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Saxophones Pork Tales: Saxophone Repair DIY Adventures.

Life around the barn.
Tales from a pig that likes to stick his nose into everything.

Paint that S. How difficult could it be ?
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1) Search the net.
2) Find the color.
3) Order color.
4) Study task on University of YouTube, aka; For destruction by DYI presented by pro tech.
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Do the cleaning & prep.
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Paint and cleanup / detail the edges with hard cotton swabs. Sounds easy……:confused:
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Yeah tha guy Matt makes it look easy.
Anyone remember your first experience cooking bacon crispy while still in the frying pan !
 
Nothing much happened today. Picked up another 24 feet of hinge rod I needed.


I did actually make a few new hinge rods. The new poor man’s collet is working nicely. Runout is a little disappointing @ .001. Still I’m able to turn 3mm/.118 to .103/2.6mm accurately. Being able to work a spare over a foot long is nice too. Someday I’ll buy a tail stock die holder. But for now i can machine the end. Move the carriage left. Then I have clearance room for die handle.
Do yourself a favour and buy a decent collet holder. It makes such a difference in terms of accuracy, safety and speed. You don't need to go the whole hog and get a spindle chuck - a good quality morse taper chuck will be more than up to the task. But...make sure you get one that will take a drawbar (you'll have to make it)...and that has a hollow shank.
I use an ER 16 holder with a mini nut for all my rod work. Taiwanese, I think. Set me back £100 - and worth every single penny.
And don't skimp on the collets. You won't need that many - if you're going from 1 to 4mm in half mm steps that's just seven collets.
 
I also find ER-series collets handy (I splashed out on a set of ER25 a long time back to use in my Franken-miller, and later bought an MT3 chuck to use on the lathe for them - but never have yet. Yes @Stephen Howard , I really ought to make a hollow draw bar! I even bought one on a 25mm plain shank with the idea to make a toolpost grinder, which I haven't got around to yet either.

It's a shame you're not in the UK @PigSquealer - I got given a pile of half-finished college exercises, which mostly comprised small machine vices and tailstock die holders. I finished one for my mini-lathe (MT0!) - it's kind of OK, sorry for the shocking photo - I could have sent you one to play with.
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Do yourself a favour and buy a decent collet holder. It makes such a difference in terms of accuracy, safety and speed. You don't need to go the whole hog and get a spindle chuck - a good quality morse taper chuck will be more than up to the task. But...make sure you get one that will take a drawbar (you'll have to make it)...and that has a hollow shank.
I use an ER 16 holder with a mini nut for all my rod work. Taiwanese, I think. Set me back £100 - and worth every single penny.
And don't skimp on the collets. You won't need that many - if you're going from 1 to 4mm in half mm steps that's just seven collets.
I’ve actually been slowly filling a coffee tin for a new 10” x 30” lathe & tooling. The collet set complete with 12 collets is around $350-$400.
Current lathe was built in 1948 it’s 78 years old. -/+ .002 is OE spec. Still has some good life left in it, but I’m tired of fighting it.
 
When the high F# was removed the stack was shortened. The pillar needs to be shimmed underneath to equal the height.
Alternatively, why not 'do a Yamaha'* and simply fit a bare barrel between the original location of the upper pillar and the body octave key?
It's a lot less work.

* On the YAS-21 there was a spacer barrel between the A and the G#.
 
Current lathe was built in 1948 it’s 78 years old. -/+ .002 is OE spec. Still has some good life left in it, but I’m tired of fighting it.
I too was built in 1948 and am 78 years old. I am afraid I am much more out-of-spec than your lathe….

Do you follow Adam Booth on YouTube? (ABOM79) He has a very large Monarch lathe that I think you would enjoy seeing work. I t’s a rattly old beast (though less than 78), but he regularly gets 0.001” precision on it. (He also has a new Precision Mathews lathe he uses for the more delicate things.)
 
Alternatively, why not 'do a Yamaha'* and simply fit a bare barrel between the original location of the upper pillar and the body octave key?
It's a lot less work.
Thanks for the suggestion.
I just made the new barrel rod and noticed the issue. Yeah, i would have done that…..the gurrr of sorting previously work not done well. At least I now have the answer as to why the rod was .108 and not the needed .118 I just made.
The pillar was soldered flush. To overcome a massive bind a
way undersized rod used.
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At this point I’m favoring a distance shim under the pillar. Largely from four years in past experience with servicing the owners horns. He’s knocked the pillar silly being on the receiver a few times on other horns. In consideration this needs to be durable week in, week out at live gigs.

* On the YAS-21 there was a spacer barrel between the A and the G#.
Never noticed that before ! Thanks ! Yeah, it’s all small stuff 🤪. Minor details…..🙄
 
I too was built in 1948 and am 78 years old. I am afraid I am much more out-of-spec than your lathe….
Well your ability to compensate +/- 5¢ is undetectable compared with +/- .005 on an old lathe. Honestly I wouldn’t trade you in on a new unit 😊. Wishing you a ton (100 years) of happiness and life.
Do you follow Adam Booth on YouTube? (ABOM79) He has a very large Monarch lathe that I think you would enjoy seeing work. I t’s a rattly old beast (though less than 78), but he regularly gets 0.001” precision on it. (He also has a new Precision Mathews lathe he uses for the more delicate things.)
Will look up Adam Booth. Thanks !
I do follow and learn from many other machinists. Old school to modern high tech. Watch repair to locomotive and industrial needs / repair.

To everyone,
I invest no less than 3 hours a week in learning metal crafts / machining. YouTube U, machining methods, metal fabrication, non related to brass / saxophone repair.
Online trade forums. Metals, Tool use, and sources.
Food for thought.
 

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