Just clearing out my Vinyl, they are both still there: Lee Allen and Ornette Coleman
When I was 16, from my own money earned by working after school on a poultry farm, bought on sale from Radio Shack a true high fidelity portable capstan 1/4 inch tape recorder.When I was about 12 or so, I used to sneak into my brother's room to copy his LPs onto cassette tape. He had Brothers in Arms lying around, including Your Latest Trick. Shortly after, it occurred to me that the saxophone would be a great instrument to play. Consequently, I blame it all on Mike Brecker. (Still working on those charming grace notes, more than 3 decades later ...)
That is definitely a valid reason.I hadn't commented in this thread before because no one sparked my love for the saxophone -- I decided to learn it because I wanted to learn a wind instrument and it seemed one of the more accessible choices.
A younger David Bowie took lessons from Ronnie Ross apparentlyPerhaps this is a bit tangential but it was David Bowie, and the unearthly sounds he was creating on his Berlin trilogy. WheoI discovered it was a saxophone that hooked me.
For me definitely Wayne Shorter on "Domino Theory" I played that record for months and months and thought that after this no new music could exist.I know that a lot of us think of the jazz greats when we think of great sax players but what track or player was the initial spark that lit the flame of love for the sax and sax music.
I think it was the sax part in careless whisper played by Steve Gregory that started it all and the the sax solo from "Will you" by Hazel O Conner can't remember who the sax player was but someone will tell me
Who was it for you?
mamos
Thank You, I am Charles’ daughter.For me, it was Charles Miller. Not heard of him? He definitely deserves more attention. He played for War (a peaceful band) from LA in the 70s. Illustrious personel included Eric Burden (ex Animals) . Sadly Charles Miller got murdered before we could hear more. He played with the best but they always gave him huge solos as he was just SO good. Personally I don't like "clever" players with too many notes in every bar, it just does not float my boat. I think it's all about emotional connection and this is what Miller is about. Yes he has the tech, but that's not what he is in front of you for - its about communication heart to heart -direct, simplified, passionate, uncluttered - he is truly "speaking". Nearest thing to a prayer on a sax I have ever heard.
I would post links here, but I am a newbie and they would be blocked. So go to utube and look up these tracks
WAR Back Home
WAR Blues for Memphis Slim
Go on take a look, don't pass it over, it's well worth knowing him
Z
