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CafeSaxophone Forum
Miscellaneous Alfie Boe
Last night I had the pleasure of hearing British tenor Alfie Boe in concert at a local university. He was accompanied by a full orchestra made up of our state's finest players. What an amazing voice and stage presence he has. He said that he now lives in Salt Lake City, Utah---and no you can't have him back. We're going to keep him. 🙂
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442 views
Great Players Who sparked your love of Sax music
As an aside to Bobby's "first album' thread... I am curious to know which golden moment made you think "Now there's an instrument I fancy having a go at"
For me it was Tex Beneke. My parents used to play a lot of Glenn Miller when I was growing up. It was the only music I knew as a kid: big band stuff. Then I became a teenager and discovered Dick Parry's voice on Dark Side of the Moon, and thought "ok, this might be fun" After Dick it was Didier Malherbe from Gong and then my mate played me Charlie Parker and I was fully hooked!
For me it was Tex Beneke. My parents used to play a lot of Glenn Miller when I was growing up. It was the only music I knew as a kid: big band stuff. Then I became a teenager and discovered Dick Parry's voice on Dark Side of the Moon, and thought "ok, this might be fun" After Dick it was Didier Malherbe from Gong and then my mate played me Charlie Parker and I was fully hooked!
627 Replies
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114743 views
Saxophones Alto for warm tone
Me again!
I'm curious to know - what alto do you think produces the warmest, most mellow tone?
No particular reason for asking just pure curiosity........
I'm curious to know - what alto do you think produces the warmest, most mellow tone?
No particular reason for asking just pure curiosity........
38 Replies
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657 views
Introduction Introduction
I'm an intermediate 76 year old tenor (1951 Beuscher Aristocrat 156) and alto (1921 Conn New Wonder II) player. I've been playing for my own enjoyment since the 1990s and am self taught. I live in a rural area and have never found others to play with.
I love playing ballads and, crazily enough, etudes. Unfortunately, I've never learned how to improvise and would like to learn one day. My playing has suffered in the last few years from arthritis in my hands but not so much that I can't play daily or stop slowly improving - although I'm slower than before.
I'm interested in vintage equipment and always learning about everything saxophone and jazz.
I'll likely be a lurker but will occasionally jump into a discussion.
I love playing ballads and, crazily enough, etudes. Unfortunately, I've never learned how to improvise and would like to learn one day. My playing has suffered in the last few years from arthritis in my hands but not so much that I can't play daily or stop slowly improving - although I'm slower than before.
I'm interested in vintage equipment and always learning about everything saxophone and jazz.
I'll likely be a lurker but will occasionally jump into a discussion.
1 Replies
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18 views
Introduction Hello!
I would like to introduce myself. My handle is Viljams (IYKYK). I am a trained woodwinds player (clarinet major). The sax became my focus in college (university for all you European folks), but the clarinet paid my bills! I have been a classroom music teacher, a fulltime private instructor, and played in all kind of ensembles/bands. I even had the privilege of joining the Chicago Musicians Union so I could play one gig. But hey that was the '70's in Chicago! I haven't played much in recent years due to my career and a lot of travel. I am hoping to restart things soon. I already did that once in my life and found that the restart resulted in me playing better than ever. Looking forward to following the various threads and journeys that others are on.
2 Replies
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48 views
I'm wondering if anyone's noticed a change in the consistency of Vandoren Java Red reeds recently? My last two boxes have been noticeably substandard, with the last box not having a single, decent reed in it. Resistance has increased noticeably and the sound is much less bright. I swapped in an old Red and it was great.
It feels like they've changed how they gauge the Reds, or changed the design slightly. Is it just me or has anyone had this recently?
It feels like they've changed how they gauge the Reds, or changed the design slightly. Is it just me or has anyone had this recently?
19 Replies
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397 views
Miscellaneous Your Favourite Picture Of You Playing
We spend so much time ripping apart our playing, dissecting all of our flaws and generally not celebrating our successes that I thought a thread where we share our favourites images of ourselves playing would make a nice change.
I'll get the ball rolling with this image taken by my other half at a ska gig. It was my first ever experience of stepping in at the last moment (48 hours earlier I'd never even heard most of the 30 or 40 songs, never mind played them). Actually, thinking about it, it was the first time I'd ever played ska music. It was also my first gig with my Keilwerth. Musically it was a bit of a disaster - the band wasn't well rehearsed (to say the least) and the singer kept changing the arrangements as he sang. The first 45-50 minute set was over in under 30! But other than my G# sticking on one song, that I couldn't hear because I was stood next to the PA speaker with no monitoring at all, I think I pulled off my parts without embarrassing myself. At least not too badly. 😉
It was definitely a fun gig but I'd be lying if I said I'm not also glad that there are no recordings from the night or that my name was never mentioned. 😉 Normally I prefer action shots but there's just something atmospheric about this picture that I really like.
I'll get the ball rolling with this image taken by my other half at a ska gig. It was my first ever experience of stepping in at the last moment (48 hours earlier I'd never even heard most of the 30 or 40 songs, never mind played them). Actually, thinking about it, it was the first time I'd ever played ska music. It was also my first gig with my Keilwerth. Musically it was a bit of a disaster - the band wasn't well rehearsed (to say the least) and the singer kept changing the arrangements as he sang. The first 45-50 minute set was over in under 30! But other than my G# sticking on one song, that I couldn't hear because I was stood next to the PA speaker with no monitoring at all, I think I pulled off my parts without embarrassing myself. At least not too badly. 😉
It was definitely a fun gig but I'd be lying if I said I'm not also glad that there are no recordings from the night or that my name was never mentioned. 😉 Normally I prefer action shots but there's just something atmospheric about this picture that I really like.
479 Replies
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35434 views
Cafe Moderator
Theory & Impro Using patterns in jazz impro
There are many approaches you can take to improvising from just playing what comes into your head to assessing chord tone and associated scales or melodic phrases based on "vocabulary." The great thing about using patterns though is that so often you needn't bother too much about wrong notes because the mere fact that a short motif may be moving in a pseudo mathematically patterned way, often it (the pattern) let's you "get away" with notes that in a more melodic or random setting might sound wrong. The more cynical among us might say if you play anything fast enough you get away with wrong notes.
You could find for example the first two bars of this could work well on a C7 or D7, it doesn't need to be an augmented or any other kind of alteration. Likewise it be OK on A minor. What I'm saying is the brain is taken somewhere else by the patternistic nature and provided you come out of it with some kind of neat resolution then you are fine.
You could find for example the first two bars of this could work well on a C7 or D7, it doesn't need to be an augmented or any other kind of alteration. Likewise it be OK on A minor. What I'm saying is the brain is taken somewhere else by the patternistic nature and provided you come out of it with some kind of neat resolution then you are fine.
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35 views
Tech/maintenance Super glued pads - a cry for help
Hello, folks. Many of you may know me from that other site.
A while back, I bought a nice, shiny purple logo Yts-32 from a guy in Japan. It arrived unplayable due to leaks. No prob, I think. I'll fix 'er right up. Wrong again.
The pads are glued in with ca glue. Lots of it, filling the cups. It is very hard and thick. I have scraped out a couple of pad cups. It was a long, tedious drudge. Acetone barely softens the surface.
Is there a better way?
A while back, I bought a nice, shiny purple logo Yts-32 from a guy in Japan. It arrived unplayable due to leaks. No prob, I think. I'll fix 'er right up. Wrong again.
The pads are glued in with ca glue. Lots of it, filling the cups. It is very hard and thick. I have scraped out a couple of pad cups. It was a long, tedious drudge. Acetone barely softens the surface.
Is there a better way?
37 Replies
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601 views
Miscellaneous Old Saxophone Advertisements or Case Emblems ?
Anyone have vintage catalogs, advertising or case emblem pictures / copies to share ?
Store emblems make for some fascinating historical research.
This sax below came from Smarts Music Shop. Could it be the one in display case ?
Store emblems make for some fascinating historical research.
This sax below came from Smarts Music Shop. Could it be the one in display case ?
71 Replies
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1824 views
Hello everyone
my turn to be SOTM host again, I've chosen 'Footprints' by Wayne Shorter.
I've added lead sheets and backing tracks HERE
Lead sheets - there is one for Eb instruments, and Bb has a high version, for people with leaky low notes, and a low version for people who don't like palm keys. There are some adventurous looking tuplets, but if you're struggling with them have a listen along to the original (below) and it makes a lot more sense. Structurally, think of it as a Cm (concert pitch) blues, with a more harmonically exciting turnaround at the end.
Backing tracks - I had a look on ireal pro but none of the backing tracks really captured the feel/rhythm correctly, so the backing track uploaded is me bashing away at a piano and a drum module in Reaper. It's more natural sounding than the iReal stuff, but still not great so if you've got a better one feel free to use that! There are two versions of my homemade one, both with a four bar intro - one that repeats 6x, and one that's just 3x, although you could argue both versions are....SHORTER 😉
Here's the original:
View: https://www.youtube.com/watch?v=LgaIUqH0w6c&list=RDLgaIUqH0w6c&start_radio=1
Looking forward to hearing your recordings.
my turn to be SOTM host again, I've chosen 'Footprints' by Wayne Shorter.
I've added lead sheets and backing tracks HERE
Lead sheets - there is one for Eb instruments, and Bb has a high version, for people with leaky low notes, and a low version for people who don't like palm keys. There are some adventurous looking tuplets, but if you're struggling with them have a listen along to the original (below) and it makes a lot more sense. Structurally, think of it as a Cm (concert pitch) blues, with a more harmonically exciting turnaround at the end.
Backing tracks - I had a look on ireal pro but none of the backing tracks really captured the feel/rhythm correctly, so the backing track uploaded is me bashing away at a piano and a drum module in Reaper. It's more natural sounding than the iReal stuff, but still not great so if you've got a better one feel free to use that! There are two versions of my homemade one, both with a four bar intro - one that repeats 6x, and one that's just 3x, although you could argue both versions are....SHORTER 😉
Here's the original:
Looking forward to hearing your recordings.
9 Replies
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519 views
Saxophones The Alphabet of Tone
The Alphabet of Tone
words often encountered when one discusses or expresses an instruments tone....
Bright
Warm
Rich
Dark
Lush
Centered / Focused
Spread
what else have YOU heard?
words often encountered when one discusses or expresses an instruments tone....
Bright
Warm
Rich
Dark
Lush
Centered / Focused
Spread
what else have YOU heard?
8 Replies
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139 views
Saxophones Trying to date my Amati Kraslice Tenor
Hi everyone!
A coworker's grandma passed away and her family passed her Amati Kraslice Tenor on to me.
It looks quite old (for example: the whole thing is silber, but the inside of the bell is gold), but me and my friends didn't have any luck finding something with the serial number.
The serial number is: 43826
I've added some photos, maybe this will help 🙂
Thanks already!!
A coworker's grandma passed away and her family passed her Amati Kraslice Tenor on to me.
It looks quite old (for example: the whole thing is silber, but the inside of the bell is gold), but me and my friends didn't have any luck finding something with the serial number.
The serial number is: 43826
I've added some photos, maybe this will help 🙂
Thanks already!!
17 Replies
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9979 views
I found this ancient Otto Langey Saxophone Fingering Chart, circa 1890, inside the case of a 1921 C Melody sax. The condition is poor, but it's still a cool find. I gather it's a fingering chart for those transitioning from the "older" 12-key saxophone to the "newer" 15-key layout. I don't see a date on this anywhere, so the 1890 guess came from the PC.
14 Replies
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314 views
Miscellaneous Photography - all aspects
Following various recent posts, I thought I would create a thread specifically for photography. Somewhere to talk about equipment, experiences, processing...
To start off, I was a Nikon user for over 40 years, but had to 'down size' as handling full-frame cameras and lenses was getting to be too much like hard work and giving me shoulder issues. My current digital camera is a mirrorless Fuji X-T5.
For film cameras, I have a Pentax MX, Mamiya RB67, and a Sinar F2.
To start off, I was a Nikon user for over 40 years, but had to 'down size' as handling full-frame cameras and lenses was getting to be too much like hard work and giving me shoulder issues. My current digital camera is a mirrorless Fuji X-T5.
For film cameras, I have a Pentax MX, Mamiya RB67, and a Sinar F2.
426 Replies
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16538 views
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