Introduction Tasty

[JimMozz]

Hello. I’m new to this. I am 46 so there is that! I have a 1950 Pan American tenor and a SML Super46 alto. A friend also gave me a YTS23 from the 80s. They all play ok I think but I have little experience. I have adjusted them all to where they sound as close as I can get in tune. I have a few mouthpieces. I went a bit obsessive, which is my way, buying a Getasax reso and an Otto Link super tone NY which has been dressed up by Ed Pillenger both of these are in a 7*. I’ve been playing with 2.5 reeds.
I have some of the gear but still no idea.

 

[JimMozz]

Sorry. Forgot to ask. With this setup what would you play.

 

[turf3]

Sorry. Forgot to ask. With this setup what would you play.

Music.

 

[Colin the Bear]

Sorry! I don't understand the question. 🤔

 

[mizmar]

SSDS (same ****, different set-up)

 

[JimMozz]

Wow thanks. Which combination would be best that would work

 

[JimMozz]

Appreciate the sarcasm tho

 

[Tenor Viol]

Hi welcome.

I think what is being hinted at perhaps is what music are YOU interested in? Any particular style or genre? Do you like the sound of particular players? You might be a fan of New Orleans jazz, or classic big band, or fusion jazz... it all depends.

Whilst mouthpiece/sax combination can affect the nature and 'colour' of the sound, the biggest influence is the player.

If you're a beginner, or in your early stages, it's not a good idea to chop and change instruments/mouthpieces too much as you need to develop core technique, especially around embouchure. As a general rule, large tip opening mouthpieces, like a 7*, are a tougher ask for new players.

 

[MikeMorrell]

Welcome to the cafe!

 

[JimMozz]

Ah cool. Yeah true. Ok thanks. Love all the usual. 50s jazz. I think Ben Webster and Joe Henderson are my absolute favorites. But love Immanuel Wilkins and Jim Black and the Schrimps. Plus ska. Like the ripping cloth sort of sound!

 

[JimMozz]

This is so cool

 

[Jeanette]

Missed this thread, welcome to the café

Jx