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I vary rarely see any Rampone horns (apart from the bari I have). Which is a bit odd because I've had a fair few Borganis come my way.
I think it's fair to say that handmade horns often exhibit some 'variability' in build quality but I'll reserve judgement until such times that I've been able to strip one down on the bench.
You had my R&C gold-plated saxello-style (semi-curved) in when I first bought it (used). That must have been 15 years ago or maybe more. I think you said that it had some flamboyant Italian traits but also did comment on the build quality.
I went back and forth between that R&C saxello and some of my other sops (Yanagisawa SC991, Selmer Serie III, Buffet Crampon S1, old Conn) and the Rampone is my favourite by quite a significant margin now that I have found a mouthpiece that works really well with it. It has a lovely rich sound, good ergonomics, good intonation and is looking pristine after years of playing.
Rhys
PS My favourite tenor is the Andy Sheppard Signature model, which is a limited edition of the Signature Custom RAW with various enhancements. I love this instrument.
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I'm easily swayed!