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<blockquote data-quote="Linky Lee" data-source="post: 615788" data-attributes="member: 15"><p>Yeah Bob got it pretty solidly on.</p><p></p><p>Tonguing is mainly used to articulate the beginning and end of notes, phrases etc.</p><p></p><p>You need to tongue notes because otherwise slurred notes won't have the impact they need.</p><p></p><p>The thing with articulation is it's all about contrast, and over emphasising it but without it becoming ridiculously aggressive.</p><p></p><p>Having good tonguing control is essential for implying moods. Legato tonguing (soft tonguing) goes well with slower, typically sorrowful moods, where a harder tonguing method will add punch and help you cut through when playing in a section or playing fast pieces.</p><p></p><p>There are also a few different ways to tungue on the sax.</p><p></p><p>two I use as they give slightly different articulations.</p><p></p><p>the first is using the tip of the tongue on the edge of the reed, and using a 'tuh' articulation.</p><p></p><p>The second, which I prefer and my teacher (maybe a bit of influence there?) is arching the tongue and using the centre on the reed slightly further down.</p><p></p><p>Mixing these two together gives a really good double tongue method. Similar in principle to playing double time on drums using a flick back motion with the wrist after making the initial strike.</p></blockquote><p></p>
[QUOTE="Linky Lee, post: 615788, member: 15"] Yeah Bob got it pretty solidly on. Tonguing is mainly used to articulate the beginning and end of notes, phrases etc. You need to tongue notes because otherwise slurred notes won't have the impact they need. The thing with articulation is it's all about contrast, and over emphasising it but without it becoming ridiculously aggressive. Having good tonguing control is essential for implying moods. Legato tonguing (soft tonguing) goes well with slower, typically sorrowful moods, where a harder tonguing method will add punch and help you cut through when playing in a section or playing fast pieces. There are also a few different ways to tungue on the sax. two I use as they give slightly different articulations. the first is using the tip of the tongue on the edge of the reed, and using a 'tuh' articulation. The second, which I prefer and my teacher (maybe a bit of influence there?) is arching the tongue and using the centre on the reed slightly further down. Mixing these two together gives a really good double tongue method. Similar in principle to playing double time on drums using a flick back motion with the wrist after making the initial strike. [/QUOTE]
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