That's a Turkish Nay.Here's a couple of pictures of end blown flutes.
Ney and Kaval
Curious as to angles, sharpness and how it affects tone and playability.
Thx
PP
Life without reeds. 🍻
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I have Arabic, reed Nays; the blown edge is just a slightly thinned not particularly sharp. I also have plastic ones which are much sharper. Easier to make sound; also narrower - which affects timbre (boring) and tuning stability... They are all, also, I understand, differently tuned.
Like all instruments... It's a world of compromises and preferences.
The clarinet is much wider - and I'd suspect that makes note stability a challenge. Which it is anyway.
The thing of it is - maybe one of the biggest factors - that because your face is always at an open-end node, you're always involved with the end effects - think key heights controlled by embouchure. Angle, embouchure and volume all affect tuning as well as timbre. This is true, but less so, on sax and clarinet. Very little on fipple whistles or recorder. I don't play transverse flute so can't compare.
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