newageanubis
Member
- Messages
- 7
I'm in the long, expensive stage of experimenting with reeds and mouthpieces. Recently, I discovered that the Link 7 HR I use is one of the crappy ones. Kind members over at SOTW have told me that it suffers from a messed up rollover. Refacing may not be a good idea for a beginner like myself.
And so, I'm planning to purchase another mouthpiece. I'd like to get a lot closer to the ONE mouthpiece, so I need a little help. The Link 7 HR I've been using has a tip opening of about .100 and my dynamics barely have any contrast and my sound is a little airy at times. How many facing numbers should I drop down to improve my sound?
Also, I don't think I should dive into the world of metal pieces yet. I'm not ready. If I'm playing for a standard jazz ensemble and a jazz quintet, what mouthpieces would you recommend to help (with practice) to achieve a dark, "old school", Plas Johnson-like sound?
And so, I'm planning to purchase another mouthpiece. I'd like to get a lot closer to the ONE mouthpiece, so I need a little help. The Link 7 HR I've been using has a tip opening of about .100 and my dynamics barely have any contrast and my sound is a little airy at times. How many facing numbers should I drop down to improve my sound?
Also, I don't think I should dive into the world of metal pieces yet. I'm not ready. If I'm playing for a standard jazz ensemble and a jazz quintet, what mouthpieces would you recommend to help (with practice) to achieve a dark, "old school", Plas Johnson-like sound?
