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OK, if the bell points to the mic, you get a sound that's quite far from the real. The mic should point to your G#, usually about 50 cm (20" or a couple of feet or 0.000269978 nautical miles) away.
Worth experimenting with positioning to prevent sonic frustration.
So I tried some experiments with various microphone positions.
Here is a summary of the results. All recorded with a Zoom H2N in a fairly dead room. No effects added.
1. Microphone at desk height pointing upwards towards the saxophone. Saxophone head on - pointing directly at the microphone.
2. Mic at desk height pointing upwards towards the saxophone. Sax pointing 20 degrees to the right of the mic.
3. Mic at head height pointing downwards towards the sax. Sax head on.
4. Mic at head height pointing downwards towards the sax. Sax pointing 20 degrees to the right of the mic.
Recorded one after another with the same saxophone, mouthpiece and reed.
The difference between 1 and 3 is very marked.
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