybe not but they could be worth reading anyway 😀

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