Ligatures Rovner Platinum ligature

Pins up the platinum is one of the only ligs i founds holds a legere reed on a metal link..
Dark/Standard, Light, Mark III, Ed Daniels, Versa .... all with pins on the top can work on the Link as well. I think Platinum is a littlte bit too firm. I play both baritone and tenor reeds on my tenor mouthpieces and I find a fabric ligature easier to adjust. I'm not saying Plantinum are bad, they just don't fit me. I played the platinum on jam on and I got lots nice comments about the Platinum lig on the Deep-V. Not about how I played !!!!
 
One thing that I've never experienced is someone coming up to me and saying "nice ligature!"
Sounds like the recognition I used to get from a college lecturer after attending one of my classical recitals: a forced smile and a few nods of the head.
 
Dark/Standard, Light, Mark III, Ed Daniels, Versa .... all with pins on the top can work on the Link as well. I think Platinum is a littlte bit too firm. I play both baritone and tenor reeds on my tenor mouthpieces and I find a fabric ligature easier to adjust. I'm not saying Plantinum are bad, they just don't fit me. I played the platinum on jam on and I got lots nice comments about the Platinum lig on the Deep-V. Not about how I played !!!!
For me its that firmness that i need. The legeres are thinner than cane and the platinum stops side to side movement. I think a legere allows for the tightness. Or so I have convinced myself lol. Funny if using cane I prefer the otto link lig or one that doesnt hold from the end of the reed to the vamp..
 
For me its that firmness that i need. The legeres are thinner than cane and the platinum stops side to side movement. I think a legere allows for the tightness. Or so I have convinced myself lol. Funny if using cane I prefer the otto link lig or one that doesnt hold from the end of the reed to the vamp..
I think the reed-ligature-mouthpiece combo is important to the efficiency. If we have problem the "reed-ligature-mouthpiece combo", you are probably having more problems down the sax.

I use to drop a few drops of water on the stock of the reed and the table of the mouthpiece. So the mouthpiece and reed get better connection. If the reed is longer than the table of the mouthpiece, cut it off with a jewelers saw. It's stealing energy. I think you know how to deal with this. Use the knowledge from burners, boilers .... .
 
If the reed is longer than the table of the mouthpiece, cut it off with a jewelers saw. It's stealing energy. I think you know how to deal with this. Use the knowledge from burners, boilers .... .
I think this statement may come under scrutiny. My understanding is the stock or butt end of the reed does not vibrate or contribute anything to sound generation, provided it is held firmly by the ligature. It all happens at the vibrating tip.
 
I think this statement may come under scrutiny. My understanding is the stock or butt end of the reed does not vibrate or contribute anything to sound generation, provided it is held firmly by the ligature. It all happens at the vibrating tip.
Yep. The free end that is hanging over the end of the table is a cantilever. It is also very thick and not driven by any source of energy. A reed’s vibration comes from the tip, not the clamped bit.
 

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