I can confirm that the newer ST8s are quite different in feel to mineI think mine is older than TVs.
I can confirm that the newer ST8s are quite different in feel to mineI think mine is older than TVs.
It's dark gold lacquer so should do🙂. I'd better try it whilst wearing a frock coat...The most important thing you've left out is....does it fit in with the steampunk look?
The more recent ST8s have a high f#. When I bought mine around 18 months ago Alastair Hanson said that I could have either the older, heavier one or the newer one. He was nudging me gently towards the latter. The newer one is not especially heavy but is not as light as a Yamaha 275 so it's generally OK weight wise. I haven't tried the LX so can't compare but I find the ST8 all the sax I need for the time being. I find the upper register quite complex and rich. That's probably to do with the neck but I could be wrong.I can confirm that the newer ST8s are quite different in feel to mine
He would be unlikely to remove it on more recent ones when the older ones have it.The more recent ST8s have a high f#.
Or mouthpieces, your Morgan may not be the one 😛Has got me thinking i could start trying other saxes...
Just saying 😉Whaaaat!!!! 😱
Ha. Thing is when we swapped we kept our own mouthpieces/reed combos (i owned a link at the time). So the only variable was the horn. Mine still sounded brighter when jay played it with her mouthpiece.
Tend to agree on the mouthpiece, not sure what you're using, but the large chamber Morgens have a super fat, dark sound.
Sorry, didn't connect, I was thinking of Ralph Morgan in the USA.
He was head of Selmer in the USA for quite a while, went on his own making excellent mouthpieces. The firm carries on today, run by one of his staff, I believe the mouthpieces are still excellent.Ha.. new name for me that!
