Really? Will that help? I have one I'm not using at the moment. I'll see tomorrow.Get a PPT 😉![]()
Really? Will that help? I have one I'm not using at the moment. I'll see tomorrow.Get a PPT 😉![]()
I mean this in the nicest possible way,. Your as mad as a box of frogsI've been playing for over 50 years Randy.
In that time I've not played very many mpc's. Mostly metals with a baffle
I've tried and tested many over the years.
I've had my new PPT Resin for about 10 days now.
It's Amy Zing. It really is. It just seems to do whatever I want it to do.
It did take a few days to find my best reed/mouthpiece suitable combination.
Watch out I bought a cheap Chinese take-a-way tenor € 459 as a back up horn last Friday.
What's this thread about ? - Overtones - Sorry Mum - just practice every day.
He's wonderful and one of my favourites, don't go changing @spikeI mean this in the nicest possible way,. Your as mad as a box of frogs

That should read "You're as mad as a box of frogs " please observe the grammatical rules.I mean this in the nicest possible way,. Your as mad as a box of frogs
I'm not the most grammatically correct person but I can blame some of it on predictive text. I enjoy your posts and get plenty of good info and plenty of chuckles. The term "as mad as a box of frogs" is very much a friendly term.That should read "You're as mad as a box of frogs " please observe the grammatical rules.
You're quite right - Of course I am as mad as a box of frogs. Not only that I'll be celebrrating my 72'nd birthday in a few weeks
Funny thing is - I get paid for my "mad as a box of frogs" saxophonic adventures.
Not only that I have to pay tax for being as mad as a box of frogs.
Cruel world 😉
I'm lost. Is there something I should reply to? I think I comment more than enough already 🙂.
There are as many approaches as there are people who talk about them. All advice I see on any post here, including the ones I do not comment on, is taken seriously, unless it's "go jump in the lake". I've found more than sufficient value and have donated, subscribed and purchased on this site. Money was never better spent.
Until a few minutes ago, I was wondering who this Amy Zing was.I've had my new PPT Resin for about 10 days now.
It's Amy Zing.

G6 is now part of my standard vocabulary when I play, ie dont feel I have to concentrate hard to get it out, and because I play it regularly its also beginning to sound nice 🙂 🙂 ... has been a long road - startet one year ago attacking the high G ... has done a lot of OT exercies ... can now master 1-3rd partials without problems (even though D and D# on some days can be troublesome), and im currently struggling with the 4th partials of Bb and H ... I have been here for 3-4 months without real progress, so probably need to change strategy - but just wanted to say, that not beeing able to hit the 4th partial, does not prevent me from being able to exploit the high G (and G# + A for that matter) 🙂It's already kind of a fun challenge to pass between the tonic and the first two, and yes I do it with a "hooo" or "vooo" or "fooo" sound.
I can hear the second octave in there, but the always settles on the fifth or the first octave. I hear the other wanting to come out.
The reason I am working on this is in the hopes of being able to play a few of the altissimo notes, in particular G and G#. The A is easier to hit, and the G# is closer to coming out. (I'm on alto.) That G is killing me. I was able to hit it on some mouthpiece+reeds combos and not others.
Is G6 what we would normally call G3, that is, the 3rd G up from the bottom?G6 is now part of my standard vocabulary when I play, ie dont feel I have to concentrate hard to get it out, and because I play it regularly its also beginning to sound nice 🙂 🙂 ... has been a long road - startet one year ago attacking the high G ... has done a lot of OT exercies ... can now master 1-3rd partials without problems (even though D and D# on some days can be troublesome), and im currently struggling with the 4th partials of Bb and H ... I have been here for 3-4 months without real progress, so probably need to change strategy - but just wanted to say, that not beeing able to hit the 4th partial, does not prevent me from being able to exploit the high G (and G# + A for that matter) 🙂
Yeah, but that's saxophone specific. If you look an most tuners, pianos etc. G6 is legitIs G6 what we would normally call G3, that is, the 3rd G up from the bottom?
I’m not sure I could hear G6.
Happy 72nd Birthday in advance @spikeNot only that I'll be celebrrating my 72'nd birthday in a few weeks

Happy Birthday Cappers,Happy 72nd Birthday in advance @spike
Mine's today![]()
Well, it is a saxophone forum. 😀Yeah, but that's saxophone specific. If you look an most tuners, pianos etc. G6 is legit
Correct and a jolly fine one to boot.Well, it is a saxophone forum.
Happy Birthday Cappers,
that post was from 7 years ago, I'm now approaching 79, and have back-ache from cutting the hedge.
Senility alert! I didn't notice the date
No matter, it's the thought that counts

As long as it is clear you are discussing concert pitch as opposed to the saxophone pitchYeah, but that's saxophone specific. If you look an most tuners, pianos etc. G6 is legit
