jbtsax
R.I.P. in memoriam 1947 - 2023
- Messages
- 8,990
- Location
- Beautiful Springville, Utah USA
I am enjoying this debate. Advice from two professionals that I can attempt/try. Keep it constructive and look forward to more input. It appears to me that it is difficult to teach emboucher. Is that right?
The way I was taught to teach the saxophone embouchure by Dr. Ray Smith at Brigham Young University is that the "EE" muscles pull out at the same time the "OO" muscles are pushing in at the corners of the mouth making a tug-o-war. For the clarinet the tug-o-war is a tie forming a flat chin and a stretched lower lip. For the saxophone the "OO" muscles win the tug-o-war although the "EE" muscles keep pulling nonetheless. This creates a more rounded chin and a more flexible lower lip.
The top teeth press on the top of the mouthpiece and the lower lip is rolled back just enough to cover the bottom teeth. The embouchure tightness is set by checking the pitch of the mouthpiece and neck together. Ab concert is the note for alto, and E concert is the note for tenor. That's all there is to it. With a short lesson on the airstream which consists of my blowing at the palm of the student's hand and having the student blow on my hand the same way, I can generally have a beginning student playing with a full characteristic saxophone tone in 10 minutes or less.
Once the neck and mouthpiece combination sounds great, then the saxophone is assembled and the student is instructed to play with the same embouchure and airstream on the sax as a whole. The Ab concert on the alto neck becomes a beautiful 5th line F on the sax. The E concert on the tenor neck becomes a beautiful F# on that sax.
