Pecking will get you there eventually. Theory will get you there quicker.
I don't like reading and only use it for stuff I can't work out and I stick to outlets that allow this.
Theory explains why things sound good. It can also be used to find something your ear can't find. It can help in composition. It is a great help in communicating ideas to other musicians. Having a common language with names for all those sounds helps.
You can quite easily learn scales, modes, arpeggios etc. without any reference to letters, numbers or roman numerals. In fact after learning them by all the other media, you have to forget them and short cut fingers to sound. In fact never mind fingers, with enough practice the sounds just appear out of your mouth.
No need to sweat it. Let it all come to you.
I think people underestimate the time that's needed to become proficient.
Four hours a day for a decade or two and you start to get the drift. Accept that you'll never get there. It's an endless journey. Enjoy the scenery.
I play because I must. I start to feel quite odd if I don't play. I play for relief, pleasure and get social interaction and money as a bonus.
A little talent and a lot of application will get you a long way. A massive talent and little application will bring frustration.
There's no right or wrong about it. It's only music. It exists nowhere else but in the hearts and minds of one species, on this small dot of a planet in a mahooosive universe. In the great scheme of things it's not at all important.
Get off the pooter and go practice 😉
I don't like reading and only use it for stuff I can't work out and I stick to outlets that allow this.
Theory explains why things sound good. It can also be used to find something your ear can't find. It can help in composition. It is a great help in communicating ideas to other musicians. Having a common language with names for all those sounds helps.
You can quite easily learn scales, modes, arpeggios etc. without any reference to letters, numbers or roman numerals. In fact after learning them by all the other media, you have to forget them and short cut fingers to sound. In fact never mind fingers, with enough practice the sounds just appear out of your mouth.
No need to sweat it. Let it all come to you.
I think people underestimate the time that's needed to become proficient.
Four hours a day for a decade or two and you start to get the drift. Accept that you'll never get there. It's an endless journey. Enjoy the scenery.
I play because I must. I start to feel quite odd if I don't play. I play for relief, pleasure and get social interaction and money as a bonus.
A little talent and a lot of application will get you a long way. A massive talent and little application will bring frustration.
There's no right or wrong about it. It's only music. It exists nowhere else but in the hearts and minds of one species, on this small dot of a planet in a mahooosive universe. In the great scheme of things it's not at all important.
Get off the pooter and go practice 😉
