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Saxophone beginners Overtones (harmonics)

I've been playing for over 50 years Randy.
In that time I've not played very many mpc's. Mostly metals with a baffle
I've tried and tested many over the years.
I've had my new PPT Resin for about 10 days now.
It's Amy Zing. It really is. It just seems to do whatever I want it to do.
It did take a few days to find my best reed/mouthpiece suitable combination.
Watch out I bought a cheap Chinese take-a-way tenor € 459 as a back up horn last Friday.
What's this thread about ? - Overtones - Sorry Mum - just practice every day.
 
I've been playing for over 50 years Randy.
In that time I've not played very many mpc's. Mostly metals with a baffle
I've tried and tested many over the years.
I've had my new PPT Resin for about 10 days now.
It's Amy Zing. It really is. It just seems to do whatever I want it to do.
It did take a few days to find my best reed/mouthpiece suitable combination.
Watch out I bought a cheap Chinese take-a-way tenor € 459 as a back up horn last Friday.
What's this thread about ? - Overtones - Sorry Mum - just practice every day.
I mean this in the nicest possible way,. Your as mad as a box of frogs
 
I mean this in the nicest possible way,. Your as mad as a box of frogs
That should read "You're as mad as a box of frogs " please observe the grammatical rules.
You're quite right - Of course I am as mad as a box of frogs. Not only that I'll be celebrrating my 72'nd birthday in a few weeks
Funny thing is - I get paid for my "mad as a box of frogs" saxophonic adventures.
Not only that I have to pay tax for being as mad as a box of frogs.
Cruel world 😉
 
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That should read "You're as mad as a box of frogs " please observe the grammatical rules.
You're quite right - Of course I am as mad as a box of frogs. Not only that I'll be celebrrating my 72'nd birthday in a few weeks
Funny thing is - I get paid for my "mad as a box of frogs" saxophonic adventures.
Not only that I have to pay tax for being as mad as a box of frogs.
Cruel world 😉
I'm not the most grammatically correct person but I can blame some of it on predictive text. I enjoy your posts and get plenty of good info and plenty of chuckles. The term "as mad as a box of frogs" is very much a friendly term.
 
I'm lost. Is there something I should reply to? I think I comment more than enough already 🙂.
There are as many approaches as there are people who talk about them. All advice I see on any post here, including the ones I do not comment on, is taken seriously, unless it's "go jump in the lake". I've found more than sufficient value and have donated, subscribed and purchased on this site. Money was never better spent.
 
I'm lost. Is there something I should reply to? I think I comment more than enough already 🙂.
There are as many approaches as there are people who talk about them. All advice I see on any post here, including the ones I do not comment on, is taken seriously, unless it's "go jump in the lake". I've found more than sufficient value and have donated, subscribed and purchased on this site. Money was never better spent.

I think the most recent posts are more concerned with another posters comments, rather than yours @randulo Don't jump in that Lake!
 
I've had my new PPT Resin for about 10 days now.
It's Amy Zing.
Until a few minutes ago, I was wondering who this Amy Zing was.
I didn't run to YouTube to see if she could play, or if she was a top model Pete was dating, or a perhaps Democratic candidate in the 2020 U.S. election.

Like many saxophonists, I own several mouthpieces. Since I started a short time ago, that probably is odd, maybe unwise even, but I do try to play them all over about a two-week period. I can certainly conceive of the possibility -- getting to the actual topic of this post -- that mouthpieces and reeds are a part of the equation. However, I'd also bet that most players who've mastered overtones, or any facet of playing, will be able to do a decent job on any combo.

As the OP on this, I have also added progress reports and things are moving along in an acceptable time frame. There have been a ton of really interesting insights from all of you here. I would refer you back to the first video I posted where the teacher demonstrates his mastery of overtones. On one of them, he missed it the first time. He has a whole series of videos, and of course, there's no lack of saxophone how-to videos on YouTube.
 
@spike I'm surprised, I tried the PPT and it does get the third partial (second octave) more easily. I checked to see if this was a "placebo effect" by trying other mouthpieces, and it does seem to be the case. However, overtones aren't the only thing I do in a day's session. We'll see how things work out when I hit the fourth partial. :sax:

Edit/correction: the Syos 3D-printed piece produces the same result.
 
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It's already kind of a fun challenge to pass between the tonic and the first two, and yes I do it with a "hooo" or "vooo" or "fooo" sound.
I can hear the second octave in there, but the always settles on the fifth or the first octave. I hear the other wanting to come out.
The reason I am working on this is in the hopes of being able to play a few of the altissimo notes, in particular G and G#. The A is easier to hit, and the G# is closer to coming out. (I'm on alto.) That G is killing me. I was able to hit it on some mouthpiece+reeds combos and not others.
G6 is now part of my standard vocabulary when I play, ie dont feel I have to concentrate hard to get it out, and because I play it regularly its also beginning to sound nice 🙂 🙂 ... has been a long road - startet one year ago attacking the high G ... has done a lot of OT exercies ... can now master 1-3rd partials without problems (even though D and D# on some days can be troublesome), and im currently struggling with the 4th partials of Bb and H ... I have been here for 3-4 months without real progress, so probably need to change strategy - but just wanted to say, that not beeing able to hit the 4th partial, does not prevent me from being able to exploit the high G (and G# + A for that matter) 🙂
 
G6 is now part of my standard vocabulary when I play, ie dont feel I have to concentrate hard to get it out, and because I play it regularly its also beginning to sound nice 🙂 🙂 ... has been a long road - startet one year ago attacking the high G ... has done a lot of OT exercies ... can now master 1-3rd partials without problems (even though D and D# on some days can be troublesome), and im currently struggling with the 4th partials of Bb and H ... I have been here for 3-4 months without real progress, so probably need to change strategy - but just wanted to say, that not beeing able to hit the 4th partial, does not prevent me from being able to exploit the high G (and G# + A for that matter) 🙂
Is G6 what we would normally call G3, that is, the 3rd G up from the bottom?
I’m not sure I could hear G6.
 
Well, it is a saxophone forum.
Correct and a jolly fine one to boot.

We do include the note naming convention in our glossary:

 

Similar threads... or are they? Maybe not but they could be worth reading anyway 😀

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