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Trouble is its on an otto link...If I do a rovner up to tight it seems to choke the sound....Totally agree...I use Rovner ligatures with Legere reeds and providing well tightened there is little reed movement
Trouble is its on an otto link...If I do a rovner up to tight it seems to choke the sound....Totally agree...I use Rovner ligatures with Legere reeds and providing well tightened there is little reed movement
I also use Rovner on a link tonemaster..no issuesTrouble is its on an otto link...If I do a rovner up to tight it seems to choke the sound....
Not if ligature fits and tightened appropriatelyYou dont find the legeres can move
Not my ideal sound, especially the higher you go, but not bad. I guess I got a bad batch, very buzzy and rubbery feeling. I think it was the Onyx. I will still never buy another. They’re far too expensive for me to take a chance on.
When playing...it happens with the other guy too...he uses link lig ..ill try tighterNot if ligature fits and tightened appropriately
Do you mean moving when playing? Or moving out of position when sliding mouthpiece onto neck?
If the latter you should fit mouthpiece to neck then reed to mouthpiece
I think this is a great approach.I just want to get on with building my technique without having to worry about the reed I use.
I agree... The degradation is slow and you adapt to a subtly softening reedThe only real downside to Legere I can think of is that it can be hard to determine when to replace them
Hi can you explain shimming, is it all the bit that goes on the table...does it add any width to the mouthpiece...thanks EddieMy experience (on Legeres and ambipoly) is that it sounds inferior to cane when I'm playing, but if I listen back to a recording its harder to tell the difference.
I use Legere tenor sax reeds on bass clarinet and with the ligature I've got they did tend to slide around a bit, so I just shim it with cardboard or thin cork and it's not a problem anymore.
I really don't think you need to make things as complicatedI'm wondering if a couple of cane reeds and one Legere and rotating them might be acceptable
Is it that things burglars do on drain pipes?Hi can you explain shimming
No, I just put something on top of the mouthpiece - not the reed/table side. Makes up for the legere being a bit thinner than cane and allows the lig to grip.Hi can you explain shimming, is it all the bit that goes on the table...does it add any width to the mouthpiece...thanks Eddie
Cool thanks...No, I just put something on top of the mouthpiece - not the reed/table side. Makes up for the legere being a bit thinner than cane and allows the lig to grip.
I’ve been trying to use them (signature) on Bari as well, I find cane can dry up during long sessions on Bari. I’m between sizes - the 3.25 is too soft and the 3.5 just a bit too hard. In fact I’d say there’s quite a gulf between the 3.25 and 3.5 in terms of hardness. I think I’ll persevere with the 3.5 because the tone at fuller dynamics is great, really fat and resonant. Just need to get the softer dynamics controlled.I've tried various Legere synthetic reeds on tenor and alto over the years and gone back to D'Addario Select Jazz, but inspried by this thread I decided to give Legere American Cut a try for baritone. I've been playing it for the last few days or so, and I have to say, I've been very impressed. Plays really well, with a full tone and nice brightness, just like a good Select Jazz. Playing it on a Yanagisawa 9 metal mouthpiece.
Also impressed with the service from Curly Woodwing. As @greenstripe says (thanks for the pointer) they were the cheapest i could find, and super quick.
See earlier post as to how to reduce strength of Legere reeds..might be usefulI’ve been trying to use them (signature) on Bari as well, I find cane can dry up during long sessions on Bari. I’m between sizes - the 3.25 is too soft and the 3.5 just a bit too hard. In fact I’d say there’s quite a gulf between the 3.25 and 3.5 in terms of hardness. I think I’ll persevere with the 3.5 because the tone at fuller dynamics is great, really fat and resonant. Just need to get the softer dynamics controlled.
They’re very consistent performers - did a couple of hours yesterday and it played same throughout. And they come into their own if playing in a hot environment.
Does it really reduce strength by as much as 30%? Or is that relative to the next strength down?See earlier post as to how to reduce strength of Legere reeds..might be useful
